Character

Picture World ◽  
2020 ◽  
pp. 21-83
Author(s):  
Rachel Teukolsky

“Character” is often studied as the deep psychological self crafted by the nineteenth-century realist novel. Yet Chapter 1 proposes an alternative history of character by looking to caricature, in some of the earliest comics (“Galleries of Comicalities”) appearing in sporting newspapers in the 1830s. Early caricatures portrayed an idea of character that was grotesque, masculinist, and brilliantly exteriorized, especially in depictions of “the cockney,” the urban mischief-man whose subversive masculinity reflected the economic pressures of the new urban economy. Cartoons featuring the cockney were anti-authoritarian, carnivalesque, and often laced with crude racism and misogyny. Their mock-violent energy gave voice to some of the explosive frustration felt by working- and lower-middle-class men after the failures of the Reform Bill of 1832. The young Charles Dickens borrowed many of his earliest subjects from extant caricature motifs, reflecting some of the fundamental instabilities of social class and economic precarity defining the Reform Era.

PMLA ◽  
2000 ◽  
Vol 115 (1) ◽  
pp. 33-45 ◽  
Author(s):  
Rita Felski

In contemporary literary and cultural studies, little attention has been paid to the lower middle class, described by one scholar as “the social class with the lowest reputation in the entire history of class theory.” This article discusses the representation of the lower middle class in literature and scholarly writing. George Orwell's novels of the 1930s and Hanif Kureishi's The Buddha of Suburbia offer some illuminating perspectives on the British lower middle class, though Orwell's novels also reveal a conspicuous disdain for their subject. This disdain is echoed in much of the scholarly writing on the lower middle class. Decried for its reactionary attitudes by Marxists, the “petite bourgeoisie” also poses problems for a contemporary cultural politics based on the idealization of transgression and on the romance of marginality. Rather than embody an outmoded or anachronistic class formation, however, the lower middle class may offer an important key to the contemporary meaning of class.


1971 ◽  
Vol 14 (2) ◽  
pp. 305-321 ◽  
Author(s):  
Edward Royle

The history of mechanics’ institutes ‘is at once beautiful and terrible to read', Christopher Charles Cattell, the Birmingham radical republican, told the members of his Eclectic Institute in 1854. Contemporaries of the mechanics’ institute movement in the mid-nineteenth century were acutely aware of this terrible history. ‘The banquet was prepared for guests who did not come …,’ wrote Robert Elliott in 1861. J. W. Hudson referred to ‘The universal complaint that Mechanics’ Institutions are attended by persons of a higher rank than those for whom they were designed…’ The Westminster Review continued the lament, Samuel Smiles, Lloyd Jones and J. M. Ludlow joined the chorus, and later historians have followed the tune. E. P. Thompson, for example, writes: ‘After the mid-Twenties the tendency was general for the custom of artisans to give way to that of the lower middle class, and for orthodox political economy to come into the syllabus.


Author(s):  
Ushashi Dasgupta

The Introduction offers a preliminary discussion of what Charles Dickens calls the ‘lodger world’, and it establishes the book’s main lines of argument. It explains that tenancy, an economic transaction realized in space, was a central aspect of everyday life in the nineteenth century. An overwhelming majority of Victorians did not own their homes outright. Instead, they were tenants: while single families could take entire houses on lease, lodgers lived in rooms overseen by landladies, and these many kinds of rented space captured Dickens’s imagination. The pervasive need to rent in the period encourages a reassessment of middle-class domestic ideology. The Introduction surveys the history of the property market, reviews Dickens’s active participation in rental culture throughout his life, and describes a number of his creative relationships. It considers the ‘spatial turn’ in cultural studies, and ultimately sets up a link between rented space, narrative, and genre in Dickens’s thinking.


Author(s):  
Ushashi Dasgupta

This book explores the significance of rental culture in Charles Dickens’s fiction and journalism. It reveals tenancy, or the leasing of real estate in exchange for money, to be a governing force in everyday life in the nineteenth century. It casts a light into back attics and landladies’ parlours, and follows a host of characters—from slum landlords exploiting their tenants, to pairs of friends deciding to live together and share the rent. In this period, tenancy shaped individuals, structured communities, and fascinated writers. The vast majority of London’s population had an immediate economic relationship with the houses and rooms they inhabited, and Dickens was highly attuned to the social, psychological, and imaginative corollaries of this phenomenon. He may have been read as an overwhelming proponent of middle-class domestic ideology, but if we look closely, we see that his fictional universe is a dense network of rented spaces. He is comfortable in what he calls the ‘lodger world’, and he locates versions of home in a multitude of unlikely places. These are not mere settings, waiting to be recreated faithfully; rented space does not simply provide a backdrop for incident in the nineteenth-century novel. Instead, it plays an important part in influencing what takes place. For Dickens, to write about tenancy can often mean to write about writing—character, authorship, and literary collaboration. More than anything, he celebrates the fact that unassuming houses brim with narrative potential: comedies, romances, mysteries, and comings-of-age take place behind their doors.


2020 ◽  
Vol 5 (2) ◽  
pp. 129-146
Author(s):  
Josephine Hoegaerts

The nineteenth century saw a rise in the categorization and systematic observation of manifestations of dysfluent speech. This article examines how, from the 1820s onward, different vocabularies to distinguish between different speech impediments were developed in France, Germany and Britain. It also charts how different meanings, categories and chronologies of ‘stammering’ knowledge were exchanged transnationally. The universalist medical models emerging around stammering were, despite this constant exchange, also closely connected to cultural imaginations of speech, the particular values assigned to one’s (national) language and political modes of belonging. Although the analysis is largely based on prescriptive texts, it also reveals how embodied experiences of dysfluency informed the medical and pedagogical work undertaken in the nineteenth century: a remarkable number of ‘experts’ on speech impediments claimed to be ‘former sufferers’. The history of dysfluency in the nineteenth century is therefore not one of linear medicalization and pathologization, but a continuous exchange of vocabularies between different actors of middle-class culture. Expertise on speaking ‘well’ was shared in medical treatises, but also on the benches of parliament, in cheap self-help pamphlets, in the parlour, or in debating clubs – suggesting that the model of ‘recovery’ was a manifestation of (middle class) culture rather than of a strictly medical discourse.


Author(s):  
Padraic X. Scanlan

This chapter shows how Europe's colonial expansion and imperial economic exploitation contributed to the rise of European middle classes and at the same time shaped European bourgeois culture and values. It points out that Britain's nineteenth-century middle class was as much a product of imperial expansion and the integration of global markets as it was one of religious introspection or the politics of bourgeois respectability. The chapter reveals that the Victorian middle class made, and was made by, the domestic and imperial reform movements of the nineteenth century. Campaigns for reform in imperial governance, for the end of slavery in British colonies, and for the expansion of the British missionary movement shared practices, ideas, and key personnel with many vigorous domestic reform programs. The chapter locates the connections between the imperial and domestic faces of Victorian values in the history of Britain's place in an emerging global capitalism and points to the spread of “Victorianism” far beyond the British archipelago.


Author(s):  
Andrew Warnes

Chapter 1 offers a brief history of the demise of the shop counter and of the rise of self-service over the late nineteenth century. It offers a brief reading of Sister Carrie, showing how self-service engendered a new relationship to the commodity object, which, in turn, reflected on individual self-image.


Author(s):  
David Fieni

Chapter 1 does a comparative reading of French theories of philological decadence and Arabic and Islamic accounts of reformism and modernization in the second half of the nineteenth century. It begins with an examination of the secular philosophy of history of French Orientalist Ernest Renan, which both denies the very existence of decadence as a useful category of analysis and simultaneously constructs the Semite as inherently decadent. Renan’s 1883 debate with Persian reformist intellectual Jamal al-din al-Afghani demonstrates how European Orientalism set the terms for discussions of modernity but also how al-Afghani’s response partially defamiliarizes the categories of thought that frame the debate itself. The chapter ends with an exploration of two Arabic analyses of Arab decadence by Farah Antun and Abd al-Rahman al-Kawakibi, who, along with al-Afghani, constitute a mode of “nomad thought” that contrasts markedly with Renan’s self-satisfied and self-centering diagnosis of Oriental decadence.


2019 ◽  
pp. 11-45
Author(s):  
Tyler Carrington

Chapter 1 begins by following the seamstress Frieda Kliem as she moves in 1902 from a rural province to the metropolis of Berlin. As Frieda looks for work, lodging, and acquaintances and then ultimately starts her own business and turns down the matchmaking efforts of a new friend, she personifies the “struggle for existence” that confronted working- and lower-middle-class Berliners, especially single women. After exploring popular cultural and social-scientific perspectives on the plights of men and women in the emerging city alongside the real-life stories that lent them such resonance, this chapter examines Berliners’ fixation on fate and the fortuitous encounter as a path to love. It argues that these imagined rendezvouses, which remained off-limits for respectable Berliners, are best understood as an attempt by Berliners to balance their attraction to the freedoms and possibilities of the modern world with the ever-present awareness of the risks associated with it.


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