scholarly journals Five Degrees of Separation between Art and New Media: Art and Technology Projects under the Critical Lens

Artnodes ◽  
2011 ◽  
Vol 0 (11) ◽  
Author(s):  
Cristina Albu
2020 ◽  
Vol 12 (19) ◽  
pp. 8049
Author(s):  
Min Li ◽  
Tsung-Chih Hsiao ◽  
Chih-Cheng Chen

The deeper the combination of art and technology, the more extensive the cooperation between artists and technologists. In many cases, the creation of New Media Art requires the cooperation of artists and technologists. However, since New Media Art is an emerging art form, the process of cocreating New Media Art between the two is at the exploration stage. Especially in areas with underdeveloped New Media Art and underdeveloped technology, there exist many problems in the cooperation between the two, such as a lack of complete understanding of the factors involved in the cooperation process and a lack of reasonable planning for the cooperation process. Therefore, this study analyzes the factors that affect the collaboration process between the two creating New Media Art. Common factors are collected from the literature and then added or deleted after expert opinions. Then, analytical hierarchy process (AHP) method is applied to get the weight of each factor and understand the influence degree of the factor. The research results show that there are relatively fixed factors influencing the collaboration process between artists and technologists in creating New Media Art, and various factors have different degrees of influence on cooperation. Therefore, in the process of cooperation between the two parties, more emphasis should be placed on the factors of cooperation, which makes the cooperation more scientific.


2021 ◽  
Vol 22 (1) ◽  
pp. 206-216
Author(s):  
Cătălin Soreanu

Abstract This article investigates the relationship between art and technology, pointing the constants of a process of cultural digestion which is mediated by the very sovereign technological environment – the Internet. Relying on the multiplicity and hybridization of the content formats, and also on the user involved interactivity as constructive vector-relationships, new media art and the internet art are natural consequences of the artistic practices of creative appropriation of contemporary technological media. As the complexity of the relationship between art and the technological environment becomes richer than ever, we assist to the creation of a contemporary ultra-technological culture, structurally dependent on the media and responsible for relativizing the critical positioning of the art consumer. Defining the premises of the interaction with a technologically interfaced world of art, the user (reader) of the Internet as a medium of expression is – equally – a consumer, and a producer of information (content).


2020 ◽  
Vol 4 (1) ◽  
Author(s):  

Abstract This paper presents a discussion of conceptual art in terms of new media and technology. The author aims to highlight the interplay of technology and new media with conceptual art. In conceptual art, the idea or concept behind the work is as important as the work itself. In these ways, new media is a blend of various media juxtaposed with enticing thoughts and ideas. Taking an essential step in that direction, technology has been a significant player in the global impact of 21st-century artists from India. Interestingly, artists used electronic technology to broadened their ways and expressed their ideas conceptually based. Technological development giving rise as well as generate creative visual forms. “In conceptual art, the idea or concept is the most important aspect of the work…the idea becomes a machine that makes the art”. In this way, both conceptual Art and Technology are much more closely related. The author further exemplifies the contemporary artists work in India at the intersection of conceptual Art, Technology, and new media art. Therefore, using secondary data and descriptive research methodology, this paper re-examines conceptual Art, new media, and Technology to promote dialogue and creative expression and address social change. By interpreting conceptual art in terms of media and technology, the author concludes that these tendencies share significant similarities, and that is a beneficial and innovative sight in the contemporary art scene in India. Technology is shown to have a significant influence on conceptual art but often based on historical, social and cybernetic narratives. Keywords: Conceptual Art, Technology, New Media Art, Idea and Concept


2019 ◽  
Vol 6 (2) ◽  
pp. 14-20
Author(s):  
Lu Jingqi ◽  
Su Dam Ku ◽  
Yeonu Ro ◽  
Hyung Gi Kim

2020 ◽  
Vol 7 (1) ◽  
pp. 10-13
Author(s):  
Wenyi LI ◽  
Hyung-gi Kim
Keyword(s):  

2015 ◽  
Vol 2 (2) ◽  
pp. 13
Author(s):  
Wonjin Song ◽  
Joonki Paik
Keyword(s):  

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