Study on General Methods of Teaching Music in the Primary School

2021 ◽  
pp. 81-93
Author(s):  
Benjamin Adjepong
2009 ◽  
Vol 11 (2) ◽  
pp. 221-240 ◽  
Author(s):  
Susan Hallam ◽  
Pamela Burnard ◽  
Anne Robertson ◽  
Chris Saleh ◽  
Valerie Davies ◽  
...  

2013 ◽  
Vol 8 (1.) ◽  
Author(s):  
Tomislav Košta ◽  
Rea Desnica

The period after World War II in Croatia and Slovenia is a very significant in terms of development of education, especially the teaching of music in general and music-pedagogical profession. The new school system and compulsory eight-year primary school created a favorable climate for the influx of new ideas relevant to the development of methods of teaching music. In this paper we present the main methodological characteristics of the most important music educators of the time, we analyze to what extent and in what way their concepts of musical education influenced the work of Croatian and Slovenian music educators and the development of musical and pedagogical profession in Croatia and Slovenia in the second half of the 20th century. The ideas of some of these music educators are successfully implemented in the teaching of music, and some ideas simply has not encountered fertile soil. None of these methodical system has not yet been implemented as a separate concept, but only some of the elements have been used in the teaching of music, such as Orff' instrumentation.


2014 ◽  
Vol 32 (2) ◽  
pp. 143-161 ◽  
Author(s):  
Michele Biasutti ◽  
Sarah Hennessy ◽  
Ellen de Vugt-Jansen

The issue of music teacher training for primary generalist teachers is shared by many countries in the world. We know from a range of studies which factors contribute to teachers’ abilities and confidence, but there are fewer studies that document the possible training approaches and interventions that might improve the outcomes. This article describes an international educational experience addressed to 23 trainee primary teachers coming from Austria, Italy, the Netherlands and Slovenia. The Intensive Programme1 called ‘International Summer School in Educating Music Teachers’ (ISSEMT) was offered at Padova University, Italy with the purpose of fostering confidence and competences among trainee generalist teachers for teaching music in the primary school. In planning the didactic approach of the ISSEMT, methods designed to enhance participants’ understandings of teaching creatively and teaching for creativity were adopted. The entire educational activity was evaluated by students using questionnaires and discussion. In addition, a follow-up interview was conducted with students after two years and five months, at the end of the ISSEMT. Students refer to the improvement of confidence in teaching music and the application of a creative approach. They appreciated the approach, the practical teaching ideas and the way the course closely related to their educational needs. These results are discussed in the framework of confidence development of the generalist teacher in the primary school for teaching music. The key factors that contributed to the effectiveness of the ISSEMT are also discussed.


2006 ◽  
Vol 23 (1) ◽  
pp. 23-38 ◽  
Author(s):  
Hilary Holden ◽  
Stuart Button

This article reports on an investigation of the teaching of music by non-music specialists in the primary school. In particular, it examines attitudes to teaching music, factors affecting teachers' confidence, the relationship between confidence and training, support for music teaching, teaching experience and musical background. The non-specialist teachers taking part in this survey were chosen from twelve schools across one Local Education Authority (LEA). The attitudes and views on teaching music of 71 teachers were obtained through a questionnaire survey and follow-up interviews. The findings of this survey show that there is much work still to be done in providing non-specialists with effective long-term training and support to increase their music skills, subject knowledge, and confidence, to enable them to make a more marked difference to children's musical education.


Pedagogika ◽  
2020 ◽  
Vol 139 (3) ◽  
pp. 175-198
Author(s):  
Vesna Svalina ◽  
Jelena Zelić

This article examines the preferences of first, second, and third grade primary school students towards activities carried out in music teaching. The results of the research showed that in music teaching, singing activities are most commonly performed, and students prefer to participate in musical games. The results also showed that there were significant differences in students’ responses to their satisfaction with playing Orff instruments and musical creativity activities according to their age.


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