An Interview with Elmer Beard: Remembrances of Black Activism, Communal Solidarity, and the Burning of Roanoke Baptist Church in Hot Springs, Arkansas

Context The oral history interview with Mr. Elmer Beard, a longtime political activist, politician, and educator, is part of a series of interviews for a study on Black church burnings, arsons, and vandalism from 2008 to 2016. Mr. Beard gives historical context to recent Black church arson with a focus on the mysterious burning of Roanoke Baptist Church in Hot Springs, Arkansas, on 22 December 1963. On 9 March 2018, the interview took place in Hot Springs at the current church site. The dialogue starts with biographical questions and evolves into details about Mr. Beard’s experience growing up in a racially segregated society, particularly in south-central Arkansas.

Women in a Men’s Collective in the 1970s and 1980s

For many years, the Czech Philharmonic Orchestra was an exclusively male organization despite the increasing number of women in Czechoslovakia joining the workforce. This paper, which is based on oral history interviews with members of the orchestra, the paper will attempt to identify the reasons why almost no women were employed there during the period of Czechoslovak Socialism and under what kind of conditions the only two female members worked. Through interpretation and depth analysis of the oral history interview with one of the two female musicians employed by the Philharmonic before 1989, the paper will primarily map the issue of how women reconciled work and family life, which was considered one of the main obstacles for female musicians, while also taking into consideration the Philharmonic’s prestige and its frequent tours abroad. The acquired experience of a female musician is interpreted within the context of male narratives and is embedded in the study’s theoretical framework. This framework is defined by the available research on women’s emancipation and transformations of the gender order of the Czechoslovak socialist society, as well as research comparing the career patterns of musicians (both female and male) and the inclusion of women in the world’s leading symphony orchestras.

Makers and Keepers: Two Lives, through Photographs

Looking through the pages of family photo albums or the folders of photographic archival fonds can only be described as holding history in your hands. Whether it is in the form of colour or black and white prints, negatives, or slides, these photo-objects carry histories of lives lived that go beyond their frames. Focusing on a set of oral history interviews conducted with two Black women living in Montréal — a community photographer or image “maker” who was most active during the 1970s–1990s and a photo-collector or “keeper” who is currently active in preserving and sharing photographs for her church and wider communities within the city — this article engages with how the interweaving of photography and oral history gives us a rich way to experience the histories of Black social life in Montréal. Photo-led oral history interviews are sites for fruitful and in-depth conversation, providing interviewee and interviewer alike with the possibility of coming into encounter with everyday or minor histories that are too often overlooked. Moreover, this article is driven by a set entwined questions: How does oral testimony open up additional avenues for sharing the events of the past that have been captured through photographic images? What affective and relational qualities do photographs possess and how, in turn, do these qualities transform the space of the oral history interview? And, most urgently, why was photography used by Black Montréalers as a tool and a practice to remember and insist upon their collective presence?

The Chinese Jamaican Oral History Project

The Chinese Jamaican Oral History Project is an initiative that aims to record and preserve memories and stories from the Chinese Jamaican community in Toronto. Its two distinct components are: (1) an online archive of audio-recorded oral history interviews, narrator portraits, and other images; and (2) an exhibition made from the contents of that archive. Specifically, the exhibition is comprised of twelve digital stories -- one for each of the narrators who has participated in the project so far. In every case, a soundbite has been selected to represent the complete oral history interview (which is archived online in full). Together with the images, these voices tell a story of the Chinese Jamaican community in Toronto, while also underscoring the diverse range of individual experiences within it.

The Chinese Jamaican Oral History Project

The Chinese Jamaican Oral History Project is an initiative that aims to record and preserve memories and stories from the Chinese Jamaican community in Toronto. Its two distinct components are: (1) an online archive of audio-recorded oral history interviews, narrator portraits, and other images; and (2) an exhibition made from the contents of that archive. Specifically, the exhibition is comprised of twelve digital stories -- one for each of the narrators who has participated in the project so far. In every case, a soundbite has been selected to represent the complete oral history interview (which is archived online in full). Together with the images, these voices tell a story of the Chinese Jamaican community in Toronto, while also underscoring the diverse range of individual experiences within it.

‘There Is Nothing There for Us and Nothing for the Future’: Deindustrialization and Workplace Occupation, 1981-1982

This article draws on research into three female-led occupations that occurred across central Scotland in 1981 and 1982. The actions at Lee Jeans, Lovable Bra and Plessey Capacitors were each in response to closure and relocation and, crucially in the context of this time period, were at least partly successful in opposing full closure. The piece considers the uses and limitations of mobilization theories in accounting for the collective action that emerged at the plants. Rejecting the individualistic frameworks that place extensive importance on injustice, it is suggested that the immediate impacts of manufacturing decline through the process of deindustrialization were a crucial factor in sustaining the action. Through an analysis of the statements made by the workers, their leaders and supporters at the time, along with an examination of oral-history interview narratives, the argument develops that these disputes were not localized actions at one site against one plant closure. By placing the factories and the workers within the social and economic contexts in which they took action, the research indicated that the process of collective action was dynamic and motivations were inevitably multiple, but that the detrimental impacts of deindustrialization - particularly as they related to the future of the localities - was crucial.

Erasing the Fear from the Eyes: A Micro-Narrative on Emotions in Spanish Migration to Cold-War Switzerland

In the summer of 1964, Miguel Soto, a Spanish immigrant to Switzerland, was arrested and imprisoned during his summer vacation in Spain, due to his participation in an anti-Francoist demonstration in Switzerland. This incident is the starting point for an inquiry into the problems – denunciation, political surveillance, xenophobia and anti-communism – that politically committed foreigners were confronted with in their home country and in Switzerland, and into the strategies they used to overcome them. Soto’s experience, including an oral history interview with him and archival material, reveals the regime of fear under which such immigrants lived, and questions the quality of democracy in post-war Switzerland.