object theory
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2021 ◽  
Vol 2 (5) ◽  
pp. 44-49
Author(s):  
Isenyo Solomon Ogaba

Our thoughts are certainly about things(objects), however, what kind of things(object) are our thoughts directed at? What is the relationship between mental objects and external world object? What is the nature and character of mental and extra mental objects? An attempt at answering these meta-epistemological questions, brought to light the ideas of Franz Brentano on ‘Intentionality’ and Alexius Meinong’s Theory of object. Through proper method of philosophical analysis, it was discovered that both philosophers agreed that intentionality is a unique character exhibited by the human mind. However, Meinong went further to develop a more comprehensive object theory which attempts at clarifying some of the ontological difficulties associated with Brentano’s notion on intentionality. The research concluded that, though, both philosophers had areas of divergence and convergence in their respective epistemological thoughts, but insisted that the influence of Brentano’s ideas on Meinong cannot be overemphasized, which is to say, Meinong’s object theory, could be said to be a reaction towards the problem of referential opacity present in Brentano’s account of Intentionality.


Topoi ◽  
2021 ◽  
Author(s):  
Imke von Maur

AbstractIn order to explore how emotions contribute positively or negatively to understanding the meaning of complex socio-culturally specific phenomena, I argue that we must take into account the habitual dimension of emotions – i.e., the emotion repertoire that a feeling person acquires in the course of their affective biography. This brings to light a certain form of alignment in relation to affective intentionality that is key to comprehending why humans understand situations in the way they do and why it so often is especially hard to understand things differently. A crucial epistemic problem is that subjects often do not even enter a process of understanding, i.e., they do not even start to consider a specific object, theory, circumstance, other being, etc. in different ways than the familiar one. The epistemic problem at issue thus lies in an unquestioned faith in things being right the way they are taken to be. By acknowledging the habitual dimension of affective intentionality, I analyze reasons for this inability and suggest that being affectively disruptable and cultivating a pluralistic emotion repertoire are crucial abilities to overcome this epistemic problem.


Synthese ◽  
2021 ◽  
Author(s):  
Michela Summa

AbstractAccording to the so-called ‘artifactual theory’ of fiction, fictional objects are to be considered as abstract artifacts. Within this framework, fictional objects are defined on the basis of their complex dependence on literary works, authors, and readership. This theory is explicitly distinguished from other approaches to fictions, notably from the imaginary-object theory. In this article, I argue that the two approaches are not mutually exclusive but can and should be integrated. In particular, the ontology of fiction can be fruitfully supplemented by a phenomenological analysis, which allows us to clarify the defining modes of givenness of fictional objects. Likewise, based on the results of the artifactual theory, some assumptions in the imaginary-object theory, which are liable to be interpreted as laying the ground to phenomenalism, can be corrected.


2021 ◽  
Vol 4 (155) ◽  
pp. 167-170
Author(s):  
S.S. SHEVCHUK ◽  
◽  
N.V. PETROV ◽  
Keyword(s):  

2020 ◽  
Vol 17 (1) ◽  
pp. 1
Author(s):  
Francesco Berto ◽  
Filippo Casati ◽  
Naoya Fujikawa ◽  
Graham Priest

We reply to various arguments by Otavio Bueno and Edward Zalta (‘Object Theory and Modal Meinongianism’) against Modal Meinongianism, including that it presupposes, but cannot maintain, a unique denotation for names of fictional characters, and that it is not generalizable to higher-order objects. We individuate the crucial difference between Modal Meinongianism and Object Theory in the former’s resorting to an apparatus of worlds, possible and impossible, for the representational purposes for which the latter resorts to a distinction between two kinds of predication, exemplification and encoding. We show that encoding has fewer forerunners in the history of philosophy than Bueno and Zalta want, and that there’s a reason why the notion has been found baffling by some.


Author(s):  
Chad Shomura

Do considerations of Asian America as, to use Kandice Chuh’s words, a “subjectless discourse” entail a turn toward objects? “Object theory” refers to a broad range of intellectual currents that take up objecthood, things, and matter as starting points for reconceptualizing identity, experience, politics, and critique. A few prominent threads of object theory include new materialism, thing theory, speculative realism, and object-oriented ontology. Versions of object theory have also been developed in disability studies, critical ethnic studies, posthumanism, and multispecies studies. What spans these varied, sometimes contentious fields is an effort to displace anthropocentrism as the measure of being and knowledge. By troubling the (human) subject, the poststructural and deconstructive turns in Asian American studies have especially primed the field to more closely engage the place of objects in Asian America. While Asian American writers and critics have tirelessly explored subjectivity and its mixed fortunes—from providing access to legal rights, political representation, and social resources to facilitating the reinforcement of racial and ethnic hierarchies—they have also sought to tweak the historical relationship of Asian Americans to objects. Asian Americans have been excluded, exploited, and treated as capital because they have been more closely associated to nonhuman objects than to human subjects. Asian American literary studies develops object theories to grasp these dynamics through investigations of racial form, modes of objecthood, material things, ecology, and speculative fiction. Ultimately, object theory leads Asian American literary studies to reconsider the place of human subjectivity in politics, attend to the formation of Asian America through nonhuman matter, and develop positive visions for Asian American futures from speculative imaginations of being and reality. This article discusses the place of object theory in Asian American literature and surveys key topics, including phenomenologies of race, transvaluations of objecthood, speculative realisms, and ontologies of Asian America.


Psihoterapija ◽  
2020 ◽  
Vol 33 (2) ◽  
pp. 222-244
Author(s):  
Sladana Strkalj Ivezic ◽  
◽  
Milena Skocic Hanzek ◽  
Vedran Bilic ◽  
◽  
...  

2020 ◽  
pp. 59-88
Author(s):  
Edward N. Zalta
Keyword(s):  

2019 ◽  
Vol 23 (04) ◽  
pp. 1950031
Author(s):  
SIW M. FOSSTENLØKKEN

This paper explores the role of plans, as objects, in the formation of new innovation practice in organisations. A vocabulary for analysis is developed from innovation object theory. First, findings from an ethnographic study in a hospital organisation show that a plan serves several functions depending on its activation for use: a checklist of past practice (tertiary object), an opener for debates over current practice (secondary object) and a trigger for future practice development (primary object). Second, a framework is offered that shows how a plan supports different functionalities (evaluating, debating, further exploring) in a temporal dynamics of practice formation. Third, thus, plans play a significant role not only in planning activities, but also as connectors that shape and patch together pieces of past, present and future into what actually become new organisational practice. Finally, implications for innovation theory and management are drawn from these novel contributions.


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