In endowing the Holy Land with sanctity, the Crusades established it as an object of territorial desire and a site of spiritual transcendence. Cultivating this desire for the Holy Land involved several interrelated Crusade concepts: the power of pilgrimage traditions, perceptions of the Eastern enemy, fear and curiosity about the unknown, and delineations of the position of the Holy Land within a larger globe. These factors converged to redefine Jerusalem within a sacred landscape, where Crusaders sought to walk in the very steps that Christ had impressed in the sacred terrain. Such concepts were explored in Crusader maps, and articulated in Crusade lyric. The rhetoric of Crusade song variously relied upon circular and linear motions, dualistically juxtaposed nearness and distance, sameness and difference, and yearning and attainment. This chapter demonstrates ways in which Crusade songs, such as Ara pot hom conoisser by Raimbaut de Vaqueiras, mapped space, articulated geographic beliefs, and explored physical and spiritual senses of movement.