The Transformation of The Marble Faun: A case study of the extra-illustrated volumes of The Marble Faun published by Tauchnitz

This thesis explores the use and development of the photographically illustrated novel from a souvenir to a mass-market publication. An examination of three volumes of the Tauchnitz printing of Nathaniel Hawthorne's The Marble Faun details how tourists and booksellers adapted the novel through the addition of albumen prints to create a unique souvenir. By 1889, the technological advances in the printing process, the demands of tourism and the photographic selections from the Tauchnitz volumes made it possible for Houghton, Mifflin and Company to publish an illustrated copy of The Marble Faun containing photogravure prints. Like the European title of the book - Transformation or ,the Romance of Monte Beni - this paper demonstrates how the Tauchnitz touristproduced souvenir copies of the novel evolved into a mass-market product.

The Transformation of The Marble Faun: A case study of the extra-illustrated volumes of The Marble Faun published by Tauchnitz

This thesis explores the use and development of the photographically illustrated novel from a souvenir to a mass-market publication. An examination of three volumes of the Tauchnitz printing of Nathaniel Hawthorne's The Marble Faun details how tourists and booksellers adapted the novel through the addition of albumen prints to create a unique souvenir. By 1889, the technological advances in the printing process, the demands of tourism and the photographic selections from the Tauchnitz volumes made it possible for Houghton, Mifflin and Company to publish an illustrated copy of The Marble Faun containing photogravure prints. Like the European title of the book - Transformation or ,the Romance of Monte Beni - this paper demonstrates how the Tauchnitz touristproduced souvenir copies of the novel evolved into a mass-market product.

Readers and Reading Practices

This chapter explores reading diaries to illustrate the bibliographic world in which individual readers encountered novels. From the recording of a baffled enjoyment of Tristram Shandy, through the conjuring up of the ‘excessive’ teenage delights taken in the illustrated novel, and on to the pleasures of dismissing emergent new genres as ‘too Highlandish’, the evidence presented here suggests just how much pleasure readers gained from novels. Readers engaged with fiction in a number of different forms during this time and textual context subtly altered the kind of reading that it was possible to produce. Similarly, anecdotal accounts of reading aloud recognizes reading as a material act, which brings the body as well as the mind into play. Moreover, it is worth remembering those everyday gestures of reading, such as hurrying to the library for the next volume, that were such an important part of the novel reader's experience during this period.

How We Endure

For the past seven years, I've worked on completing an illustrated novel based on my experiences as a child growing up in a sometimes violent and unpredictable home. At first, I planned only to use the details of my life as a way of grounding the story, but the more I wrote and drew, the more I remembered new events and sensations of my childhood. This paper explores the process of writing and drawing as a way of revisiting, reexamining, and making new meanings of childhood experiences. Through fiction writing, I rearrange and reinterpret the past, constructing knowledge through causality and reasoning. Through drawing, I externalize and render visible sensations of childhood that had been previously inaccessible. Ultimately, I consider the ways writing and drawing function as a form of active remembering that reconstructs and reclaims the past.

Sea Change by F. Viva

Viva, Frank. Sea Change. Toon Books, 2016.What kid ever wants to be shipped off to some old relative’s place for the summer? Well, if you read any juvenile literature the answer is, of course, almost none. And Eliot is no exception.At first glance, Point Aconi, Nova Scotia does seem an unlikely place to have the ‘great time’ that Eliot’s mother claims he’ll have. There’s the offhanded old great-uncle and his mangy old dog, a rag-tag bunch of kids, some who have issues, the very unappealing food (tongue and onions or pickled pigs feet) and having to work on a fishing boat, all of which seem like a nightmare come to life.But, as in most of these kinds of novels, Eliot comes to love and appreciate the unique locale, care about the quirky kids who live there, and adapt to local ways. His growing maturity is evident when he takes on a local bully and helps him get a job. He also figures out the best way to help his new best friend, Beth, who is being physically abused by her father.Despite the predictability of some of the storylines, the strengths of the story are found in the strong sense of place and the various characters who live there. Viva is an author, illustrator and designer with several picture books to his credit and certainly, the quality of the book’s production is high with many artsy, retro-style illustrations and text formatting that is reminiscent of concrete poetry. The text flows and bends to highlight Eliot’s thoughts and observations, making the book all that more interesting.This short illustrated novel should find an audience with middle grade readers who like stories with interesting characters. The Canadian context makes this attractive for classroom use, too.Recommended: 3 out of 4 starsReview: Tammy FlandersTammy is the Reference Coordinator in the Doucette Library of Teaching Resources at the University of Calgary. She also reviews juvenile resources with an eye to classroom use in her blog, Apples with Many Seeds.