گل بنگلزئی نا افسانہ غاتا کتاب، دڑد آتا گواچی؛ نا جاچ اس

When the industrial revolution and progressive tendencies in the nineteenth century influenced every sphere of life, literature could also not escape such trends. At that time, fiction (short story) was introduced as a new genre in literary world and soon it managed to generate a distinction. Like the other languages ​​of the world, fiction writers of Brahui literature also effectively adopted this genre. Among the pioneer Brahui fiction writers, the name of Gul Bangulzai is also well known who initiated the fiction writing. The effects of the progressive literary movement can be seen in his fiction writings. Gul Bangulzai in his book of fiction, Darhd ata Guachi, centralized the topic on the problems of ordinary individuals and lower class of the region. The book was first published in 1984, thus, standing the second book in Brahui literature after Dr. Taj Raisani's book, Anjeer na Phul. In, Darhd ata Guachi, Gul Bangulzai mainly reflected the problems of village life in a unique manner. Gul Bangulzai skillfully identified the problems of farmers, laborers, women, shepherds, and gypsies. Additionally, the themes also include poverty, starvation, the hardships of weather, cruelties of higher class, the culture and traditions of people of Baluchistan, and their mentality. The fiction also depicted the stunning natural landscapes of this region. In the fictions of Gul Bangulzai frustration, deprivation, helplessness, cruelties, and poverty are observable. However, ultimately, the message it conveys that after the dark night there is a dawn of new morning and hope which is another distinguished beauty of the fictions of Gul Bangulzai, bestows him a unique status in Brahui literature wherein most fictions revolves around the complications of village life.

گڈیکو نظر، افسانہ نا نفسیاتی جاچ اس

Psychological analysis of Brahui short story is quite new in Brahui research. This paper describes the psychological disorders of various characters of ‘’Guddiko Nazar”. In the 1986 century Waheed Zaheer penned down “Guddiko Nazar”, a psychological short story in Brahui language. It was first published in his book “Shanza”. The aim of this paper was to reveal the mental disorders as depicted in the mentioned short story. Mental illness is a state of mind where psychological problems impose not only hurdles in a harmonious co-existence but create distress felt by the individual who suffers from one. A mental condition may even hurt those around the sufferer. In this study, the researcher employed content analysis, a branch of descriptive and analytical research to conduct a psychological review of fiction writing, in comparison with modern psychological theories, especially related to mental illness. The investigation revealed that “Guddiko Nazar” is a master piece of literary work of Brahui language, which focuses the important psychological disorders, like obsessive compulsive disorder (OCD) including anxiety, guilt, complexes and many more mental disorders. The short story reflects the writing skills in line with contemporary psychological fiction writing techniques.

The Artist Petar Dachev in Plamak Magazine

The article has a cultural-historical character, aiming to briefly present the biography and the first steps in art of an unfamous Bulgarian artist - Peter Dachev, as 2021 marks 125 years since his birth. What is taken into consideration are the reviews for his debut solo exhibition in Sofia in 1924, which impressed the art critics of the time with its originality and modernity. Special emphasis is placed on the artist’s presence on the pages of Plamak Magazine – an issue not previously taken into account. Based on archival information, it became known and commented that Peter Dachev made an attempt at fiction writing in Geo Milev’s edition, where the artist wrote under a pen name. The study is richly illustrated, with some of the images being published for the first time.

IN THE BEGINNING THERE WILL HAVE BEEN VIOLENCE: JUSTICE AND LAW. THE BROTHERS KARAMAZOV BY FYODOR DOSTOEVSKY

The realistic novel "The Brothers Karamazov” raises critical questions about modernist poetics, which refer to questions of religion, justice, law, and order within the narrative. They are interpreted both on the universal and the individual conceptual level, making the novel a complex system of narrative sequences. In the sequence related to the character of Ivan Karamazov, questions of fiction within fiction, writing and creation, repetition of the roles of the author and spectral characters in the story and the character of Ivan Karamazov are raised. These questions are modernist-critical and it is the intensity of their appearance that is referred to here. Modernism establishes the problematic situation of art itself, placing in the form of a meta quality, not only the question of artistic quality but also the field it belongs to in the foundations of the works of art themselves. The question raised is rooted in the basic meaning of literature. Literary forms bend self-referentially towards themselves, in order to twist anew and express reality. Modernist works ask readers whether all literary themes are legitimately literary or whether literature can deal with "any" topic. These questions have arisen since art has self-referentially bent towards the entirety of culture and art, and all the various questions raised in specific scientific fields. Therefore, it is sometimes said that literary works are, for example, philosophical, psychological. However, that refers to the entire literary order, whereas in the stated narrative the questions are so complex and the question of the literary status itself is entwined with their complexity

The Origins of Cyberspace

‘Cyberspace’ is a romantic term, introduced in the elegant science-fiction writing of William Gibson, but the concepts that make up the environment called ‘cyberspace’ are the stuff of real science, with origins that can be traced to ancient Greece. Much has been written about the origins of cyberspace, including a comprehensive sourcebook by Hook and Norman. This chapter tries to take a rather conceptual view of what constitutes cyberspace, tracing the origins of the ideas from fourth-century BCE Greece to the modern Internet-supported interaction space—throughout the discussion, the chapter will seek to elucidate the concept of ‘space’ and how it helps us to think about the cyber-world. On the way, the chapter considers the literary origin of the word, and the mathematical and logical theory that is required to build models of cyberspace.

1. A publication in post-First World War Paris

‘A publication in post-First World War Paris’ provides an overview of James Joyce’s major works, including Ulysses, Dubliners, A Portrait of the Artist as a Young Man, and Finnegans Wake. The theme of exile is central to much of Joyce’s work, as well as questions of sexuality and the rejection of the Catholic Church. The concern with sexuality led many to try and censor Joyce’s work. Thus, his work was often subjected to censorship and criticism. Despite being considered to be the greatest master of prose fiction writing in English, Joyce’s work had to overcome innumerable legal difficulties to find an audience.

Translanguaging in Indian fiction

Translanguaging refers to the way in which multilingual individuals draw on their full linguistic repertoires, rather than adhering to narrow use of one named language. This concept has important sociolinguistic significance because it enables individuals to move beyond colonial structures of power and liberates the language practices of multilinguals. The purpose of this research is to investigate the phenomenon of translanguaging in Indian writing in English, using two anthologies, She Speaks (Ray et al. 2019) and She Celebrates (Choudhury et al. 2020), as data sources. Focusing on stories contained in these anthologies as case studies, the research describes linguistic, cultural and stylistic effects of translanguaging used in these works, in which Indian writers portray their characters engaging in translanguaging as a way of ‘Indianising’ the English language. In line with accounts of the process of translanguaging as culture-specific, the study reveals that often authors and their characters use translanguaging because forms of usage can be difficult to translate – or at least to translate in a way that conveys the meaning those forms have in the original, vernacular context. The study demonstrates how work at the intersection of literary studies and linguistics can illuminate cross-cultural aspects of fiction writing.