Experimental Discovery of the Particle Properties of Gravity and Gravitons by Theoretical Investigation of the Bent Point of Space Time

As, it is known having more challenged on the wave or particle nature of light, from the theory of Newton to proof of its being wave by Huygens and also Young’s Double-slit experiment, more important ,Maxwell equations, all showed the nature of being wave of the light till Heinrich Hertz discovered photoelectric phenomenon and after that Einstein talked about the mathematic and quantum characteristics of this phenomenon, his explanations about this phenomenon showed failure of the characteristic of being wave of light in photoelectric explanation so double wave- particle characteristic failed in the scientific society. We all know that many of mass and energy fundamental systems have the same double characteristic of the light. The Photoelectric is the action of light and matter interactions that can prove the double light- particle nature because of inability of being wave principals of the light. Another one of the nature fundamental forces which many believed on its double wave- particle nature is gravity. In this essay we try to interpret the inability of wave nature of gravity in explanation of dark matter and we will see how the concept of invisible masses of the matter is the only action of the graviton interaction and proof of existence of constituent packs of gravity energy i.e. gravitons. Discovering this innovation is wonderful.

Concurrences in Contemporary Travel Writing: Postcolonial Critique and Colonial Sentiments in Sven Lindqvist’s Exterminate all the Brutes and Terra Nullius

Recent research highlights contemporary travel writing’s complicity in global politics, and the genre is claimed to reproduce the discourses that constitute our understanding of the world. It has also been argued that the genre holds a possibility to help us gain further knowledge about contemporary global politics, as it may work as an arena where global politics is commented on, intervened with and re-shaped. With this double view, current research exemplifies how scholars today grapple with the challenge of accounting for simultaneous and sometimes conflicting histories and conditions that are altered and affected by colonial contacts, practices and ideologies, and by recent globalisation. This article explores this double characteristic of the travelogue through the concept of concurrence, and discusses how this concept is useful as a tool for a new understanding of the genre. How can this concept be employed in an analysis of travel writing that is deeply engaged in a critique of colonialism and its legacy in today’s globalism but is simultaneously enmeshed in and complicit with the legacy that is critiques? “Concurrence” is introduced as a concept for such analysis since it contains both the notion of simultaneity and competition. It is suggested that “concurrence” provides a conceptual framework that allows us to account for controversies, intersections and inequities without reinscribing them into a reconciled and universalizing perspective. In exploring the concept of concurrence, this article provides an initial analysis of two contemporary Swedish travel narratives by Sven Lindqvist. The analysis is focused on the genre’s tension between fact and fiction, its discursive entanglement in colonialism, and the problem and possibility of writing postcolonial critique by use of this genre.