Rádio Inconfidência: the historical path of a Brazilian public broadcaster

El artículo tiene como objetivo presentar un panorama histórico de la Rádio Inconfidência en Belo Horizonte (Brasil), que a pesar de afirmar ser la primera estación pública brasileña, su historia non ha despertado mucho interés por parte de los investigadores. Elaborado a través de la investigación documental en colecciones de la prensa oficial y otras publicaciones periódicas, trabajos previos y testimonios de locutores, el panorama presentado comienza con los primeros esfuerzos para crear la radio, continúa por los primeros años de funcionamiento, por los tiempos dorados y por los tiempos de crisis en la radio desde la Dictadura Militar en Brasil y, finalmente, llega a los desafíos actuales que amenazan la existencia de Rádio Inconfidência y otras estaciones públicas brasileñas en 2021.

Political Comedy as Fuel for Populist Rhetoric?

In popular culture, politics are frequently framed with negative stereotypes, and there is some overlap between the anti-establishment rhetoric of political humor and populist challengers. This article probes similarities shared by politicians as presented in the television comedies Eichwald MdB (about a backbencher in the Bundestag) and Ellerbeck (about a kindergarten teacher turned mayor) and supporters of the (right-)populist party Alternative for Germany (AfD). The analysis of the storylines uncovers representations of self-serving and incompetent politicians that align with the fundamental critique expressed by the AfD. However, the negative depictions in the shows are interwoven with positive elements that speak to a responsiveness of democratic institutions. The two case studies help us better understand the specific form of German political satire produced by a public broadcaster and how satirical entertainment oscillates between negativity and meaningful critique of political power.

Subtitling and the promotion of multilingualism: the case of marginalised languages in South Africa

This article investigates the role that subtitling may play in the promotion of multilingualism in South Africa. After a reflection on the current language-political situation in the country, in particular as it pertains to the public broadcaster, the findings of a pilot study focusing on the role of subtitling in promoting multilingualism and language rights in South Africa are presented. The research involves aspects such as language status, attitudes and acquisition, focusing on two of the more marginalised languages in the country, namely Tshivenda and Xitsonga. It also touches on the impact of subtitling on comprehension.

From flabby to fit: Restructuring the public broadcasting system in Egypt

The Egyptian public broadcaster, newly named the National Media Council (NMC), has been under pressure to undergo comprehensive restructuring. Many changes have taken place recently to enable this transformation. Through analysing financial reports, evaluating the new regulatory framework and conducting in-depth interviews, this study examines the likelihood of the NMC adapting to the recent changes and the extent to which the new regulatory framework promotes a public service system suggesting a model for implementation. Findings show that the NMC must respond to four main challenges: lack of strategic vision and identity, a centralized regime power structure, an acute financial deficit, and a weak digital presence. Interviewees evaluated the new regulatory framework as inexhaustive with an intention to maintain grip on power. Interviewees proposed an integrated decentralized model that combines the public service mission with private partnership.

PUBLIC SPHERE DISRUPTION: PUBLIC SERVICE BROADCASTING AND THE CBC AT THE DIGITAL CROSSROADS

Public broadcasting is traditionally thought to be an essential element to public spheres. This paper charts how this relationship is formed, and then demonstrates how it is threatened in the Canadian context. Canada’s public broadcaster, the Canadian Broadcasting Corporation, has digital policies like Strategy 2020: A Space for Us All which suggests CBC is pivoting away from its relationship with the public sphere, and in some ways weakening the Canadian public sphere. Accordingly, this paper looks at the claims charged about this policy, particularly from Taylor (2016), and considers how it and similar digital policies affect the CBC as an element of the Canadian public sphere. While the paper finds CBC digital policies benefit the public sphere, the majority put into action hinder CBC’s relationship to the Canadian public sphere. Overall, this MRP highlights the importance of considering the philosophy of the public sphere when developing public media policy.

The role of community radio in enhancing identity formation and community cohesion among Caribbean Canadians in Toronto

This paper examines the important role that two community-based campus stations - CHRY 105.5FM and CKLN 88.1FM -- play in community cohesion and identity formation in the Caribbean Canadian community in Toronto. The research questions are: What roles do community media play in the lives of Caribbean-Canadians in Toronto?; How do Caribbean Canadians access these media to tell their stories or hear their voice?; How do these media outreach to the large Caribbean Canadian community in Toronto?; How do they describe the relationship that they have with CHRY 105.5FM and CKLN 88.1 FM; and, Do these media affirm the marginalized status of Caribbean Canadians, or are they sites of transformation for Caribbean Canadians daring to contest their exclusion from mainstream radio? These radio stations readily accommodate people, including many on the margins, who are not represented in mainstream media - the public broadcaster, the Canadian Broadcasting Corporation (CBC), or private commercial radio stations. They are the employers of many immigrants, mainly volunteers, who face barriers because of their Caribbean accents, lack of a Canadian accent, and the lack of "Canadian experience". The 'othering' of these immigrants has pushed/pulled them to these community-based campus radio stations where they find a voice to challenge oppressive systems from outside and within. These are community enhancing spaces where the Caribbean diaspora will hear familiar genres of music - reggae, soca, calypso, ragga, zouk - and accents/languages (Spanish, French, Creole) of the multicultural and multilingual Caribbean diaspora in Toronto.

The role of community radio in enhancing identity formation and community cohesion among Caribbean Canadians in Toronto

This paper examines the important role that two community-based campus stations - CHRY 105.5FM and CKLN 88.1FM -- play in community cohesion and identity formation in the Caribbean Canadian community in Toronto. The research questions are: What roles do community media play in the lives of Caribbean-Canadians in Toronto?; How do Caribbean Canadians access these media to tell their stories or hear their voice?; How do these media outreach to the large Caribbean Canadian community in Toronto?; How do they describe the relationship that they have with CHRY 105.5FM and CKLN 88.1 FM; and, Do these media affirm the marginalized status of Caribbean Canadians, or are they sites of transformation for Caribbean Canadians daring to contest their exclusion from mainstream radio? These radio stations readily accommodate people, including many on the margins, who are not represented in mainstream media - the public broadcaster, the Canadian Broadcasting Corporation (CBC), or private commercial radio stations. They are the employers of many immigrants, mainly volunteers, who face barriers because of their Caribbean accents, lack of a Canadian accent, and the lack of "Canadian experience". The 'othering' of these immigrants has pushed/pulled them to these community-based campus radio stations where they find a voice to challenge oppressive systems from outside and within. These are community enhancing spaces where the Caribbean diaspora will hear familiar genres of music - reggae, soca, calypso, ragga, zouk - and accents/languages (Spanish, French, Creole) of the multicultural and multilingual Caribbean diaspora in Toronto.

PUBLIC SPHERE DISRUPTION: PUBLIC SERVICE BROADCASTING AND THE CBC AT THE DIGITAL CROSSROADS

Public broadcasting is traditionally thought to be an essential element to public spheres. This paper charts how this relationship is formed, and then demonstrates how it is threatened in the Canadian context. Canada’s public broadcaster, the Canadian Broadcasting Corporation, has digital policies like Strategy 2020: A Space for Us All which suggests CBC is pivoting away from its relationship with the public sphere, and in some ways weakening the Canadian public sphere. Accordingly, this paper looks at the claims charged about this policy, particularly from Taylor (2016), and considers how it and similar digital policies affect the CBC as an element of the Canadian public sphere. While the paper finds CBC digital policies benefit the public sphere, the majority put into action hinder CBC’s relationship to the Canadian public sphere. Overall, this MRP highlights the importance of considering the philosophy of the public sphere when developing public media policy.

Public Broadcasting & Paid Membership: A Pilot Study to Assess the WNED Buffalo-Toronto Dilemma

Using mutually-reinforcing components, this pilot study seeks to identify the barriers that are preventing viewers of WNED Buffalo-Toronto, a public broadcaster, from becoming paid members. A review of literature considers the changing nature of membership, the success of televangelism, and PBS’s own experience with paid membership. Drawing on organizational commitment theory, and the notional categories of membership developed by Gruen, Summers & Acito (2000), this study analyzes both the external communications documents produced by WNED and feedback from Canadian viewers, both members and non-members. From these results, the study makes three preliminary recommendations. It suggests that WNED take steps to increase the amount of coproduction implied in membership, that it begin investing in Web 2.0 to better leverage its content and foster brand communities, and that it augment membership with crowdfunding initiatives. The study concludes with the suggestion that membership is changing and that more relational models may be more attractive to viewers.