scholarly journals The role of community radio in enhancing identity formation and community cohesion among Caribbean Canadians in Toronto

Author(s):  
Neil Armstrong

This paper examines the important role that two community-based campus stations - CHRY 105.5FM and CKLN 88.1FM -- play in community cohesion and identity formation in the Caribbean Canadian community in Toronto. The research questions are: What roles do community media play in the lives of Caribbean-Canadians in Toronto?; How do Caribbean Canadians access these media to tell their stories or hear their voice?; How do these media outreach to the large Caribbean Canadian community in Toronto?; How do they describe the relationship that they have with CHRY 105.5FM and CKLN 88.1 FM; and, Do these media affirm the marginalized status of Caribbean Canadians, or are they sites of transformation for Caribbean Canadians daring to contest their exclusion from mainstream radio? These radio stations readily accommodate people, including many on the margins, who are not represented in mainstream media - the public broadcaster, the Canadian Broadcasting Corporation (CBC), or private commercial radio stations. They are the employers of many immigrants, mainly volunteers, who face barriers because of their Caribbean accents, lack of a Canadian accent, and the lack of "Canadian experience". The 'othering' of these immigrants has pushed/pulled them to these community-based campus radio stations where they find a voice to challenge oppressive systems from outside and within. These are community enhancing spaces where the Caribbean diaspora will hear familiar genres of music - reggae, soca, calypso, ragga, zouk - and accents/languages (Spanish, French, Creole) of the multicultural and multilingual Caribbean diaspora in Toronto.

2021 ◽  
Author(s):  
Neil Armstrong

This paper examines the important role that two community-based campus stations - CHRY 105.5FM and CKLN 88.1FM -- play in community cohesion and identity formation in the Caribbean Canadian community in Toronto. The research questions are: What roles do community media play in the lives of Caribbean-Canadians in Toronto?; How do Caribbean Canadians access these media to tell their stories or hear their voice?; How do these media outreach to the large Caribbean Canadian community in Toronto?; How do they describe the relationship that they have with CHRY 105.5FM and CKLN 88.1 FM; and, Do these media affirm the marginalized status of Caribbean Canadians, or are they sites of transformation for Caribbean Canadians daring to contest their exclusion from mainstream radio? These radio stations readily accommodate people, including many on the margins, who are not represented in mainstream media - the public broadcaster, the Canadian Broadcasting Corporation (CBC), or private commercial radio stations. They are the employers of many immigrants, mainly volunteers, who face barriers because of their Caribbean accents, lack of a Canadian accent, and the lack of "Canadian experience". The 'othering' of these immigrants has pushed/pulled them to these community-based campus radio stations where they find a voice to challenge oppressive systems from outside and within. These are community enhancing spaces where the Caribbean diaspora will hear familiar genres of music - reggae, soca, calypso, ragga, zouk - and accents/languages (Spanish, French, Creole) of the multicultural and multilingual Caribbean diaspora in Toronto.


Author(s):  
Pavlo Miroshnychenko

The main objective of this research was to define the potential of Ukrainian popular music as a means of national identity formation on the commercial radio. The methodology of the research included an analysis of scientific data about the main problem of the study to define its conception; a comparative analysis aimed to characterize the Ukrainian and European legislation in media, especially the effective means of supporting national music; interpretation of sociological data allowed to define the role of the radio in the process of national identity formation; monitoring of commercial radio stations uncovered the efficacy of their musical policies. The main conclusions of the study indicate that the Ukrainian radio listeners mainly underestimate the role of domestic culture and music for the process of national identity. It is peculiar to the post totalitarian societies. The attitude of the Ukrainians to the national culture, particularly to music, depends on the attitude to Ukrainian language. The sociolinguistic data demonstrate the correlation between a positive attitude to Ukrainian language and the same attitude to the national culture. People who speak Ukrainian have a higher interest to the national culture and music than people who speak Russian. The monitoring has uncovered that the music in Russian language considerable prevails on the Ukrainian commercial radio stations, but the demand for Ukrainian music is very high. The owners of the Ukrainian media holdings opposed the attempt of the state to increase the quota of national music on the radio, especially in Ukrainian language. At the same time, active communities and Ukrainian musicians continue to defend the right of the Ukrainians to use domestic music in the process of national identity formation.


2017 ◽  
Vol 53 (2) ◽  
pp. 211-222 ◽  
Author(s):  
Sarah Ilott

This article uses readings of Mark Mylod’s Ali G Indahouse, Joe Cornish’s Attack the Block, and Chris Morris’s Four Lions to argue against a political trend for laying the blame for the purported failure of British multiculturalism at the hands of individual communities. Through my readings of these comic films, I suggest that popular constructions of “community” based on assumptions about cultural and religious homogeneity are rightly challenged, and new communities are created through shared laughter. Comedy’s structural engagement with taboo means that stereotypes which have gained currency through media and political discourse that seeks to demonize particular groups of young men (Muslims and gang members, for example) are foregrounded. By being brought to the forefront and exposed, these stereotypes can be engaged with and challenged through ridicule and demonstrations of incongruity. Furthermore, I suggest that power relations are made explicit through joking structures that work to include or exclude, meaning that the comedies can draw and redraw communities of laughter in a manner that effectively challenges notions of communities as discrete, homogeneous, and closely connected to cultural heritage. The article works against constructions of British Muslims as the problem community par excellence by using multicultural discourse to contextualize the representation of British Muslims and demonstrate how the discourse has repressed the role of political, social, and economic structures in a focus on “self-segregating” communities.


2017 ◽  
Vol 22 (1) ◽  
Author(s):  
Maria del Mar Delgado-Serrano ◽  
Jayalaxshmi Mistry ◽  
Bettina Matzdorf ◽  
Gregoire Leclerc

2017 ◽  
Vol 10 (5) ◽  
pp. 107 ◽  
Author(s):  
Everson James Peters

Domestic rainwater harvesting (DRWH), an old technology, is playing a key role in meeting some objectives of the UN “2030 Agenda for Sustainable Development” and building resilience to climate change, particularly in the Caribbean. DRWH projects can be implemented through self-financing, government subsidies, and micro-financing or by external agencies. Most recent promotion initiatives of DRWH have emphasized funding by external agencies, often ignoring the potential financial contributions of beneficiaries. Regional experiences have shown that, generally, the high initial capital costs for DRWH systems is a major constraint. However, in some cases, success in DRWH is possible through self-financing. This study reviews the experiences of some DRWH projects or by external agencies to determine a suitable financing mechanism. This paper shows that households can self-finance DRWH systems if payments are based on 5% of household income and interest rates are less than 5%, It concludes that the product/business cycle pattern of development adequately describes the development of DRWH in some parts of the Caribbean. It is recommended that such a model should be considered in designing DRWH projects through strategic partnerships of the beneficiaries with between local and international NGOs, community based organisations and domestic financial institutions like credit unions.


2019 ◽  
Vol 24 (2) ◽  
pp. 340-347
Author(s):  
Tatiana Yu. Pynina

This article is devoted to the 55th anniversary of the beginning of broadcasting radio “Mayak”. Due to a number of circumstances, among which the format of the radio station and the professional staff of its employees played a decisive role, “Mayak”, successfully working and having a large audience in the Soviet period, remained in the post-Soviet period, without losing its importance and weight. Having received in 2000 FM frequency, he was able to compete in the air and became an integral part of the new broadcasting system. The author identifies and analyzes the main innovations that have arisen in the air of this station, subsequently perceived by private commercial radio stations that have appeared in the post-Soviet space. The relevance of the article in determining the role of radio “Mayak” in the development and activities of domestic broadcasting, as well as in increasing the prestige and importance of the work of radio journalists. When writing the article, the author, who worked on the air of “Mayak” for more than ten years, who was both a witness and a participant in a number of innovative projects, used both conversations with veterans of the station and his personal experience, and the empirical method of research of the radio station “Mayak”.


1995 ◽  
Vol 37 (1) ◽  
pp. 90
Author(s):  
Stanley R. Barrett ◽  
Frances Henry

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