‘The whole of Shirebrook got put on an ASBO’: The co-production of territorial stigma in a former colliery town

This paper draws on data collected from a multimethod ethnographic study to contribute to debates on the production of territorial stigmatisation through the analysis of Shirebrook, UK: a small post-industrial mining town in Derbyshire, which now houses the distribution centre and warehouse of Sports Direct, recently the subject of high-profile scrutiny in the UK over working conditions. Combining semi-structured interviews, participant observation and the analysis of documentary sources, I argue that the territorial stigmatisation of Shirebrook does not emanate from a single source. Rather, multiple institutions and agents converge in the co-production of stigma. The analysis draws attention to local antagonisms and hierarchies in the production of stigma, demonstrating how relatively powerful actors ‘below’ do not simply resist or deflect stigma onto less powerful others, but influence the way that territorial stigma operates, problematising Wacquant's top-down conceptualisation.

Upscaling non-residential bio-based circular construction in the United Kingdom

Non-residential circular construction projects using bio-based materials have been realised in the United Kingdom. Case studies include the Adnams Distribution Centre, the University of East Anglia’s Enterprise Centre and the British Science Museum’s hempcrete storage facility. The bio-based buildings utilise the natural properties of bio-based materials to insulate and regulate internal environments, particularly with reducing fluctuations in temperature and relative humidity, which can be harmful to sensitive stored products and artefacts. Projects have been successful on both on environmental and physical performance levels; however, they have not led to a subsequent proliferation of non-residential large-scale circular projects within the UK using emerging bio-based materials. This study examines why and uses analysis based upon exclusive interviews with key figures associated with bio-based case studies. Challenges faced include the ability to upscale production by manufacturers of bio-based materials, problems surrounding initial costs, gaining accreditation for materials, the vested interests present in the construction industry and levels of knowledge among clients and construction professionals. Potential upscaling solutions identified include long-term financial savings on running costs and high staff productivity, policies regarding grants, incentives and planning applications and local economic regeneration.

Association between distribution centre design and contextual characteristics

Purpose This paper aims to examine the relationship between the main decisions for designing distribution centers (DCs) and the contextual characteristics of the distribution networks. Design/methodology/approach Experts were surveyed and responses analyzed quantitatively through multivariate data techniques. This study considered four contextual characteristics that were deemed as influential for DC design: types of routes in the distribution network, quantity of DCs, distribution network levels and company size. Findings This paper evidenced which decisions are affected by each contextual characteristic encompassed in this study. This paper identified that the characteristic types of route in the distribution network must be carefully considered, as it had the greatest amount of associations with the decisions for designing a DC. Originality/value Despite its importance, most studies on design of DCs disregard the effect of the context in which DCs are inserted. This research provides arguments to support decision-making process of DCs design, increasing assertiveness of their planning. This work fulfills a literature gap by empirically examining the effect of contextual variables on the decisions related to DC design. Regarding practice, this paper addressed a fundamental issue for managers looking to design a DC, as it evidenced how contextual characteristics impact the decision-making.

Important Role of Mycorrhiza for Seed Germination and Growth of Dendrobium Orchids

Indonesia is a tropical country that has natural forests and is suitable for orchid species habitat, leading to more than 5,000 species of orchids grow. The tropical area is the main distribution centre for epiphytic orchids, one of which is Dendrobium, which grows more than 1,000 species throughout the world. Orchid seeds are very small and do not have an endosperm, making germination difficult in their natural habitat. Mycorrhizal association with orchids plays a role in the survival of orchids in nature through seed germination and growth. This study aims to provide a deeper understanding about the important role of mycorrhiza in seed germination and growth of Dendrobium. The mechanism of mycorrhizal association with orchids begins with the initial contact of the fungus with the orchid, hyphae enter the cortex cells to form peloton, peloton lysis, and exchange of nutrients occurs. Orchid mycorrhiza that mostly found groups in Dendrobium are Rhizoctonia (Epulorhiza, Tulasnella, Rhizoctonia). Mycorrhiza plays a role in increased secretion of phytohormone and enzyme activity which supports seed germination and growth of orchids. Specific mycorrhizal data on orchids can be used as an effort for in-situ and ex-situ conservation of Indonesian orchids, including Dendrobium.

A catalogue and inventory for Roberto Ariganello's personal collection at Canadian filmmakers distribution centre

This is an applied project wherein 86 films by independent filmmaker Roberto Ariganello were catalogued at Canadian Filmmaker Distribution Center (CFMDC) from January-June 2018. Ariganello is acknowledged as one of the most vital cultural workers when it comes to his devotion to the independent film and art industries, and as a grouping of orphan films, this collection of Ariganello’s has been ignored for a long period of time. The outcome is an inventory for a box containing Roberto Ariganello’s collection, which is stored at CFMDC. There are two chapters: the first is a biography, and study of the status and achievement of Ariganello as an independent filmmaker, as well as a brief history of different gauges of film. The second chapter offers a reflection on the process of cataloguing, a critical analysis of the collection, and preservation recommendations.

The access(ibility) of films in artist-run centres

This thesis considers how artist-run centres are creating access to their film collections by using the Canadian Filmmakers Distribution Centre (CFMDC) as its case study. It looks at current literature on accessibility, including controlled vocabularies, keywords, folksonomies, and social tagging, and how two other institutions- Institut National de l’Audiovisuel (INA), located in Paris, France and IsumaTV, located in Igloolik, Nunavut, Canada- are currently creating access to their film collections to discover how different forms of accessibility are being used in real time. It looks at how the CFMDC is currently creating access to its film collection and finally, recommends the ways accessibility at an artist-run centre could be improved to help the artist-run centre reach a wider audience, help the researcher in the search and retrieval process, and to keep the film object itself accessible.

The access(ibility) of films in artist-run centres

This thesis considers how artist-run centres are creating access to their film collections by using the Canadian Filmmakers Distribution Centre (CFMDC) as its case study. It looks at current literature on accessibility, including controlled vocabularies, keywords, folksonomies, and social tagging, and how two other institutions- Institut National de l’Audiovisuel (INA), located in Paris, France and IsumaTV, located in Igloolik, Nunavut, Canada- are currently creating access to their film collections to discover how different forms of accessibility are being used in real time. It looks at how the CFMDC is currently creating access to its film collection and finally, recommends the ways accessibility at an artist-run centre could be improved to help the artist-run centre reach a wider audience, help the researcher in the search and retrieval process, and to keep the film object itself accessible.

A catalogue and inventory for Roberto Ariganello's personal collection at Canadian filmmakers distribution centre

This is an applied project wherein 86 films by independent filmmaker Roberto Ariganello were catalogued at Canadian Filmmaker Distribution Center (CFMDC) from January-June 2018. Ariganello is acknowledged as one of the most vital cultural workers when it comes to his devotion to the independent film and art industries, and as a grouping of orphan films, this collection of Ariganello’s has been ignored for a long period of time. The outcome is an inventory for a box containing Roberto Ariganello’s collection, which is stored at CFMDC. There are two chapters: the first is a biography, and study of the status and achievement of Ariganello as an independent filmmaker, as well as a brief history of different gauges of film. The second chapter offers a reflection on the process of cataloguing, a critical analysis of the collection, and preservation recommendations.