“We Are What Flows through Every Soul and Spirit”

The conclusion documents the tragic fate of many poets who participated in the anticolonial struggle for national liberation during preceding decades. It documents the experience of torture, imprisonment, and exile suffered by communist poets after the Baʿthist coup d’état of February 1963 and shows how the legacy of communist poetry was systemically erased from the historical and literary record in subsequent decades. The conclusion also discusses why the singular historical phenomenon of rebel poetry was ever possible in Iraqi and why it was no longer possible after 1963. It concludes with a discussion of poetry and dissent in contemporary Iraqi society.

Patriots and Traitors

This chapter argues that the rhetoric of “patriotism” and “treason” that dominated nationalist politics evolved in the public poetry surrounding two seminal events in modern Iraqi political history, the Bakr Sidqi coup d’état of October 1936 and the Rashid ʿAli movement of April 1941. The chapter documents the popularity of each movement and shows how partisan support for military intervention was shaped by the shared logic of anticolonial nationalism. It documents the social and political consequences that socialist and nationalist poets faced and examines how political persecution inspired the new socialist-nationalist alliance of the “national front” politics that would dominate opposition politics in the 1950s. The chapter also shows how the relaxation of state censorship of the Left during the World War II allowed leftist poets to articulate a new political vision that fused anticolonial nationalism and socialist internationalism.

Neoclassical Modernity

This chapter details the engagement of Iraqi poets with the Arab Nahda of the late nineteenth and early twentieth centuries. It provides a brief account of the social role of poetry in late Ottoman Iraq and a survey of the neoclassical poetry revival in Egypt and Syria. The chapter shows how Iraqi poets used the Nahda press to articulate their own relationship to modernity and reveals how new appreciations of the singularity of Iraq’s poetry tradition inspired proto-nationalist conceptions of Iraqi culture. Finally, the chapter examines the efforts of a new generation of young Najafi poets to promote the pioneering role of their own Najafi predecessors and reconstruct the historiography of the Arab Nahda for a broader Arab audience in the early twentieth century.

Cultural Hegemony

This chapter explores the collapse of national front politics and the violent cultural conflict that followed the revolution of July 14, 1958. It shows how relatively minor ideological disputes over the meaning of “Arab unity” evolved into a vicious cultural confrontation between communists and nationalists. The chapter documents the role of nationalist poets in constructing an anticommunist cultural discourse that emphasized the sexual immorality of their rivals. Their own vision of “muscular nationalism” portrayed the nationalist Baʿth Party as custodians of national honor and progressive advocates of women’s liberation. Communist poets struggled to combat these allegations by defending the progressive aspects of their agenda, but they remained hesitant to address questions of gender and sexuality directly. The poetry wars of this period critically shaped the cultural politics of national liberation and presaged the sectarian violence of the coming decades.

Poetry of Public Spaces

This chapter describes the era of the poetry of public spaces, when dissident leftist poets participated in massive popular protests and galvanized their audiences with defiant acts of public dissidence. The chapter also documents the rise of free verse poetry and analyzes the relationship between modernist aesthetics and the politics of commitment in Iraq. It shows how a young generation of modernist poets joined the Iraqi Communist Party and embraced the socialist internationalism promoted by communist poets in Europe, Asia, and Latin America. The chapter also addresses how a new generation of nationalist poets increasingly gravitated toward socialist ideals, embracing the Sartrean ethos of commitment and joining their communist comrades and rivals in articulating the new cultural politics of the national front.