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Published By Index Copernicus

2657-8972, 2657-8972

2021 ◽  
Vol 2/2021 (4) ◽  
pp. 27-44
Author(s):  
Antonina Kurtok

The article is an attempt to describe the specifics of the „new Bosnian narrative” as exemplified by Karim Zaimovic’s short stories collected in the book Tajna džema od malina. The text synthetically presents the new generation of prose writers clearly referring to the heritage of the so-called „narrative Bosnia” (J. Kršić). The generation of writers contemporary to Zaimovic, which dominated the literary scene in Bosnia and Herzegovina in the last decade of the 20th century and at the beginning of the 21st century, was united by a creative motivation generated by common experiences, which was a reaction to the tragedy of the homeland war. The article briefly characterizes the „new narrative Bosnia”, highlighting the great tradition of narrative (pripovijetka) in local literature. Narrative/Short story is considered to be the most important and valued genre, which in its meaning goes far beyond purely literary boundaries – it has played and still plays an important role in the cultural, social, political and ideological context. In the text, it is shown that Zaimović’s stories, compared with (anti)war writing, are distinguished by: the way of constructing scenes that make up the story adapted from comic art, the presence of fantastic elements known from the work of „Borges writers”, as well as a characteristic, humorous style –where the author deals with the absurdity of war by the use of grotesque and satire, and describes the Sarajevo apocalypse using numerous metaphors and allegories. Even though, Zaimović’s texts cannot be treated as a model or the most representative example of “the new Bosnian narrative“, their unconventional way of presentation of the main theme as well as structural and compositional innovation have earned them an iconic status. The circumstances of the stories, and above all the fate of the young writer, made him a tragic symbol of the drama of war in Bosnia and Herzegovina.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 1-26
Author(s):  
Tomasz Sumara

The article presents the topics in the election campaigns of the Polish political parties running for the Seym in 1919. It focuses on the course of the election campaign. For the political parties, the elections were not only a test of social trust, but a barometer of political sentiments in the society.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 55-67
Author(s):  
Zuzanna Hanuszewicz

In the second edition of the preface to “Forefathers' Eve” part two, Mickiewicz mentioned the distant origin of the rite of Forefathers' Eve, which, according to the romantic poet, in pagan times, was known as the "feast of the goat". The Slavic bard obtained information about the Old Prussian ceremonial sacrifice of the goat through the “Chronicle of Prussia” by Simon Grunau. Until now, researchers mainly thought that this way he wanted to allude to classical antiquity, since he associated the “feast of the goat” with “the song of the goat”, and thus with the origin of Greek tragedy. The purpose of this article is to identify what type of festivity the “feast of the goat” is and to see whether it can really be identified with the rite of Forefathers' Eve.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 45-54
Author(s):  
Anna Kisiel

Marian MacAlpin, the protagonist of Margaret Atwood’s The Edible Woman, is a “marvellously normal” (Atwood 207) young woman. However, at one point—coinciding with the acceptance of her partner’s marriage proposal—something goes utterly wrong. Her body, in an act of revolt, refuses to accept more and more food; it becomes an increasingly independent, as if exterior entity. While trying to fight off this impenetrable rebellion, Marian comes to face social norms she is supposed to comply with as a woman, finding them indeed indigestible. Written in 1965 and published in 1969, The Edible Woman touches upon issues that are still relevant for the contemporary reader. This article examines Margaret Atwood’s novel within the framework indebted to the recent shift of feminist studies towards fragility: a notion that no longer has to entail mere passivity or surrender. Aiming at an exploration of the theme of a fragile corporeal protest, this article juxtaposes the revolt of Marian’s body with such tropes and categories as fluidity and containment, abjection, agency, and becoming in order to trace the dual nature of corporeal resistance presented in the novel.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 84-94
Author(s):  
Piotr Boruch

The article contains the results of the analysis of TV-tickers published in the main editions of the Wydarzenia broadcast in the three months preceding the elections to the Polish parliament in 2019. The study showed to what extent the language used in the messages served a descriptive and to what extent - a persuasive function. In the analyzed period more than half of the texts announcing the reports were not intended to influence the perception of the events described in the materials. The results were presented in the context of the critical assessment of Wiadomości contained in the 2018 Rada Języka Polskiego report. The author's considerations are complemented by a reflection on difficulties related to meeting the expectations of mass media recipients in terms of journalists' observance of objectivity when creating media texts.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 68-83
Author(s):  
Sergiusz Łuczak ◽  
Wioletta Jachym

The aim of the article is to analyze the quality of information contained in the bibliographic databases Web of Science and Scopus. The results of the presented study prove that due to errors existing in the analyzed databases, there are often cases of significant underestimation of bibliometric parameters. In extreme cases, the relative error of a given parameter exceeds several dozen per cent, which concerns both individual authors and entire scientific journals. The publication presents a discussion on sources of errors in bibliographic databases and methods of their effective search and correction.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 111-122
Author(s):  
Dariusz Vasina

Esej.


2021 ◽  
Vol 2/2021 (4) ◽  
pp. 95-110
Author(s):  
Karolina Bożek-Zuber

The paper, a contribution to research on stereotypes of Australia, is based on analyzing a database composed of three types of materials: systemic (S), questionnaire (Q) and textual (T). The foundation for the article comes in the form of survey data obtained from a group of one hundred Polish students and subjected to quantity and quality analysis in order to determine which features are most strongly stabilized in the stereotype of this continent.


2021 ◽  
Vol 3/2021 (3) ◽  
pp. 10-20
Author(s):  
Katarzyna Górowska

Artykuł jest fragmentem pracy doktorskiej, przygotowywanej pod kierunkiem prof.dr.hab. Lechosława Lameńskiego w Katedrze Historii Sztuki Nowoczesnej Instytutu Nauk o Sztuce Katolickiego Uniwersytetu Lubelskiego im. Jana Pawła II w Lublinie. Zagadnienie projektowania alternatywnego zostało ukazane głównie w kontekście powstałego we wczesnych latach sześćdziesiątych XX wieku Wydziału Form Przemysłowych Akademii Sztuk Pięknych w Krakowie oraz utworzonej tam Pracowni Projektowania Alternatywnego przez profesorów: Andrzeja Pawłowskiego i Mieczysława Górowskiego. Przedstawiono definicje i inspiracje wynikające z działalności Ruchu „Arts & Crafts”, szkoły „Bauhaus”, tradycji skandynawskiej, a także ukazano kształtowanie tego rodzaju sztuki użytkowej przez tradycję i kulturę polską oraz sozologię. Została pokrótce opisana i zobrazowana wybranymi przykładami prac studenckich działalność unikatowej Pracowni Projektowania Alternatywnego krakowskiego Wydziału Form Przemysłowych.


2021 ◽  
Vol 3/2021 (3) ◽  
pp. 70-80
Author(s):  
Małgorzata Wronko-Szybko

The intention of this paper is to discuss the act of (not) looking with respect to the fourteenth-century Italian poem “His Portrait of His Lady, Angiola of Verona” written by Fazio Degli Uberti, and Dante Gabriel Rossetti’s painting Fazio’s Mistress (Aurelia). The works chosen for this analysis seem to represent social conventions and expectations related to gender and sexuality. Both in the case of the painting and the poem, the gaze is a medium of becoming a “surveyor” and “surveyed”, a means of typecasting, but also a reservoir of changing meanings. In the following discussion, the author approaches Uberti’s and Rossetti’s works in attempt to see how (and if) they renounce traditional views on domination and submission.


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