The specific characteristics of the "new Bosnian narrative" as exemplified by Karim Zaimović's short stories book Tajna džema od malina

2021 ◽  
Vol 2/2021 (4) ◽  
pp. 27-44
Author(s):  
Antonina Kurtok
Keyword(s):  
Short Stories ◽  
Bosnia And Herzegovina ◽  
Short Story ◽  
Main Theme ◽  
Local Literature ◽  
Great Tradition ◽  
Iconic Status ◽  
Young Writer ◽  
New Generation ◽  
Ideological Context

The article is an attempt to describe the specifics of the „new Bosnian narrative” as exemplified by Karim Zaimovic’s short stories collected in the book Tajna džema od malina. The text synthetically presents the new generation of prose writers clearly referring to the heritage of the so-called „narrative Bosnia” (J. Kršić). The generation of writers contemporary to Zaimovic, which dominated the literary scene in Bosnia and Herzegovina in the last decade of the 20th century and at the beginning of the 21st century, was united by a creative motivation generated by common experiences, which was a reaction to the tragedy of the homeland war. The article briefly characterizes the „new narrative Bosnia”, highlighting the great tradition of narrative (pripovijetka) in local literature. Narrative/Short story is considered to be the most important and valued genre, which in its meaning goes far beyond purely literary boundaries – it has played and still plays an important role in the cultural, social, political and ideological context. In the text, it is shown that Zaimović’s stories, compared with (anti)war writing, are distinguished by: the way of constructing scenes that make up the story adapted from comic art, the presence of fantastic elements known from the work of „Borges writers”, as well as a characteristic, humorous style –where the author deals with the absurdity of war by the use of grotesque and satire, and describes the Sarajevo apocalypse using numerous metaphors and allegories. Even though, Zaimović’s texts cannot be treated as a model or the most representative example of “the new Bosnian narrative“, their unconventional way of presentation of the main theme as well as structural and compositional innovation have earned them an iconic status. The circumstances of the stories, and above all the fate of the young writer, made him a tragic symbol of the drama of war in Bosnia and Herzegovina.

scholarly journals Analisis Kritrik Strukturalis Cerpen Yabu No Naka Karya Akutagawa Ryunosuke

2018 ◽  
Vol 9 (2) ◽  
pp. 147
Author(s):  
Mohammad Faizal Fuad Aziz
Keyword(s):  
Short Stories ◽  
Structural Analysis ◽  
Causal Relationship ◽  
Short Story ◽  
Main Theme ◽  
Main Character

Abstrak Analisis struktural digunakan oleh penulis dalam menganalisis cerpen Yabu no Naka dengan jalan memisahkan unsur-unsur pembentuk cerpen yaitu: tokoh dan penokohan, alur, latar dan pelataran, tema, dan amanat. Dialog-dialog yang dilakukan antar tokoh menyebabkan perwatakan masing-masing tokoh dapat terungkap lebih jelas. Pengaluran dalam cerpen Yabu no Naka menggunakan alur flashback (regresif) dan ada konflik yang terjadi yang berhubungan dengan tokoh utama dan tokoh tambahan serta ada hubungan kausalitas antara peristiwa yang satu dengan peristiwa yang lain. Latar utama dalam cerpen Yabu no Naka ini adalah Yamashina, sebuah kota di Prefektur Kyoto. Tema utama dalam cerpen Yabu no Naka ini adalah pembunuhan dan pembenaran.Kata kunci: analisis struktural, regresif, alur  Abstract Structural analysis is used by the writer in analyzing the short story of Yabu no Naka by separating the forming elements of short stories, namely: character and characterization, plot, background and court, theme, and date. Dialogues made between characters cause the character of each character can be revealed more clearly. The distribution in the short story of Yabu no Naka uses the flashback (regressive) flow and there is a conflict that occurs related to the main character and additional characters and there is a causal relationship between one event and another. The main setting in the short story of Yabu no Naka is Yamashina, a city in Kyoto Prefecture. The main theme in this short story of Yabu no Naka is murder and justification.Keyword: structural analysis, regressive, plot

Communicative Functions Lucid Dreams in Short Story by Valery Bryusov “And Now, — When I’ve Awoke... Notes of Psychopaologist”

2020 ◽  
Vol 9 (2) ◽  
pp. 40-44
Author(s):  
O. Sergeev
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Theme ◽  
Classical Approach ◽  
New Approach ◽  
Central Object ◽  
Communicative Functions ◽  
Literary Device ◽  
Conscious Level ◽  
Scientific Essay

I’ve made a conclusion about the main theme of Bryusov′s short stories in this scientific essay: it’s concern with dreams as a common communication at same the narrative’ level. It is a literary device here. The basin of this study is a classical approach to such terms as “communication” and “communicativity”. N. Schedrin and F. Dostoevsky use them in their worship to literature. The new approach in this old theme is a problem and perversion of interfere situations, laid in the basis of plot and characters’ structures. New aspects in this article determined by paradoxes of irrational forces: they attack protagonist and lead him to emotional catastrophe, madness and crime. Central object in the study is lucid dreams. I work with this term as a synonym of the dreams on the conscious level. We used to read about unconscious dreams of literature characters, otherwise in this essay I’ve bear in mind both levels in their mutual communicative interferences.

scholarly journals SHORT STORIES IN THE BALKANS AND CONTEMPORARY - SHORT STORIES IN THE WORLD

2014 ◽  
Vol 4 (1) ◽  
pp. 13-23
Author(s):  
Larisa Softic - Gasal ◽  
Keyword(s):  
Short Stories ◽  
Bosnia And Herzegovina ◽  
Short Story ◽  
Political System ◽  
Fairy Tale ◽  
The Political ◽  
Potential Threat ◽  
The Balkans ◽  
Individual Culture ◽  
The World

A comparative analysis of selected short stories in the Balkan countries, as well as contemporary short stories of the world, will show us that the key themes of those stories are very similar to the short stories written during the period of transition in Bosnia and Herzegovina (1995-2010). For example, the story of the Soul Operation by an Iranian writer Mohsen Mahmalbafa, The Falcons by a Dutch writer Kader Abdolaha and On the Kitchen Stairs by a Polish writer Witold Gombrowic zinter connect with short stories by authors from Bosnia and Herzegovina, such as The Secret of Raspberry jam by Karim Zaimović or The Devilish work of Zoran Riđanović. A common thread manifests itself in the aforementioned stories, more specifically, a common theme which focuses on the need for eradication of the seeds of submission and compliance with the political system. Most authors focus on their domestic political systems; however, some portray and analyze systems in other countries as they see it, such as a Dutch narrator who focuses on a potential threat of infringement of human freedom. Moreover, Bellow Hubei by an Argentinian writer Anhelika Gorodis her underlines the importance of humanization within a political order. Faruk Šehić examines the political system in Bosnia and Herzegovina from a slightly different perspective. His collection of stories Under Pressure emphases the issue of pressure in the above war model of short stories in Bosnia and Herzegovina. These stories are the product of pressure and anxiety, with intent to latently promote new ways of spiritual survival, directly relating to the concept and the theme of the story The Past Age Man by Christian Karlson Stead. Further analysis of the alienation theme singled out short stories in Bosnia and Herzegovina, Plants are Something Else by Alma Lazarevska and Dialogues by Lamija Begagić, and pointed out their connection with some recent international short stories such as The Last Defence by Mahdi Šodžaija a contemporary Persian author who indicates the inappropriateness of spousal relations and the crisis of modern marriage. The alienation theme present in many short stories in Bosnia and Herzegovina also appears in a particularly impressive way in a short story Raggedy Africa by a Slovenian author Mark Švabič, which is clearly related to a short story The Seaside Fairy Tale by Miljenko Jergović from Bosnia and Herzegovina. Extremely interesting are the stories that suggest a crisis of legitimacy of culture and behavior, such as the story of Tito or Curriculum Vitae by a Slovenian writer Maja Novak, or Bankophobia by Ante Zirdum, demonstrating the individual culture of behavior and society in general in a regressive dimension manifested through addiction or phobia from banking institutions

scholarly journals The Characters of Children in Alice Walker’s “Everyday Use” and Eudora Welty’s “A Worn Path”: A Comparative Study

2021 ◽  
Vol 3 (2) ◽  
pp. 166-174
Author(s):  
Fuad Muttalib
Keyword(s):  
Short Stories ◽  
African American ◽  
African Americans ◽  
Short Story ◽  
American South ◽  
Alice Walker ◽  
The American South ◽  
Story Writer ◽  
New Generation ◽  
Different Cultures

This article tries to compare between two well-known American short stories, “A Worn Path” by Eudora Welty and “Everyday Use” by Alice Walker, from a comparative perspective. The author of the first of these stories is an African-American novelist, short story writer, poet, and social activist. Alice Walker and the other story is written by an American short story writer, novelist and photographer, who wrote about the American South, Audra Welty. The specific reasons behind choosing these two short stories because they are written by women writers from different cultures, both deal with racial issues, but more importantly is that both include children characters that can add an attribution to be representations of the new African- American generation. Walker’s story includes the characters of two African- American daughters; Maggi and Dee, each of these characters behave in a different way, a behavior which consequently represents a special attitude towards the new generation of African- Americans. While in Welty’s story, we find the character of the grandson of the protagonist, Phoenix, who has a disease which deprived him from his ability to speak. This study analyses how these three characters provide different angles of seeing how the new generation of African- Americans is represented through a comparative outlook.

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

INTERVIEW WITH PETINA GAPPAH

Imbizo ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 92-98
Author(s):  
Faith Mkwesha
Keyword(s):  
Short Stories ◽  
Short Story ◽  
First Language ◽  
Short Story Collection ◽  
The Third ◽  
University Of Cambridge ◽  
Book Award ◽  
The University ◽  
The Guardian ◽  
University Of Zimbabwe

This interview was conducted on 16 May 2009 at Le Quartier Francais in Franschhoek, Cape Town, South Africa. Petina Gappah is the third generation of Zimbabwean writers writing from the diaspora. She was born in 1971 in Zambia, and grew up in Zimbabwe during the transitional moment from colonial Rhodesia to independence. She has law degrees from the University of Zimbabwe, the University of Cambridge, and the University of Graz. She writes in English and also draws on Shona, her first language. She has published a short story collection An Elegy for Easterly (2009), first novel The Book of Memory (2015), and another collection of short stories, Rotten Row (2016).  Gappah’s collection of short stories An Elegy for Easterly (2009) was awarded The Guardian First Book Award in 2009, and was shortlisted for the Frank O’Connor International Short Story Award, the richest prize for the short story form. Gappah was working on her novel The Book of Memory at the time of this interview.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

Menelusuri Bentang Alam Dalam Karya Sastra Yang Bertema Lingkungan Alam

Jurnal KATA ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 89
Author(s):  
Nanny Sri Lestari
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Natural Environment ◽  
Human Life ◽  
Space Communications ◽  
Story Structure ◽  
Literary Works ◽  
Media Space ◽  
The Media ◽  
The Subject

<p>Sebuah peristiwa, dalam kehidupan manusia, dapat menjadi inspirasi bagi penulisan sebuah cerita. Pengarang, sebagai bagian dari masyarakatnya, mengangkat relung-relung kehidupan manusia, ke dalam sebuah cerita. Namun harus dipahami, bahwa pengalaman pengarang dalam kehidupannya sehari-hari, juga mempengaruhi subjek yang ditulisnya. Saat ini tidak dapat dipungkiri lagi, bahwa teknologi komunikasi yang sangat canggih, telah mempengaruhi perkembangan karya sastra. Media penulisan karya sastra, tidak lagi melalui media cetak seperti kertas tetapi sudah melalui peralatan modern yang sesuai jamannya. Namun demikian ragam karya sastra prosa, seperti cerita pendek, justru mampu mengisi ruang media kommunikasi tersebut. Dua orang pengarang, yang menulis cerita pendek di media masa, berusaha mengangkat isu tentang lingkungan. Isu yang diangkat, lebih menekankan kepada masalah lingkungan alam dengan mengangkat isu tentang pohon sebagai bagian dari kehidupan manusia. Tujuan penelitian ini, untuk menelusuri struktur cerita pendek yang mengangkat isu lingkungan dalam jalinan ceritanya. Untuk memenuhi tujuan penelitian, langkah awal dari penelitian ini, adalah melakukan pendekatan struktur cerita, yang kemudian dikaitkan dengan pencarian makna cerita tersebut. Sering sekali di balik sebuah cerita ada pesan yang ingin disampaikan kepada masyarakat pembacanya. Bentuk pesan tersebut tersirat, dalam jalinan struktur cerita pendek tersebut. Pesan yang disampaikan, dalam kedua cerita pendek tersebut,  adalah pesan tentang lingkungan alam, yang  saat ini tidak pernah diperhatikan oleh masyarakat. Dengan alasan, kebutuhan ekonomi yang sangat dominan.</p><p><em>An event, in human life, can be an inspiration for writing a story. The author, as a part of his society, lifts the niches of human life, into a story. But it must be understood, that the author's experience in everyday life, also affects the subject he wrote.</em><em> </em><em>Today it is undeniable, that highly sophisticated communication technology, has influenced the development of literary works. Media writing literature, no longer through print media such as paper but have been through modern equipment that fit his era.</em><em> </em><em>However, the variety of prose literary works, such as short stories, is able to fill the media space communications. Two authors, who write short stories in the mass media, try to raise issues about the environment. Issues raised, more emphasis on the issue of the natural environment by raising the issue, about the tree as part of human life. The purpose of this research, is to trace the structure of short stories, which raised environmental issues in the composition of the story. To fulfill the purpose of research, the first step of this research, is to approach the structure of the story, which is then linked with the search for the meaning of the story. Very often, behind a story, there is a message to be conveyed to the readers. The form of the message is implied, in the composition of the short story structure. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society.</em></p>

The Complete Short Stories

2010 ◽  
Author(s):  
Oscar Wilde
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Fairy Tales ◽  
Oscar Wilde ◽  
George Orwell ◽  
Social Observation

‘Wilde did not converse - he told tales.’ Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. They have never lacked readers and admirers, George Orwell and W. B. Yeats among them. The stories give free rein to Wilde's originality, literary skill, and sophistication. They include poignant fairy-tales such as ‘The Happy Prince’ and ‘The Selfish Giant’, and the extravagant comedy and social observation of ‘Lord Arthur Savile's Crime’ and ‘The Canterville Ghost’. They also encompass the daring narrative experiments of ‘The Portrait of Mr. W. H.’, Wilde's fictional investigation into the identity of the dedicatee of Shakespeare's sonnets, and the ‘Poems in Prose’, based on the Gospel stories. This edition demonstrates the centrality of Wilde's shorter fiction in his literary career, and his continuing development and experimentation with the short story format. Combining myth, romance, and irony, Wilde's stories enthral and challenge the reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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