Mirabai's Poetry: The Worlding of a Hindu Woman Saint's Dynamic Song Tradition

Author(s):  
Nancy M. Martin
Keyword(s):  
FORUM ◽  
2011 ◽  
pp. 101-112
Author(s):  
Sabar Rustomjee

This article describes differences and similarities in conducting analytic individual and group psychotherapy in a 19-year-old single Indian Hindu woman who had recently immigrated to Melbourne. This case is complicated. Transference relationships between therapist and client arising from both eastern and western cultures had to be taken into consideration and required much self-questioning. Not only does the client present in a unique manner, but the entire case material presented is equally unusual. The acceptance of female sexuality in Indian culture expressed lovingly through dance and music by the client as dancer in her adoration of Hindu gods and goddesses is described. The therapist found herself in an unaccountable state of fear early in the therapy that she was later able to uncover and relate to an early encounter with a potentially unpredictable and violent tribe, the Hijras, who present with a rare form of sexual perversion. The case ends with healthy separation and individuation by the client.Este artículo describe diferencias y similitudes en la conducción de psicoterapia individual y grupal en una mujer hindú soltera de 19 ańos que había emigrado recientemente a Melbourne. Es un caso complicado. Hubo que tomar en consideración y auto-cuestionar mucho la relación transferencial entre terapeuta y cliente emergente de la cultura oriental y occidental. No solo se presenta la cliente de una forma única sino que todo el material del caso es igualmente inusual. Se describe la aceptación de la sexualidad femenina en la cultura india, amorosamente expresada a través de la danza y la música por la cliente en su baile de adoración a dioses y diosas hindúes. La terapeuta se encontró en un estado inexplicable de temor desde los comienzos de la terapia, que más tarde pudo descifrar y relacionar con un encuentro temprano con una tribu potencialmente impredectible y violenta, los Hijras, que presentan una extrańa forma de perversión sexual. El caso termina con una separación e individuación saludable por parte de la cliente.


1971 ◽  
Vol 44 (1) ◽  
pp. 134
Author(s):  
Aileen D. Ross ◽  
Rama Metha
Keyword(s):  

Author(s):  
Hajan Sumaira Syeda Shah ◽  
Dr Zamurad Kousar
Keyword(s):  

The women civilization in hindustani culture is very important role. There are  two  main civilization,  Mulims and  hindus  in  Hindustan. The  main  duty  of  Hindustani woman to serve  and  obey  their  husband. However  some  values  are   different   between   the  Muslim   and   Hindu   woman   in  this society. The main  features  are  dresses,  parda, marriages, customs, education, family  terms and their self respect.


Author(s):  
Felicity Hand ◽  

Aparna Sen turned to film directing in 1980 after a highly successful career as an actor. Her debut film, 36 Chowringhee Lane (1981) highlights the loneliness of an elderly Anglo-Indian woman. One of her best-known films outside India is Mr & Mrs Iyer (2002), in which an upper caste Hindu woman saves the life of a Muslim stranger in an act of personal commitment with the Other. In 15 Park Avenue (2005), a film that focusses on schizophrenia, Sen shows how the female members of a family struggle to cope with mental illness. In this article I discuss how Sen explores different ways of being Indian in these three films and how she draws attention to values such as personal commitment and tenacity in the face of disability, ageing and communalism


2020 ◽  
Vol 13 (2) ◽  
pp. 144-171
Author(s):  
Amy L Allocco

Abstract This article focuses on a Tamil Hindu woman named Aaru, who embodied the Goddess in possession performances from age thirteen, resisted marriage through her twenties, and committed suicide at twenty--nine. Grounded in ethnographic fieldwork and interviews with Aaru and her family conducted between 2006 and 2019, it analyses narratives concerning her untimely death, subsequent deification, and eventual domestication as a pūvāṭaikkāri. It highlights the hermeneutical challenges associated with three intersecting spheres: the dominant categories that shape the scholarly understanding of Hinduism; vernacular Hinduism as revealed in Aaru’s complex story; and the ethnographic research and writing process. I resist an arbitrary resolution of the gaps and seeming inconsistencies that abound in these accounts, arguing instead that we can enlarge and nuance our understandings of matters as diverse as ritual relationships with the dead, the nature of Tamil family deities, and the gendered tensions of the contemporary moment if we hold space for multiple interpretive possibilities. Indeed, Aaru’s case offers us significant resources for a fuller, more inclusive appreciation of the textures of vernacular Hinduism – Hinduism as it is experienced, lived, and practiced in particular places and contexts – and compels us to consider the limitations of prevailing interpretive paradigms and the fragmental and shifting nature of ethnographic knowledge.


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