GENDER AND SEXUAL RIGHTS IN EARLY ISLAM

When early Islamic jurists outlined the marriage law, they codified a gendered model of conjugal rights and duties that privileged men over women. A similar development also took place regarding sexual rights as women’s pleasure and sexual gratification became secondary to those of men. Specialists in this period of Islamic history have argued that the gender ideologies prevalent in the early Abbasid society, which enabled an androcentric definition of Islam, should be seen as the primary cause for the inequality within the Islamic marriage system. This paper aims to show that Abbasid gender ideologies, contrary to popular descriptions, were not homogenous. Two major trends in understanding female sexuality during the early Abbasid period will be discussed. The first, androcentric trend that focused primarily on male sexual gratification was in conflict with a more women-friendly attitude; the latter was advocated in a number of literary genres, including medical handbooks, popular stories, educational and ethics literature. These works accentuated the importance of female sexual health and favoured female pleasure as a necessary element for mutual sexual satisfaction and marital happiness. The paper illustrates that some aspects from this more women-friendly approach to sexuality were adopted in later legal opinions that sought to correct the most visible cases of inequality in the social institution of marriage.

Protest kobiet. Wizerunek katolicyzmu w wytwórczości współczesnych polskich reżyserek

In the second decade of the 20th century (especially in the years 2016-2020), a significant number of films by Polish female directors were released in which Catholicism and the Catholic Church were attacked. They were: W imię… [In the Name of…], Body/ciało [Body], Twarz (Mug) and Córka boga [The Other Lamb] – all directed by Małgorzata Szumowska; Dzikie róże [Wild Roses] by Anna Jadowska, Pokot [Spoor] by Agnieszka Holland and Kasia Adamik, Wieża. Jasny dzień [Tower. A Bright Day] by Jagoda Szelc, Powrót, [Back Home] by Magdalena Łazarkiewicz, Maryjki [Marygoround] by Daria Woszek, as well as a documentary Komunia [Communion] by Anna Zamecka. The polemic related to the above-mentioned movies commented on the religiosity of Catholics and the quality of the institutional church (priests, hierarchies, methods of ministering and teaching), religious control and repression of corporeality and sexuality (including female sexuality), and Catholicism as the foundation of the patriarchal system. These films also feature elements of the "positive program", a proposal for a new cultural paradigm (new spirituality), organized around Nature, with the suggestion of matriarchy. From the point of view of social communication, the content and poetics of above-mentioned the films were similar, according to the author, to the content of the protests of the Ogólnopolski Strajk Kobiet (Polish Women's Strike), which demonstrated in 2016 and 2020 against the tightening of abortion laws.

How Does Contraceptive Use Affect Women’s Sexuality? A Novel Look at Sexual Acceptability

Among the components of a healthy life, sexuality is an essential part, contributing not only to psychophysical well-being, but also to the social well-being of women and, consequently to their quality of life. A poorly investigated standpoint is the acceptability of a contraceptive method, not only in terms of tolerability and metabolic neutrality, but also concerning the impact that it can have on sexual life. In this context, we will provide an overview of the different methods of contraception and their effects on female sexuality from the biological changes, to organic, social, and psychological factors, which can all shape sexuality.A MEDLINE/PUBMED review of the literature between 2010 and 2021 was conducted using the following key words/phrases: hormonal contraception, contraceptives, female sexual function, libido, sexual arousal and desire, and sexual pain. Recent studies have supported the effects of contraceptives on women’s sexuality, describing a variety of positive and negative events on several domains of the sexual function (desire, arous-al, orgasm, pain, enjoyment). However, satisfaction with sexual activity depends on factors that extend beyond sexual functioning alone. A more holistic approach is needed to better under-stand the multitude of factors linked to women’s sexuality and contraception. Contraceptive counselling must necessarily consider these important elements since they are closely related to good compliance.

Gothic Noir Filmic Male Gaze: Gender Stereotyping in Margaret Atwood’s “The Freeze-Dried Groom”

Stereotyping has been crucial in artistic representations, especially cinema, in the construction of gender paradigms. Males and females have been portrayed by means of simplified unrealistic clichés with the purpose of controlling and constraining them into patriarchal roles and conventions, promoting societal normative ideologies. Noir women are projections of male anxieties about female sexuality and female independence. In “The Freeze-Dried Groom,” Atwood unveils gender stereotyping through a typically film noir male gaze in three of its stock characters: the femme attrapée, the “detective” and the femme fatale. Hence, Atwood depicts a femme fatale to reflect not just on this character in film noir, but also on female identity, gender dynamics and feminism. She exposes and questions the marriage-family institution, and the patriarchal society as a whole.

Indian Cinema: Making Departure from the Stereotypical Presentation of Women in Nuptial

In the late 20th and 21st century various movements took place which challenged the stereotypical notions of gender in society. #MeToo movement gave a momentum to the society where people started talking about any kind of violence, sexual assault and harassment against women. Many government policies and laws were framed and implemented to provide equal opportunities to women in every field. Vishakha Guidelines and Internal Complains Committee are made mandatory at work place and education institutions to assure a safe and healthy environment for females. Now the issues brushed under the carpet for long have been brought into light. Issues which were considered taboo even to talk about are now discussed on public forums and academia, penned down in literature and projected in media and cinema. Women and their concerns and point of views found space in popular cinema and were acclaimed too by the critics as well as spectators. Bollywood has made deviations from the stereotypical portrayal of women and broke the silence on issues like sexual consent and female sexuality. It also showed the role of woman in marriage and how it’s changing with woman becoming economically independent and realizing her real worth. The present paper will deliberate on the institution of marriage and the role of woman in it in the Indian society especially in the context of Indian cinema. It will discuss recent Indian cinema which came with stories in which decision-making power has been exercised by women in a nuptial and consent of a girl in a marriage has been considered. Gender roles in a marriage will also be analysed which has been shown deviating from the stereotypical notion especially in the movies Ki & Ka and Tumahari Sulu. It will include the movies which have at the centre the idea that the courage of a woman can put a full stop to the deep-rooted patriarchy of centuries in our society. The paper will include only popular cinema made in Hindi language film industry known as Bollywood in the last decade like Dil Dhadkane Do, Badrinath Ki Dulhania, Secret Superstar, Parched and Tumhari Sulu.

Augustinus en vroulike homoërotiek in die vroeë Middeleeue: ’n Foucaultiaanse ideëhistoriese interpretasie

Augustine and female homoeroticism in the early Middle Ages: A Foucaultian idea-historical interpretation. Taking his reading of Romans 1:26–27 and Genesis 19 as its hermeneutical key, an idea-historical interpretation of the views of the Western church father Augustine of Hippo (354–430) on female homoeroticism is presented in this article. The accentuation of French philosopher Michel Foucault (1926–1984) on the overall significance of Augustine in the Western history of sexuality, in his posthumous Histoire de la sexualité 4 (Les aveux de la chair, under editorship of Frédéric Gros, 2018), is used to contextualise Augustine’s views on sexual desire as the ‘form of the will’, here positioned specifically within a female homoerotic context. Drawing on the substantial studies of John Boswell (in 1980) and Bernadette Brooten (in 1996), which, although relatively dated, are still without equal in Medieval research, the article subsequently explores Augustine’s views on intimate relations between women, both in monasteries and in secular society. It is shown that intimate relations between women must have transpired in fifth-century monasteries and that female homoeroticism was for the next two centuries dealt with with restraint rather than with forms of exclusion and punishment, despite the negative portrayals of same-sex relations by some of Augustine’s patristic contemporaries (particularly John Chrysostom [ca.347–407]), yet precisely on the basis of Augustine’s understated approach. Although Augustine renounced homoerotic relations as a form of ‘unnatural’ (for him, expressly, all ‘non-procreative’) sex, he dealt with the incidence of female same-sex relations with understatement. Given his general authority in the early Middle Ages, one effect of Augustine’s non-homophobic approach was that female homoeroticism was de facto bypassed as a ‘moral problem’ in the fifth and sixth centuries, until handbooks of penance, that prohibited all forms of same-sex relations, started circulating at the end of the sixth century.Contribution: This article contributes to the ongoing study of Medieval female sexuality, and particularly of female homoeroticism in late Antiquity and the early Middle Ages, by exploring Augustine’s views on same-sex relations between women around the early fifth century, while concurrently contributing to ongoing analyses of Michel Foucault’s interpretation of the church and desert fathers in the (edited) fourth volume of Histoire de la sexualité (Les aveux de la chair), published in 2018.

“When It’s a Girl, They Have a Chance to Have Sex With Them. When It’s a Boy…They Have Been Known to Rape Them”: Perceptions of United Nations Peacekeeper-Perpetrated Sexual Exploitation and Abuse Against Women/Girls Versus Men/Boys in Haiti

Peacekeeping missions have been marred by reports of sexual exploitation and abuse (SEA) against local community members. However, there is limited research on how SEA against women/girls versus men/boys is perceived in peacekeeping host societies. In 2017 we collected micro-narratives in Haiti and then conducted a thematic analysis to understand how peacekeeper-perpetrated SEA was perceived by local community members comparing SEA against women/girls versus SEA against men/boys. Both male and female participants used language which suggested the normalization, in Haitian society, of both transactional sex with and rape of women/girls by UN personnel. In contrast, peacekeeper-perpetrated SEA against men/boys was viewed as unacceptable and was associated with homosexuality and related stigmatization. Overall, our results suggest that in Haiti, inequitable gender norms, the commodification of female sexuality, and homophobia result in SEA against males being recognized as a wrong that elicits outrage, while SEA against women/girls has been normalized. It is important to address the normalization of SEA against women/girls to prevent future violence and to recognize that SEA is also perpetrated against men/boys. Survivor-centered programs, sensitive to the needs of both male and female survivors, are required.