Post-war Migration between Ireland and the United Kingdom: Models and Estimates

1989 ◽  
pp. 53-58 ◽  
Author(s):  
Patrick Geary ◽  
Cormac Ó Gráda
1982 ◽  
Vol 12 (3) ◽  
pp. 493-499 ◽  
Author(s):  
Michael Shepherd

SYNOPSISA brief review of post-war developments indicates the course of research into psychiatric morbidity at the level of primary care in the United Kingdom. The theoretical and practical importance of such work has now been demonstrated and some major lines of future enquiry are outlined.


1995 ◽  
Vol 41 ◽  
pp. 118-134 ◽  

David Catcheside was one of the seminal figures in the post-war development of genetics, both in the United Kingdom and Australia. He made distinguished contributions in several different areas: plant genetics and cytology, the genetic effects of radiation, fungal biochemical genetics, controls of genetic recombination and, in his retirement, bryology. As a teacher and postgraduate supervisor he played a large part in launching the next generation of geneticists in both hemispheres. As a professor and administrator he was responsible for several new institutional developments including the first Australian Department of Genetics, the first Department of Microbiology at Birmingham and, perhaps most importantly, the Research School of Biological Sciences of the Australian National University.


Burns ◽  
2015 ◽  
Vol 41 (4) ◽  
pp. 680-688 ◽  
Author(s):  
Joseph Hardwicke ◽  
Angus Kohlhardt ◽  
Naiem Moiemen

2021 ◽  
pp. 611-639
Author(s):  
Nick Barlow ◽  
Tim Bale

This chapter examines the United Kingdom’s sole post-war coalition government and how it interacted with the Westminster Model’s assumption of single-party government. It looks at the issue from two perspectives: firstly, how much the usual processes of single-party government changed to accommodate two parties in government, and secondly, how David Cameron’s Conservatives and Nick Clegg’s Liberal Democrats worked together as parties in government in ways that fitted with the expectations of the Westminster Model. It examines this single example of coalition government in its political and historical contexts, exploring why a coalition occurred in 2010 and how it managed to continue in office for a full parliamentary term. The chapter begins with the comparatively swift process of negotiation through which the coalition was formed, then proceeds to look at how the expectations of that negotiation survived contact with the actual processes of government. It concludes by examining what the procedural and political impacts of the coalition on the UK have been, including the role of the coalition’s Fixed-Term Parliament Act on the stability of it and future governments.


1984 ◽  
Vol 145 (3) ◽  
pp. 231-235 ◽  
Author(s):  
Richard Tillett

Gestalt therapy was developed by Frederick (Fritz) Perls, (1893–1970), a German psychoanalyst originally trained in the Freudian tradition; he left Germany in the 1930's for South Africa and emigrated to the United States in the immediate post-war years. Despite the publication of his book “Gestalt Therapy—Excitement and Growth in the Human Personality” (Perls, Hefferline and Goodman, 1950) his work remained relatively little known until Gestalt Therapy was taken up enthusiastically by the growth movement in the early 1960's. Although it is widely regarded as an established therapy in the United States, Gestalt remains relatively little known in the United Kingdom and there are probably few psychiatrists who are familiar with its theory and techniques. This paper is intended to present an introduction to Gestalt Therapy together with some idea of its application in clinical psychiatric practice.


Revista Farol ◽  
2021 ◽  
Vol 17 (24) ◽  
pp. 10-21
Author(s):  
Janna Schoenberger

Following Huizinga’s ideas in his Homo Ludens (1938), I propose the term Ludic Conceptualism to describe the art that flourished in the Netherlands from 1959 to 1975. Unlike the more severe strands of conceptualism developed in New York and the United Kingdom, play was central to its Dutch incarnation. In this chapter I will show how Dutch conceptual artist Bas Jan Ader’s fixation on his identity, as staged through satirical jokes based on national stereotypes, is key in understanding his art. While a great deal of the humor is obvious in Ader’s work, there has been no serious inquiry into his comedic practice. I will position Ader within the framework of post-war humorous conceptual art prevalente both in the Netherlands and California, locales in which Ader had lived and studied. Using theories of humor and identity I will demonstrate how Ader’s jokes are closely tied to social contexts on both sides of the Atlantic, environments relevant to the artist’s development in the course of his short career. A close examination of Ader’s work will reveal that the artist’s blurred identity as seen in his use of humor is, in fact, a central feature of his art.


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