The Apprenticeship of Embodied Knowledge in a Taiko Drumming Ensemble

2004 ◽  
pp. 183-195 ◽  
Author(s):  
Kimberly Powell
Keyword(s):  
Embodied Knowledge ◽  
Taiko Drumming

Action Recipes: Paper Cooking for Embodied Recipes

APRIA Journal ◽  
2020 ◽  
Vol 2 (1) ◽  
pp. 49-55
Author(s):  
Paris Selinas ◽  
Mark Selby
Keyword(s):  
Embodied Knowledge ◽  
Future Directions ◽  
Design Workshop

This contribution describes the motivation for 'Paper Cooking,' a design workshop that took place during the Food Friction conference. We reflect on its outcomes, with a view to future directions for work by creating 'Action Recipes,' a video repository that presents people's favourite cooking actions. The repository aims to draw attention to unrecognised aspects of embodied knowledge.

Confronting Positionality

Journal ◽  
1969 ◽  
Vol 2 (1) ◽  
Author(s):  
Judith Okely
Keyword(s):  
Teaching And Learning ◽  
Educational Experiences ◽  
Embodied Knowledge ◽  
Engaged Learning ◽  
Time And Space ◽  
Subjective Knowledge ◽  
The Individual ◽  
Participant Observer

Drawing on a multiplicity of learning, teaching and educational experiences, I argue that understanding positionality, or the specificity of each individual, triggers necessary unlearning. Confronting hitherto hidden, subjective knowledge may be the means to recognize grounded learning as ethnocentric and time and space specific. The individual may learn positionality through unexpected contrast, especially through anthropology. The anthropologist is the participant observer, analyst and writer - no managerial delegator, but directly engaged. Learning through engaged action, anthropologists unlearn what they have consciously and unconsciously absorbed from infancy. New embodied knowledge is often gained through making mistakes in other unknown contexts, thus fostering unlearning. This article explores the above themes through an autobiographical account of experiences of both teaching and learning.

Making the unfamiliar personal: arts-based ethnographies as public-engaged ethnographies

2013 ◽  
Vol 13 (4) ◽  
pp. 402-413 ◽  
Author(s):  
Lydia N Degarrod
Keyword(s):  
Social Justice ◽  
Embodied Knowledge ◽  
Art Making ◽  
The Public ◽  
New Thinking ◽  
Public Exhibition ◽  
Forms Of Knowledge

I present the installation Geographies of the Imagination, an arts-based ethnography about long-term exile, as a form of public ethnography that unveils the acquisition and transmission of ethnographic knowledge as interactive, emergent, and creative. I will show how the methods of collaboration and art making created bodily forms of knowledge among the participants and the audience at the exhibition of the installation that have the potential for stimulating new thinking. The use of these methods advanced the acquisition of ethnographic knowledge, and heightened the development of empathy among the participants and the researcher. Furthermore, the public exhibition of this installation allowed the participants to exercise social justice, and created a setting for socially experiencing embodied knowledge.

The social management of embodied knowledge in a knowledge community

2007 ◽  
Vol 11 (5) ◽  
pp. 45-54 ◽  
Author(s):  
Ahmad Raza ◽  
A. Rashid Kausar ◽  
David Paul
Keyword(s):  
Embodied Knowledge ◽  
Knowledge Community ◽  
The Social ◽  
Social Management

To See or Not to See: Talent Identification in the Swedish Football Association

2017 ◽  
Vol 34 (3) ◽  
pp. 248-258 ◽  
Author(s):  
Stefan Lund ◽  
Tor Söderström
Keyword(s):  
Practical Experience ◽  
Embodied Knowledge ◽  
Sociological Perspective ◽  
Talent Identification

The purpose of this article is to explore whether context and coaching cultures influence coaches’ practical experience and their unarticulated and embodied knowledge, and thus their different ways of seeing and defining talent. Using a cultural sociological perspective, we challenge the commonly held assumption that talent identification is, or can be made into, a rational and objective process. Our interpretations and analyses are based upon interviews with 15 soccer coaches in four districts within the Swedish Football Association’s talent organization program. The results imply that coaches’ talent identification is guided by what feels “right in the heart and stomach”; but what feels right is greatly influenced by their experience of previous identifications, interpretations of what elite soccer entails, and the coaching culture in which they find themselves.

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