Urbanity as a Political Project: Towards Post-national European Cities

Author(s):  
Eric Corijn
2008 ◽  
Vol 41 (1) ◽  
pp. 63-78 ◽  
Author(s):  
Dragoş Dragoman

The structure of the requirements for citizenship in a Romanian city differs by and large from the structure of the same requirements in other European cities. The peculiarity lies in the lack of distinctiveness between the origin, the ethnic aspect and the civic aspect of citizenship and also in the emphasis on the language requirements for citizenship. The explanations could be traced back to the previous century and to the cultural and political project of state and nation-building. But the importance assigned to the national identity and national sovereignty issues in Romania may affect the European integration by hindering the feelings of European belonging and solidarity.


2015 ◽  
Vol 24 (4) ◽  
pp. 577-596 ◽  
Author(s):  
MORITZ FÖLLMER

AbstractThis article discusses the meanings and effects of personal choice and elective affinities in Western European cities from the mid-1950s to the early 1980s. The first section shows how the notion of choosing one's surroundings and relations underpinned the development of ‘modern’ apartment buildings, suburban homes and road networks but also attracted significant criticism. The second section argues that this notion soon was not only criticised, but came under pressure by New Left activists, whose emphatically different elective affinities led them to create alternative spaces such as communal apartments and squatted houses. In so doing, they reinvigorated urban life, but also diluted their initial political project and triggered a conservative counter-reaction.


Author(s):  
Andrew Thacker

This innovative book examines the development of modernism in four European cities: London, Paris, Berlin, and Vienna. Focusing upon how literary and cultural outsiders represented various spaces in these cities, it draws upon contemporary theories of affect, mood, and literary geography to offer an original account of the geographical emotions of modernism. It considers three broad features of urban modernism: the built environment of the particular cities, such as cafés or transport systems; the cultural institutions of publishing that underpinned the development of modernism in these locations; and the complex perceptions of writers and artists who were outsiders to the four cities. Particular attention is thus given to the transnational qualities of modernism by examining figures whose view of the cities considered is that of migrants, exiles, or strangers. The writers and artists discussed include Mulk Raj Anand, Gwendolyn Bennett, Bryher, Blaise Cendrars, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirlees, Noami Mitchison, Jean Rhys, Sam Selon, and Stephen Spender.


2020 ◽  
Vol 787 (12) ◽  
pp. 21-24
Author(s):  
Y.A. Bozhko ◽  
◽  
K.A. Lapunova ◽  

The article reflects the authors view on the technical and aesthetic side of the use of face bricks in the architecture of our country. The term brick design combines such indicators of brickwork as the color, size and surface of the brick itself, as well as the type of masonry and seam parameters. Unfortunately, the analysis of the current situation shows that the culture of consumption of face bricks in Russia remains at a low level, which is due to the lack of proper knowledge and insufficient number of qualified master masons. The main goal of brick design development is to popularize various types of three-dimensional masonry and reveal the potential of using bricks as a basic unit. The comparison shows the architecture of European cities, which does not differ in the complexity of architectural forms, but has advantages in the form of unusual masonry, color combinations, vertical direction of masonry and other elements of technical aesthetics. The use of bricks in various levels of brick design will allow you to avoid using architectural decoration on the facades of buildings, while preserving its authenticity and individuality. The brick, as a basic unit, is self-sufficient and is able to fulfill not only its functional role, but also its aesthetic one. In this situation, a necessary and decisive action will be competent communication with industry specialists, architects and designers, leading manufacturers and technologists who realize that we have a unique material that does not need additional wrapping when used efficiently.


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