Large Scale Geotechnical Shake Table Testing at the University of California San Diego

Author(s):  
Ahmed Ebeido ◽  
Muhammad Zayed ◽  
Kyungtae Kim ◽  
Patrick Wilson ◽  
Ahmed Elgamal
Author(s):  
Eunsong Kim

The Archive for New Poetry (ANP) at the University of California San Diego was founded with the specific intention of collecting alternative, small press publications and acquiring the manuscripts of contemporary new poets. The ANP’s stated collection development priority was to acquire alternative, non-mainstream, emerging, “experimental” poets as they were writing and alive, and to provide a space in which their papers could live, along with recordings of their poetry readings. In this article, I argue that through racialized understandings of innovation and new, whiteness positions the ANP’s collection development priority. I interrogate two main points in this article: 1) How does whiteness—though visible and open—remain unquestioned as an archival practice? and 2) How are white archives financed and managed? Utilizing the ANP’s financial proposals, internal administrative correspondences, and its manuscript appraisals and collections, I argue that the ANP’s collection development priority is racialized, and this prioritization is institutionally processed by literary scholarship that linked innovation to whiteness. Until very recently, US Experimental and “avant-garde” poetry has been indexed to whiteness. The indexing of whiteness to experimentation, or the “new” can be witnessed in the ANP’s collection development priorities, appraisals, and acquisitions. I argue that the structure of the manuscripts acquired by the ANP reflect literary scholarship that theorized new poetry as being written solely by white poets and conclude by examining the absences in the Archive for New Poetry.


2020 ◽  
Vol 8 (2) ◽  
pp. 251-268 ◽  
Author(s):  
Cristela Garcia-Spitz ◽  
Kathryn Creely

How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.


DYNA ◽  
2020 ◽  
Vol 87 (212) ◽  
pp. 80-89
Author(s):  
José Benjumea ◽  
Mehdi Saiidi ◽  
Ahmad Itani

A large-scale, two-span bridge model constructed by assembling precast elements was tested under a series of bi-axial ground motionssimulated on a shake table at the Earthquake Engineering Laboratory at the University of Nevada, Reno. The response of the bridge wasestimated before the tests using a three-dimensional computational model developed in OpenSees software. After the tests, key measuredseismic responses were compared to those predicted by the computational model to assess the modeling assumptions. Relatively largeerrors for the displacements, base shears, and hysteretic response of the bridge were observed. The influence of the earthquake loading,materials, connectivity of the precast elements, and boundary conditions in the computational model on the errors are discussed in thispaper. Future modeling directions are proposed to reduce these errors.


2013 ◽  
Vol 11 (4) ◽  
pp. 28-32 ◽  
Author(s):  
B. Washom ◽  
J. Dilliot ◽  
D. Weil ◽  
J. Kleissl ◽  
N. Balac ◽  
...  

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