Out of the box, onto the web: Digitizing images in the Tuzin Archive for Melanesian Anthropology

2020 ◽  
Vol 8 (2) ◽  
pp. 251-268 ◽  
Author(s):  
Cristela Garcia-Spitz ◽  
Kathryn Creely
Keyword(s):  
Twentieth Century ◽  
San Diego ◽  
New Technologies ◽  
First Century ◽  
University Of California ◽  
Online Access ◽  
Twenty First Century ◽  
The University ◽  
Archival Practices ◽  
The Web

How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.

Conclusion

2020 ◽  
pp. 234-244
Author(s):  
Erika Hanna
Keyword(s):  
Social Media ◽  
Twentieth Century ◽  
New Technologies ◽  
First Century ◽  
Police Violence ◽  
Photograph Albums ◽  
Online Databases ◽  
Twenty First Century ◽  
Archival Practices

Snapshot Stories concludes as the twentieth century ends, and paper photographs and analogue cameras are replaced by digital images and new technologies. However, the final chapter provides an examination of how some of the themes explored throughout the earlier chapters have adapted since the close of the century. Indeed, it is arguable that the themes addressed throughout this book have only become of greater relevance in the twenty-first century, as the visual has increasingly played a more pressing role in everyday life and political culture. Photograph albums have now been deposed by photographs on social media as a forum for displaying and curating identity. The photographers who stood with their cheap cameras on top of Derry tower blocks in 1969 today seem to be the ancestors of activists who record police violence on smartphones. However, just as the shift to the digital is producing an image saturated culture which seems to offer new modes of political participation and personal self-fashioning, it also poses fundamental questions for the historian. Online databases of images open up newly accessible source bases, but they also require new methods to work in them, while the certainties of cutting, pasting, and annotating of photograph albums and framed photographs have now disappeared in the new image-culture of the twenty-first century. The final pages of the book bring all these themes together by briefly examining photo culture in modern Ireland, scrutinizing how archival practices are changing, historical questions are being reshaped, and looking ahead to the challenges and potentials for the future of work on photography.

Appraising Newness: Whiteness, Neoliberalism & the Building of the Archive for New Poetry

2017 ◽  
Vol 1 (2) ◽  
Author(s):  
Eunsong Kim
Keyword(s):  
San Diego ◽  
University Of California ◽  
Collection Development ◽  
Literary Scholarship ◽  
Avant Garde ◽  
Archival Practice ◽  
Small Press ◽  
The University

The Archive for New Poetry (ANP) at the University of California San Diego was founded with the specific intention of collecting alternative, small press publications and acquiring the manuscripts of contemporary new poets. The ANP’s stated collection development priority was to acquire alternative, non-mainstream, emerging, “experimental” poets as they were writing and alive, and to provide a space in which their papers could live, along with recordings of their poetry readings. In this article, I argue that through racialized understandings of innovation and new, whiteness positions the ANP’s collection development priority. I interrogate two main points in this article: 1) How does whiteness—though visible and open—remain unquestioned as an archival practice? and 2) How are white archives financed and managed? Utilizing the ANP’s financial proposals, internal administrative correspondences, and its manuscript appraisals and collections, I argue that the ANP’s collection development priority is racialized, and this prioritization is institutionally processed by literary scholarship that linked innovation to whiteness. Until very recently, US Experimental and “avant-garde” poetry has been indexed to whiteness. The indexing of whiteness to experimentation, or the “new” can be witnessed in the ANP’s collection development priorities, appraisals, and acquisitions. I argue that the structure of the manuscripts acquired by the ANP reflect literary scholarship that theorized new poetry as being written solely by white poets and conclude by examining the absences in the Archive for New Poetry.

scholarly journals Corporate headquarters in the twenty-first century: an organization design perspective

2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Sven Kunisch ◽  
Markus Menz ◽  
David Collis
Keyword(s):  
Twentieth Century ◽  
Organization Design ◽  
Business Environment ◽  
First Century ◽  
Future Research ◽  
Corporate Headquarters ◽  
Special Collection ◽  
Design Perspective ◽  
Twenty First Century

Abstract The corporate headquarters (CHQ) of the multi-business enterprise, which emerged as the dominant organizational form for the conduct of business in the twentieth century, has attracted considerable scholarly attention. As the business environment undergoes a fundamental transition in the twenty-first century, we believe that understanding the evolving role of the CHQ from an organization design perspective will offer unique insights into the nature of business activity in the future. The purpose of this article, in keeping with the theme of the Journal of Organization Design Special Collection, is thus to invigorate research into the CHQ. We begin by explicating four canonical questions related to the design of the CHQ. We then survey fundamental changes in the business environment occurring in the twenty-first century, and discuss their potential implications for CHQ design. When suitable here we also refer to the contributions published in our Special Collection. Finally, we put forward recommendations for advancements and new directions for future research to foster a deeper and broader understanding of the topic. We believe that we are on the cusp of a change in the CHQ as radical as that which saw its initial emergence in the late nineteenth/early twentieth century. Exactly what form that change will take remains for practitioners and researchers to inform.

‘A Heap of Broken Images’? Reviving Austro-German Debates over Musical Meaning, 1900–36

2013 ◽  
Vol 138 (1) ◽  
pp. 129-174 ◽  
Author(s):  
Matthew Pritchard
Keyword(s):  
Twentieth Century ◽  
Educational Theory ◽  
First Century ◽  
Critical Hermeneutics ◽  
Musical Meaning ◽  
Force And Motion ◽  
The Status ◽  
Musical Interpretation ◽  
Twenty First Century

AbstractThis article examines a range of writings on the status of musical interpretation in Austria and Germany during the early decades of the twentieth century, and argues their relevance to current debates. While the division outlined by recent research between popular-critical hermeneutics and analytical ‘energetics’ at this time remains important, hitherto neglected contemporary reflections by Paul Bekker and Kurt Westphal demonstrate that the success of energetics was not due to any straightforward intellectual victory. Rather, the images of force and motion promoted by 1920s analysis were carried by historical currents in the philosophy, educational theory and arts of the time, revealing a culturally situated source for twenty-first-century analysis's preoccupations with motion and embodiment. The cultural relativization of such images may serve as a retrospective counteraction to the analytical rationalizing processes that culminated specifically in Heinrich Schenker's later work, and more generally in the privileging of graphic and notational imagery over poetic paraphrase.

scholarly journals Evaluation of flood damage reduction throughout Japan from adaptation measures taken under a range of emissions mitigation scenarios

2021 ◽  
Vol 165 (3-4) ◽  
Author(s):  
Tao Yamamoto ◽  
So Kazama ◽  
Yoshiya Touge ◽  
Hayata Yanagihara ◽  
Tsuyoshi Tada ◽  
...  
Keyword(s):  
Twentieth Century ◽  
Flood Damage ◽  
First Century ◽  
Mitigation Measures ◽  
Damage Cost ◽  
Adaptation Measures ◽  
Inundation Depth ◽  
Late Twentieth ◽  
Twenty First Century ◽  
Late Twentieth Century

AbstractThis study aimed to evaluate the impact of climate change on flood damage and the effects of mitigation measures and combinations of multiple adaptation measures in reducing flood damage. The inundation depth was calculated using a two-dimensional unsteady flow model. The flood damage cost was estimated from the unit evaluation value set for each land use and prefectures and the calculated inundation depth distribution. To estimate the flood damage in the near future and the late twenty-first century, five global climate models were used. These models provided daily precipitation, and the change of the extreme precipitation was calculated. In addition to the assessment of the impacts of climate change, certain adaptation measures (land-use control, piloti building, and improvement of flood control level) were discussed, and their effects on flood damage cost reduction were evaluated. In the case of the representative concentration pathway (RCP) 8.5 scenario, the damage cost in the late twenty-first century will increase to 57% of that in the late twentieth century. However, if mitigation measures were to be undertaken according to RCP2.6 standards, the increase of the flood damage cost will stop, and the increase of the flood damage cost will be 28% of that in the late twentieth century. By implementing adaptation measures in combination rather than individually, it is possible to keep the damage cost in the future period even below that in the late twentieth century. By implementing both mitigation and adaptation measures, it is possible to reduce the flood damage cost in the late twenty-first century to 69% of that in the late twentieth century.

James Baldwin

2021 ◽  
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
American History ◽  
James Baldwin ◽  
First Century ◽  
Black Lives Matter ◽  
Twenty First Century

The book is devoted to the works of James Baldwin, one of the most compelling writers of the twentieth century. The authors examine his most important contributions – including novels, essays, short stories, poetry, and media appearances – in the wider context of American history. They demonstrate the lasting importance of his oeuvre, which was central to the Civil Rights Movement and continues to be relevant at the dawn of the twenty-first century and the Black Lives Matter era.

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