AlphaGo’s Deep Play: Technological Breakthrough as Social Drama

Author(s):  
Werner Binder
2019 ◽  
Vol 40 ◽  
pp. 123-156
Author(s):  
In-cheol Kang
Keyword(s):  

1986 ◽  
Vol 2 (7) ◽  
pp. 237-242
Author(s):  
Elaine Aston

Even to sympathetic theatrical observers, ‘feminism’ in France at the turn of the century was often regarded as merely incidental to the larger concerns of the ‘social’ drama; and dramatic debate tended to focus on the issue of a woman's assertion of ‘freedom’ versus her presumably ‘natural’ functions as wife and mother. In this article, Elaine Aston illuminates such attitudes, utilizing both the texts of contemporary plays and discussion in journals current at the time. But she also detects early theatrical evidence of a slow shift towards a questioning of prevailing assumptions – and a belief (which today strikes her as enviable) in the power of theatre to effect social change.


1945 ◽  
Vol 13 (3) ◽  
pp. 266
Author(s):  
G. R. Hernandez ◽  
Leo Kirschenbaum
Keyword(s):  

2021 ◽  
pp. 104-115
Author(s):  
O.I. Bochkarev ◽  
P.N. Bilenko ◽  
V.G. Beltsov ◽  
E.A. Asanova

The Russian manufacturing companies are faced with the task of a technological breakthrough and bringing high-tech competitive products to world markets. The results of the study demonstrated the urgent need for enterprises to develop production systems using digital services combined into platforms. The article proposes an approach to the construction and development of production systems based on the use of both world experience and knowledge, and new digital services and systems of tools, developed at domestic enterprises. The sequence of targeted steps to implement digital transformation is highlighted.


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