Reimaging Women Ritual Space: Gender and Power Dynamics in African Religion

2021 ◽  
pp. 969-986
Author(s):  
Abosede Omowumi Babatunde
2018 ◽  
Vol 16 (2) ◽  
pp. 124-137 ◽  
Author(s):  
Clive Gray ◽  
Vikki McCall

The proliferation of titles for types of museum has resulted in an adjectival explosion in recent years (with museums being engaging, relevant, professional, adaptive, community, national, universal, local, independent, people’s, children’s, scientific, natural history, labour, virtual, symbolic, connected, trust and charitable, amongst many other labels). This paper argues that the adoption of an organizational focus on bureaucratic features such as hierarchical authority, centralisation of power, functional specialisation and research processes can show commonalities in the understandings and challenges linked to museum function. The emphasis on museums as a specific institutional and organizational form allows for the identification and explanation of similarities and differences in their operational existence that extends beyond their particular individual natures. This also implies that the bureaucratic nature of museums has implications for researchers as they are organizations that reflect gender and power dynamics on a micro-level within the research process.


Author(s):  
Jennifer Smith

La conexión que el relato “Feminista” (1909) hace entre los papeles de género,la dinámica del poder y la moda se hace eco de los ensayos y artículos periódisticos que Pardo Bazán escribió para abogar para reformas en la moda femenina que harían que la mujer estuviera más cómoda, sana y libre en sus movimientos, y en que afirma que la moda actual desempeña un papel crucial en la “esclavitud” de la mujer. Entre los cambios de moda que respalda, menciona el divided skirt, esencialmente un precursor de pantalones para mujer. Por lo tanto, sotengo que el travestismo en que participa la pareja del cuento hace un comentario intenciondado sobre el papel que tiene la moda en el mantenimiento o subversión de los roles tradicionales del dominio masculino y la sumisión femenina. También conecta con la famosa acuarela de Pardo Bazán vistiéndose unos pantalones masculinos.


2020 ◽  
Vol 41 (8) ◽  
pp. 1385-1395
Author(s):  
Dianne Gardner ◽  
Maree Roche ◽  
Tim Bentley ◽  
Helena Cooper-Thomas ◽  
Bevan Catley ◽  
...  

PurposeWorkplace bullying involves a power imbalance, and despite laws in New Zealand which prohibit discrimination on the grounds of gender, women remain under-represented in top-level roles. The aim of the study was to examine whether gender and role (managerial/non-managerial) were related to the bullying experienced by women and men.Design/methodology/approachAn online survey collected data from 991 (41%) men and 1,421 (59%) women. The survey provided a definition of bullying and asked participants whether they had been bullied at work. If they replied yes, then follow-up questions asked for the gender and role of the perpetrator.FindingsWomen were more likely than men to self-identify as having been bullied. Male employers, senior managers, middle managers, supervisor and peers bullied men and women about equally, whereas women bullied women far more than they bullied men. The largest group of bullies of women were female peers, who rarely bullied male peers, while male peers bullied both genders about equally. Female clients bullied female staff but almost never male staff; male clients bullied both men and women but the numbers were small.Research limitations/implicationsThese data relied on self-report, and people may be reluctant to identify themselves as targets or may not recognize that the negative behaviours they have been facing amount to bullying. Qualitative data can help explore these issues from societal, organizational and policy perspectives.Practical implicationsWhile men and women may differ in how often they recognize or admit to having been bullied, the gendered nature of power in the workplace is well established and reinforced in the findings here. It is clear that organizational leaders, both male and female, need to understand gender and power imbalance and act as role models. Currently, the authors’ findings show that the behaviour of at least some of those at the top of New Zealand organizations needs to improve.Social implicationsThe problem of bullying at work will not be easy to solve. The solutions lie, not with “fixing” individuals via training, stress management and well-being programmes but with effective systems, procedures, policies and leadership that recognize the power dynamics at work.Originality/valueLittle is known at present about the relationships between gender and bullying behaviour. The paper focusses on who bullies whom in the workplace and finds that men tend to bully both men and women while women tend to bully women. Importantly, the authors’ works suggest that instead of structural and organizational measures to manage bullying, greater initiatives to manage bullying need to consider how gender and power dynamics interact at work.


Author(s):  
Samantha Matthews

Albums kept by Sara Coleridge, Edith May Southey, and Dora Wordsworth between the early 1820s and late 1840s show that that although the Wordsworth circle daughters’ access to their famous fathers’ literary networks resulted in books exceptionally rich in album verse by well-known contemporary poets, their poet-fathers’ practical assistance and symbolic influence exacerbated the anxiety of reception for amateur contributors, and complicated each woman’s role as agent and subject of her own book. In the Wordsworth circle albums, scribal publication is perilously close to conventional publication, and contributors negotiate between fulfilling the woman owner’s wishes and articulating awareness of the revered older poets’ scepticism or downright hostility to feminized album culture. The poet-father’s presence turns albums into contested textual spaces where generational, gender, and power dynamics are played out in poetry.


2019 ◽  
Vol 22 (9) ◽  
pp. 1080-1095 ◽  
Author(s):  
Stephanie A. Meyers ◽  
Laramie R. Smith ◽  
Maria Luisa Mittal ◽  
Steffanie A. Strathdee ◽  
Richard S. Garfein ◽  
...  

Author(s):  
Mojgan Abshavi ◽  
Zaman Kargozari

The Power is a 2016 science fiction novel by British writer Naomi Alderman. Its basic principle is that women develop the ability to release electric shocks from their fingers, causing them to become the dominant gender. This study tried to find the concepts of gender and power in this novel and analyze them. The Power describes how gender relations would be affected, how society would evolve if women developed the ability to deliver electric shocks. This speculative fiction explores the form of power in patriarchy by using a singular principle according to which the women of the planet obtain as an evolutionary accident a new organ in the clavicle - the skein - producing electric shocks. Obtaining this power allows women to challenge the power dynamics of patriarchy.


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