White Supremacy and the Politics of Race

2022 ◽  
pp. 141-168
Author(s):  
Ronald E. Goodwin
2005 ◽  
Vol 28 (2) ◽  
pp. 17-36
Author(s):  
Katherine Wardi-Zonna ◽  
Anissa Janine Wardi

Racial passing has a long history in America. In fact, there are manifold reasons for passing, not the least of which is to reap benefits-social, economic and legal-routinely denied to people of color. Passing is conventionally understood to be a volitional act that either situationally or permanently allows members of marginalized groups to assimilate into a privileged culture. While it could be argued that those who choose to pass are, in a sense, race traitors, betraying familial, historical and cultural ties to personhood,1 Wald provides another way of reading passing, or “crossing the line,” as a “practice that emerges from subjects' desires to control the terms of their racial definition, rather than be subject to the definitions of white supremacy” (6). She further contends that racial distinction, itself, “is a basis of racial oppression and exploitation” (6).


2020 ◽  
Vol 2 ◽  
pp. 36-48
Author(s):  
Nagendra Bahadur Bhandari

This article discusses the social pressure upon the black immigrants to adopt the white standard of beauty and their resistance to such racist pressures, which is depicted in Chimamanda Ngozi Adichie’s Americanah. The discourses and practices of beauty have been colonized by the racist attitude of white supremacy in the US. This cultural colonization has exerted the social pressure upon the black immigrants to regulate their bodily features to comply with the white standard of the beauty for social acceptability and professional growth. They suffer physically and emotionally in this process. Ifemelus, the protagonist of Americanah, gradually develops her critical consciousness after going through emotional and physical suffering while straightening her hair. Her resistance process is analyzed in the critical frame of David Jeferess transformative resistance model. She resists the white standard of beauty by proposing an alternative form of aesthetics on the basis of bodily features of the black in her blog posts. She explores her origin, uses power of media, urges for collective resistance, and glamorizes the features of the black in order to propose an alternative form of aesthetics.


2020 ◽  
Vol 9 (2) ◽  
pp. 133-136
Author(s):  
Kathryn Joan Leslie

The scenes in this reflection explore the ways my white, queer, nonbinary body navigates a professional association from the margins under the influence of white supremacy. I confess to shadow feelings of self-importance that continuously creep up as I engage in anti-racist work and consider how this presence of white righteousness must be relentlessly undermined and destabilized as we work to consider new and alternative futures for (organizational) communication studies.


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