scholarly journals Language Diversity and New Media: Issues of Multimodality and Performance

2016 ◽  
pp. 237-261 ◽  
Author(s):  
George Gadanidis ◽  
Marcelo Borba ◽  
Ricardo Scucuglia
Keyword(s):  
New Media ◽  
Language Diversity ◽  
And Performance

Sea Urchins and Circuses: The Modernist Natural Histories of Jean Painlevé and Alexander Calder

2018 ◽  
Vol 13 (2) ◽  
pp. 187-211
Author(s):  
Patricia E. Chu
Keyword(s):  
New Media ◽  
Sea Urchins ◽  
Life Sciences ◽  
Three Dimensional ◽  
Machine Age ◽  
Avant Garde ◽  
History Of ◽  
And Performance ◽  
The One ◽  
Natural Historian

The Paris avant-garde milieu from which both Cirque Calder/Calder's Circus and Painlevé’s early films emerged was a cultural intersection of art and the twentieth-century life sciences. In turning to the style of current scientific journals, the Paris surrealists can be understood as engaging the (life) sciences not simply as a provider of normative categories of materiality to be dismissed, but as a companion in apprehending the “reality” of a world beneath the surface just as real as the one visible to the naked eye. I will focus in this essay on two modernist practices in new media in the context of the history of the life sciences: Jean Painlevé’s (1902–1989) science films and Alexander Calder's (1898–1976) work in three-dimensional moving art and performance—the Circus. In analyzing Painlevé’s work, I discuss it as exemplary of a moment when life sciences and avant-garde technical methods and philosophies created each other rather than being classified as separate categories of epistemological work. In moving from Painlevé’s films to Alexander Calder's Circus, Painlevé’s cinematography remains at the forefront; I use his film of one of Calder's performances of the Circus, a collaboration the men had taken two decades to complete. Painlevé’s depiction allows us to see the elements of Calder's work that mark it as akin to Painlevé’s own interest in a modern experimental organicism as central to the so-called machine-age. Calder's work can be understood as similarly developing an avant-garde practice along the line between the bestiary of the natural historian and the bestiary of the modern life scientist.

FACTORS AFFECTING ORGANISATIONAL ACCEPTANCE OF FORMAL NPD PROCESSES

2017 ◽  
Vol 21 (02) ◽  
pp. 1750011 ◽  
Author(s):  
KAI HOLZWEISSIG ◽  
JONAS RUNDQUIST
Keyword(s):  
New Media ◽  
New Product Development ◽  
New Product ◽  
Ease Of Use ◽  
Perceived Ease Of Use ◽  
Commercial Vehicles ◽  
Factors Affecting ◽  
Process Implementation ◽  
Organisational Structures ◽  
And Performance

Formal new product development (NPD) processes have become an important tool in NPD management. However, our understanding of what makes formal NPD process implementation successful in terms of acceptance and performance is still limited. This paper contributes to an improved understanding of factors affecting the acceptance and use of formal NPD processes. Our results show that acceptance of formal NPD processes is determined by several factors, such as ease of use, transparency of discourse, continuous improvement, involvement of NPD actors, and the ability to bridge differences in thinking. Furthermore, that acceptance of formal NPD processes affects NPD performance positively. These results draw on data from a survey posted to employees working for nine large manufacturers of commercial vehicles worldwide. The results should encourage managers to consider and enhance the factors affecting acceptance. This could be done through using new media for publication to increase transparency and perceived ease of use of the NPD process. Further acceptance of the formal NPD process is increased if it mirrors an operative reality and if organisational structures for improvement of the process are implemented and inclusive to employees involved in NPD.

Reimagining the Iconic in New Media Art: Mobile Digital Screens and Chôra as Interactive Space

2019 ◽  
Vol 36 (7-8) ◽  
pp. 109-133
Author(s):  
Adrian Gor
Keyword(s):  
New Media ◽  
Spatial Interaction ◽  
Physical Space ◽  
Aesthetic Theory ◽  
Golden Calf ◽  
New Media Art ◽  
Byzantine Icons ◽  
And Performance ◽  
Physical Spaces ◽  
Hybrid Forms

With the advancement of digital technology in contemporary art, new hybrid forms of interaction emerge that invite viewers to make images present in physical space as events that claim a life of their own. In breaking away from representational and performance art theories that have dominated the critique of new media artwork since the 1980s, this article analyses an iconic vision of mobile touchscreens based on the medieval Byzantine chorographic inscription of the sacred in profane spaces. As defined in recent art historical studies on Byzantine icons, chorography ( chôra/space + chorós/movement) builds on a multisensory spatial interaction between the beholders of icons that results in feeling the presence of a divine, invisible image. In light of postmodern critique of digital images’ capacity to manipulate notions of reality, new media aesthetic theory hardly addresses this Byzantine iconic vision that is fundamental to western visual culture. Jeffrey Shaw’s installation, The Golden Calf, is discussed to offer an alternative in understanding how digital and physical spaces function together to evoke something essentially real.

scholarly journals What is global theater? or, What does new media studies have to do with performance studies?

2014 ◽  
Vol 18 ◽  
Author(s):  
Abigail De Kosnik
Keyword(s):  
New Media ◽  
Media Studies ◽  
Performance Studies ◽  
Fan Fiction ◽  
Telecommunications Networks ◽  
New Media Studies ◽  
And Performance

This piece summarizes some key historical points of connection between new media studies and performance studies, beginning with Marshall McLuhan's concept of telecommunications networks as constitutive of a global theater. In combination with Kurt Lancaster's and Francesca Coppa's theories of fan works as performances, the global theater model can yield new insights into the nature and purpose of Internet fan fiction and fan fiction archives.

scholarly journals An Analysis of Broadcasting Media Using Social Media Engagement in the WNBA

2021 ◽  
Vol 3 ◽  
Author(s):  
Ann Pegoraro ◽  
Heather Kennedy ◽  
Nola Agha ◽  
Nicholas Brown ◽  
David Berri
Keyword(s):  
Social Media ◽  
New Media ◽  
Empirical Research ◽  
The Core ◽  
Sport Consumption ◽  
Online Engagement ◽  
Social Media Engagement ◽  
And Performance ◽  
Using Data ◽  
The Impact

While there has been research into what teams, leagues, and athletes post on social media and the impact of post content on social media engagement, there is limited understanding and empirical research on the impact of broadcasting media on social sport consumption. There are an increasing number of new media through which sport leagues can distribute their content to fans. This research examines the impact of different broadcast platforms on game day engagement with WNBA team Twitter accounts. Using data for the 2016–2018 seasons, results indicate athlete/team quality and performance were positively associated with post engagement, underscoring the importance of the core sport product and potentially indicating that the WNBA is developing a star-driven culture similar to the NBA. In addition, broadcasting on League Pass or local TV (for home teams) and Twitter were associated with lower post engagement suggesting we have more to learn about maximizing online engagement.

scholarly journals FUNCTIONALITY AND PERFORMANCE OF MEDIA MANAGEMENT

2019 ◽  
Vol 30 (6) ◽  
pp. 1713-1722
Author(s):  
Gojko Milivojjevic ◽  
Daryan Boykov
Keyword(s):  
Social Sciences ◽  
New Media ◽  
Media Management ◽  
Public Response ◽  
The Public ◽  
Fundamental Knowledge ◽  
The Media ◽  
Media Society ◽  
Media Research ◽  
And Performance

Media management is at the crossroads of communications and economics, not only because of the public response from the functioning of the media, but also because of the interdisciplinary intertwining of strict economic principles and fundamental knowledge of communication science. It is a complex array of accumulated knowledge in various social sciences, confirmed by empirical research. To this, globalization is added as a relatively new phenomenon, so the field of media research is becoming even more attractive and interesting. As the media transports values, attitudes, feelings and ideas to the world, acting as mediators in the distribution of information from one to many points in its classical version and interactive, stimulating dialogue, the "new media" version of this article is also considered analyze the parameters and characteristics of the media society as a systemic entity whose structures are outlined by themselves and where the coexistence of people is influenced by them.

The Art and Flux of Telepathy 2.0 in Second Life

2011 ◽  
pp. 47-68
Author(s):  
Jacquelene Drinkall
Keyword(s):  
New Media ◽  
Contemporary Art ◽  
Performance Art ◽  
Virtual Worlds ◽  
Second Life ◽  
The Body ◽  
Art Practice ◽  
Western Front ◽  
And Performance

This chapter looks at contemporary art practice in Virtual Worlds, and the effervescence of new technologically mediated telepathies. Avatar Performance Art by Jeremy Owen Turner and Second Front have explored a variety of Second Life telepathies, and have quickly earnt the title of Virtual Fluxus. Second Front’s links to Western Front, Fluxus, Robert Filliou and the Eternal Network assist the continued internationalised new media and performance collaboration work with telepathy. As the body becomes obsolete, it develops new techlepathy1.

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