Museum Design Experiences That Recognize New Ways to Be Smart

Author(s):  
Dorothy Bennett ◽  
Peggy Monahan ◽  
Margaret Honey
Keyword(s):  
1970 ◽  
pp. 131
Author(s):  
Tore Slaatta

The article reports from NODEM 06, the Nordic Digital Excellence in Museums Conference, which was held in Oslo on 7–9 December 2006. The NODEM conference was set up to promote interaction and learning enhanced by technology and digital design in museums.The conference had an impressive, ambitious programme and proved to be a successful meeting involving Nordic and International scholars from a total of 13 countries, museum researchers and curators, hardware and software developers, designers, consultants and students from a wide range of academic fields, institutions and organisations. Keynote speakers from the EPOCH network, and from the field of digital museum design in Ireland and Australia, were invited, and research papers about 30 ongoing projects featuring digital mediation in museums were presented, with a critical focus that provided a thorough presentation and discussion of the main contributions and themes.


2009 ◽  
Vol 8 (3) ◽  
pp. 25-31 ◽  
Author(s):  
Marco Borsotti ◽  
Letizia Bollini

Exhibition design as preferential research framework in redefining interior spaces value-ratio in contemporary architecture debate: the merging end integration approach introduced by communication and performative exhibition practices is redesigning culturally and physically the pre-existing spaces. Exhibition design research innovative carrying out planning approach for changing strategies simultaneity knowledge spreading. In this way it became the most interesting and topical interior design project act, able to translate performing spaces into crossing experience built also with meanings dissemination and "surfing" knowledge method. The exhibition design direction is a different tool to control and develop multimodal approach to interior territories whose outcome fit to new social landscapes The Installation of an exhibition space meaning is now coming into sight as work-in-progress multi-disciplinary range, increasingly complex. The experiential element (whom exponential use of digital solution is just an exterior consequence) will increasing more and more and will bring to ostensive solutions development looking to new classifying parameters capable in enclosing several simultaneous organizing relationships. These parameters represents many super-structural rationalization process aptitudes that draw close true courses and imaginary tours, into complex changeable landscapes where raise to the surface place, objects and viewers sense and myths, made by production act, supervising to thoughts and actions as independent and symbiotic designer and visitor condition.


Arsitektura ◽  
2017 ◽  
Vol 14 (2) ◽  
Author(s):  
Abdul Aziz Arrosyid ◽  
Samsudi Samsudi ◽  
Ummul Mustaqimah

<p><em>Traditional weaving as a nation</em><em>al</em><em> cultural heritage </em><em>is</em><em> being abandoned, including songket in Palembang</em><em> city</em><em>. </em><em>S</em><em>ongket weaving craft has been abandoned</em><em> due to the limited process of the making, expensive raw materials</em><em>, and competiti</em><em>veness</em><em>, </em><em>either </em><em>other crafters</em><em> or</em><em> modern weaving. There are hundreds of Palembang songket motifs that have not </em><em>been </em><em>documented and collected well. O</em><em>nly</em><em> 77 motifs </em><em>which</em><em> have </em><em>been </em><em>registered </em><em>as</em><em> intellectual property rights. </em><em>The lack attention of this matter would give </em><em>possibility </em><em>for</em><em> neighboring </em><em>countries</em><em> </em><em>to claim it such an accident ever exist.</em><em> Songket Museum </em><em>is needed as</em><em> conservation</em><em> center</em><em>, exhibit</em><em>ion</em><em>, research, and songket craft workshop.</em><em> </em><em>Neo-Vernacular Architecture approach </em><em>is </em><em>used to</em><em> make museum </em><em>architectural design </em><em>which is </em><em>in </em><em>line </em><em>the cultural values of Palembang in contemporary design</em><em>. The design </em><em>issue </em><em>is</em><em> </em><em>how to </em><em>apply the principles of Neo-</em><em>V</em><em>ernacular</em><em> Architecture</em><em> into Palembang Songket Museum design. The method is designing the museum by taking both the physical a</em><em>n</em><em>d non-physical </em><em>e</em><em>lements</em><em> of local culture</em><em>. Beside, </em><em>re-interpretation the </em><em>shape </em><em>and philosophy</em><em>cal value</em><em> of </em><em>local </em><em>architecture</em><em> a</em><em>nd Palembang songket a</em><em>re apllied</em><em> in</em><em> a </em><em>new composition </em><em>of </em><em>Neo-Vernacular Architecture. The result is </em><em>a design of </em><em>Palembang Songket Museum </em><em>which</em><em> </em><em>applies</em><em> </em><em>Neo-Vernacular Architecture principles.</em></p><p><em> </em></p><p><strong><em>Keywords</em></strong><em>: Architecture, Neo-Vernacular, Palembang Songket, Songket Museum.</em></p>


2021 ◽  
pp. 1-24
Author(s):  
Laura Hourston Hanks
Keyword(s):  

Collections ◽  
2006 ◽  
Vol 2 (3) ◽  
pp. 181-193
Author(s):  
Roberta Faul-Zeitler
Keyword(s):  

2014 ◽  
Vol 25 (3) ◽  
pp. 275-282 ◽  
Author(s):  
Gunhild Varvin ◽  
Hilde Fauskerud ◽  
Ida Klingvall ◽  
Lin Stafne-Pfisterer ◽  
Ida Sannes Hansen ◽  
...  
Keyword(s):  

1967 ◽  
Vol 12 (supplement1) ◽  
pp. 183-189
Author(s):  
Jane B. Drew

Sign in / Sign up

Export Citation Format

Share Document