Mapping Museums in New Zealand: The Representation of Place Identity in the Permanent Exhibition at the Puhoi Bohemian Museum

Author(s):  
Christopher Sommer
Keyword(s):  
Author(s):  
Caroline Powley

Cities are an ever-changing space, filled with commerce and community. Signage plays a strong role in the visual narrative of the urban environment. It creates a constant visual hum, a street level monologue of promotion, identification and direction. Commercial signs are designed to serve and improve business. So, what role could an old, fading or non-functioning piece of signage possibly play in our neoliberal capitalist society? From a designer’s perspective, there’s a lot to like—the craftsmanship, the idiosyncrasies of a hand-generated pieceof typography, the sense of nostalgia for a time before globalisation and brand guidelines took over. Looking at historic signs from a broader context they also represent an “intricate urban history.”1 They speak of the changing face of commercial enterprise, social values and cultural expression. Even when they no longer serve their original semantic role of commercial promotion, they “accumulate rich layers of meaning. They no longer merely advertise, they are valued in and of themselves. They become icons.”2 The semiotic function of an historic sign shifts to a new role—signifying notions of survival, continuity and loss. They also feed into our complex personal narratives of place, identity and community.3 These multiple and interwoven values can form the cultural significance of historic signs. Despite this recognisable value, historic signage tends to fall through the gaps of heritage practice and legislation in New Zealand. This paper offers a set of case studies that represent a range of possible outcomes for historic signs, when they exist outside a system of heritage management. I propose six categories for framing the case studies: remain, repair, regenerate, relocate, replace and remove. These examples are combined with a broader reflection on the value of historic signage and an overview of relevant heritage practice in New Zealand. The intention is to encourage reflection on the possible heritage significance of historic signage and our current approach to assessment, scheduling and conservation.


2021 ◽  
Author(s):  
◽  
Shani Luxford

<p>This thesis provides insights into refugee-background Somali women’s active productions of belonging in New Zealand, after resettlement in Wellington communities. It explores how Somali women actively negotiate belonging between three key processes: place, identity and acceptance. It does this by situating their resettlement in the context of the Somali civil conflict. I argue that home in New Zealand is based on emotional and physical attachments to multiple locales across space and time, as enacted and embodied through performances of ‘Somali woman’ identities across social fields. I show how intersectional differences produce diverse experiences of re-imagining home, and the ways that a ‘Somali woman’ identity is changing through the actions of ‘edgewalking’ participants. It also explores how belonging is a two-sided process that is affected by discourses of tolerance in New Zealand. This thesis is structured through both anthropological and feminist frameworks and thus emphasises the voices and positions of the participants at all times. The understandings presented here unfolded from interviews with eight participants, four Somali women and four non-Somalis who had extensive connections with the Somali community. Using the stories from these eight participants, this thesis demonstrates the importance of the homeland, Somaliness and tolerance in creating a sense of belonging in Wellington communities after resettlement processes.</p>


2021 ◽  
Author(s):  
◽  
Joe McEwan

<p>Through the design of memorial baths on the West Coast, this thesis proposes that through an increased understanding and interpretation of place identity, memorialisation can precipitate a process of understanding and healing. This process leads the visitor to gain a heightened level of mental wellbeing.  This research sheds light on, and provides an alternative to, the present state of memorials in New Zealand, identifying them as places to heal. It provides a solution of a memorial that connects people, their thoughts and memories to architecture. This is achieved through the application of the Kessler – Kübler-Ross model by facilitating participants’ experience of grief through the bargaining, depression and acceptance stages.  This thesis proposes an architectural solution that sufficiently memorializes lost gold miners of the West Coast and their way of life. It also enquires into the somewhat aberrant architectural culture and identity of the West Coast and identifies methods of preserving this architectural regionalism before it is lost. This quickly disappearing West Coast identity and architectural regionalism becomes a further stimulant for memorialisation. The architectural form and composition respond to mining history and the miner’s way of life.  This memorial, located deep within the Southern Alps hosts a series of natural thermal baths and contemplative spaces that prompt reflection and inner thought, transporting the visitor toward an improved level of mental wellbeing through a means of triggering memory, and providing spaces that prompt contemplation.</p>


2021 ◽  
Author(s):  
◽  
Joe McEwan

<p>Through the design of memorial baths on the West Coast, this thesis proposes that through an increased understanding and interpretation of place identity, memorialisation can precipitate a process of understanding and healing. This process leads the visitor to gain a heightened level of mental wellbeing.  This research sheds light on, and provides an alternative to, the present state of memorials in New Zealand, identifying them as places to heal. It provides a solution of a memorial that connects people, their thoughts and memories to architecture. This is achieved through the application of the Kessler – Kübler-Ross model by facilitating participants’ experience of grief through the bargaining, depression and acceptance stages.  This thesis proposes an architectural solution that sufficiently memorializes lost gold miners of the West Coast and their way of life. It also enquires into the somewhat aberrant architectural culture and identity of the West Coast and identifies methods of preserving this architectural regionalism before it is lost. This quickly disappearing West Coast identity and architectural regionalism becomes a further stimulant for memorialisation. The architectural form and composition respond to mining history and the miner’s way of life.  This memorial, located deep within the Southern Alps hosts a series of natural thermal baths and contemplative spaces that prompt reflection and inner thought, transporting the visitor toward an improved level of mental wellbeing through a means of triggering memory, and providing spaces that prompt contemplation.</p>


2021 ◽  
Author(s):  
◽  
Shani Luxford

<p>This thesis provides insights into refugee-background Somali women’s active productions of belonging in New Zealand, after resettlement in Wellington communities. It explores how Somali women actively negotiate belonging between three key processes: place, identity and acceptance. It does this by situating their resettlement in the context of the Somali civil conflict. I argue that home in New Zealand is based on emotional and physical attachments to multiple locales across space and time, as enacted and embodied through performances of ‘Somali woman’ identities across social fields. I show how intersectional differences produce diverse experiences of re-imagining home, and the ways that a ‘Somali woman’ identity is changing through the actions of ‘edgewalking’ participants. It also explores how belonging is a two-sided process that is affected by discourses of tolerance in New Zealand. This thesis is structured through both anthropological and feminist frameworks and thus emphasises the voices and positions of the participants at all times. The understandings presented here unfolded from interviews with eight participants, four Somali women and four non-Somalis who had extensive connections with the Somali community. Using the stories from these eight participants, this thesis demonstrates the importance of the homeland, Somaliness and tolerance in creating a sense of belonging in Wellington communities after resettlement processes.</p>


2017 ◽  
Vol 2 (3) ◽  
pp. 143
Author(s):  
Simon Te Ari Prendergast ◽  
Daniel K. Brown

<p>This community-based and culturally-situated design research project reflects on issues of community empowerment and activism through speculative design meant to provoke discourse within the wider New Zealand community. As design-led speculative architectural research, it reaches beyond the confines of professional practice. It challenges the norms of contemporary New Zealand architecture by investigating new architectural approaches to explicitly reflect the cultural identity of New Zealand Māori. The devastating earthquakes of September 4, 2010 and February 22, 2011 destroyed much of Christchurch. While a terrible tragedy, it also opened up the city for fundamental community based discussion. The idea of a post-colonial not just a post-earthquake city emerged, driven by Māori design and planning professionals following the leadership of local elders. The situated community for this design-led research investigation is the Ngāi Tahu iwi (Māori tribe) of Ōtautahi / Christchurch. Ngāi Tahu professionals in Ōtautahi / Christchurch developed key design aspirations pertaining to the future architecture and urban design of the new city. The city rebuild offered an opportunity to present a Ngāi Tahu vision that reflected its place identity in the new city. The site for this design research investigation is the Ngāi Tahu owned King Edward Barracks, within the Ōtautahi / Christchurch central business district. This traditional Māori settlement site had been covered with a disparate collection of urban colonial buildings, several of which were destroyed or damaged in the earthquakes. If this Ngāi Tahu owned site (and the city as a whole) is to be rebuilt, is there an opportunity for its architecture to reflect Ngāi Tahu, rather than Eurocentric models? And if so, how might such a design embody Māori and Ngāi Tahu identity, while enhancing New Zealanders’ awareness of traditional Māori design, values, and customs – all within the context of a contemporary urban fabric?</p>


1999 ◽  
Vol 190 ◽  
pp. 563-566
Author(s):  
J. D. Pritchard ◽  
W. Tobin ◽  
J. V. Clausen ◽  
E. F. Guinan ◽  
E. L. Fitzpatrick ◽  
...  

Our collaboration involves groups in Denmark, the U.S.A. Spain and of course New Zealand. Combining ground-based and satellite (IUEandHST) observations we aim to determine accurate and precise stellar fundamental parameters for the components of Magellanic Cloud Eclipsing Binaries as well as the distances to these systems and hence the parent galaxies themselves. This poster presents our latest progress.


Author(s):  
Ronald S. Weinstein ◽  
N. Scott McNutt

The Type I simple cold block device was described by Bullivant and Ames in 1966 and represented the product of the first successful effort to simplify the equipment required to do sophisticated freeze-cleave techniques. Bullivant, Weinstein and Someda described the Type II device which is a modification of the Type I device and was developed as a collaborative effort at the Massachusetts General Hospital and the University of Auckland, New Zealand. The modifications reduced specimen contamination and provided controlled specimen warming for heat-etching of fracture faces. We have now tested the Mass. General Hospital version of the Type II device (called the “Type II-MGH device”) on a wide variety of biological specimens and have established temperature and pressure curves for routine heat-etching with the device.


Author(s):  
Sidney D. Kobernick ◽  
Edna A. Elfont ◽  
Neddra L. Brooks

This cytochemical study was designed to investigate early metabolic changes in the aortic wall that might lead to or accompany development of atherosclerotic plaques in rabbits. The hypothesis that the primary cellular alteration leading to plaque formation might be due to changes in either carbohydrate or lipid metabolism led to histochemical studies that showed elevation of G-6-Pase in atherosclerotic plaques of rabbit aorta. This observation initiated the present investigation to determine how early in plaque formation and in which cells this change could be observed.Male New Zealand white rabbits of approximately 2000 kg consumed normal diets or diets containing 0.25 or 1.0 gm of cholesterol per day for 10, 50 and 90 days. Aortas were injected jin situ with glutaraldehyde fixative and dissected out. The plaques were identified, isolated, minced and fixed for not more than 10 minutes. Incubation and postfixation proceeded as described by Leskes and co-workers.


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