A Novel Watermarking Scheme Based on Video Content

2004 ◽  
pp. 449-452 ◽  
Author(s):  
Guomin Wu ◽  
Yueting Zhuang ◽  
Fei Wu ◽  
Yunhe Pan
Keyword(s):  
Video Content ◽  
Watermarking Scheme

A ROBUST WAVELET BASED WATERMARKING SCHEME FOR DIGITAL AUDIO

2012 ◽  
Vol 8 (1) ◽  
pp. 65-72
Author(s):  
Ayad Ibrahim Abdulsada
Keyword(s):  
Digital Audio ◽  
Watermarking Scheme

Amazons Kampf um das Wohnzimmer

2016 ◽  
Vol 13 (3) ◽  
pp. 37-39
Author(s):  
Ralf Kaumanns
Keyword(s):  
Streaming Media ◽  
Video On Demand ◽  
Video Content ◽  
On Demand

Der Kampf um das Wohnzimmer ist voll entbrannt. Eine Reihe von Anbietern versuchen Streaming Media-Dienste im deutschen Markt zu etablieren. Amazon hat sich mit seiner Strategie eine marktführende Rolle erarbeiten können. Laut einer Analyse von Goldmedia¹ besitzt Amazon mittlerweile einen Anteil im Video-On-Demand-Markt von 38,9%, deutlich vor Wettbewerbern wie Apple, Maxdome, Google oder Netflix. Der Erfolg kommt nicht von ungefähr. Der Grund liegt vor allem in einer umfassenden Strategie rund um das Thema Bewegtbild und Video Content. Im Kampf um das Wohnzimmer haben selbst große und finanzkräftige Wettbewerber einen schweren Stand, um mit umfassend gebündelten Angeboten Schritt zu halten.

Image Watermarking Scheme for Specifying False Positive Probability and Bit-pattern Embedding

2012 ◽  
Vol 132 (6) ◽  
pp. 932-939
Author(s):  
Kohei Sayama ◽  
Masayoshi Nakamoto ◽  
Mitsuji Muneyasu ◽  
Shuichi Ohno
Keyword(s):  
False Positive ◽  
Image Watermarking ◽  
Positive Probability ◽  
Watermarking Scheme ◽  
False Positive Probability

DCT-OFDM Watermarking Scheme Based on Communication System Model

2017 ◽  
Vol E100.A (4) ◽  
pp. 944-952 ◽  
Author(s):  
Minoru KURIBAYASHI ◽  
Shogo SHIGEMOTO ◽  
Nobuo FUNABIKI
Keyword(s):  
Communication System ◽  
System Model ◽  
Watermarking Scheme

Detecting “DeepFakes” in H.264 Video Data Using Compression Ghost Artifacts

2020 ◽  
Vol 2020 (4) ◽  
pp. 116-1-116-7
Author(s):  
Raphael Antonius Frick ◽  
Sascha Zmudzinski ◽  
Martin Steinebach
Keyword(s):  
Image Forensics ◽  
Video Data ◽  
Experimental Results ◽  
Video Sequences ◽  
The Internet ◽  
Video Content ◽  
High Quality ◽  
The Public

In recent years, the number of forged videos circulating on the Internet has immensely increased. Software and services to create such forgeries have become more and more accessible to the public. In this regard, the risk of malicious use of forged videos has risen. This work proposes an approach based on the Ghost effect knwon from image forensics for detecting forgeries in videos that can replace faces in video sequences or change the mimic of a face. The experimental results show that the proposed approach is able to identify forgery in high-quality encoded video content.

Evaluvation of Multiresolution Watermarking Algorithm

2017 ◽  
Vol 7 (8) ◽  
pp. 85
Author(s):  
S. Thabasu Kannan ◽  
S. Azhagu Senthil
Keyword(s):  
Digital Watermarking ◽  
Wavelet Transformation ◽  
Signal To Noise Ratio ◽  
Rapid Development ◽  
Threshold Value ◽  
Discrete Wavelet ◽  
Digital Production ◽  
Common Framework ◽  
Sampling Operation ◽  
Watermarking Scheme

Now-a-days watermarking plays a pivotal role in most of the industries for providing security to their own as well as hired or leased data. This paper its main aim is to study the multiresolution watermarking algorithms and also choosing the effective and efficient one for improving the resistance in data compression. Computational savings from such a multiresolution watermarking framework is obvious. The multiresolutional property makes our watermarking scheme robust to image/video down sampling operation by a power of two in either space or time. There is no common framework for multiresolutional digital watermarking of both images and video. A multiresolution watermarking based on the wavelet transformation is selected in each frequency band of the Discrete Wavelet Transform (DWT) domain and therefore it can resist the destruction of image processing.   The rapid development of Internet introduces a new set of challenging problems regarding security. One of the most significant problems is to prevent unauthorized copying of digital production from distribution. Digital watermarking has provided a powerful way to claim intellectual protection. We proposed an idea for enhancing the robustness of extracted watermarks. Watermark can be treated as a transmitted signal, while the destruction from attackers is regarded as a noisy distortion in channel.  For the implementation, we have used minimum nine coordinate positions. The watermarking algorithms to be taken for this study are Corvi algorithm and Wang algorithm. In all graph, we have plotted X axis as peak signal to noise ratio (PSNR) and y axis as Correlation with original watermark. The threshold value ά is set to 5. The result is smaller than the threshold value then it is feasible, otherwise it is not.

The screen performance as an instrument of propaganda (on the example of Ivan Kavaleridze’s film «Koliivshchyna», 1933)

2019 ◽  
Vol 25242644 ◽  
pp. 63-68
Author(s):  
Alina Lisnevska
Keyword(s):  
Video Content ◽  
The Public ◽  
Screen Media ◽  
Social Settings ◽  
Soviet Ideology ◽  
The One ◽  
Historical Truth ◽  
Screen Performance ◽  
Personalized Video ◽  
Remote Past

The myth-making processes in the communicative space are the «cornerstone» of ideology at all times of mankind’s existence. One of the tools of the effective impact of propaganda is trust in information. Today this come round due to the dissemination of information on personalized video content in social networks, including through converged media. New myths and social settings are creating, fate of the countries is being solved, public opinion is being formed. It became possible to create artificially a model of social installation using the myths (the smallest indivisible element of the myth) based on real facts, but with the addition of «necessary» information. In the 20–30 years of the XX century cinematograph became the most powerful screen media. The article deals with the main ideological messages of the Ukrainian Soviet film «Koliivshchyna» (1933). In the period of mass cinematography spread in the Soviet Ukraine, the tape was aimed at a grand mission – creation of a new mythology through the interpretation of the true events and a con on the public, propaganda of the Soviet ideology. This happened in the tragic period of Ukrainian history (1933, the Holodomor) through the extrapolation of historical truth and its embodiment in the most formative form at that time – the form of the screen performance. The Soviet authorities used the powerful influence of the screen image to propagate dreams, illusions, images, stereotypes that had lost any reference to reality. I. Kavaleridze’s film «Koliivshchyna» demonstrates the interpretation of historical events and national ideas, the interpretation of a relatively remote past through the ideology of the «Soviet-era». The movie is created as a part of the political conjuncture of the early 1930s: the struggle against Ukrainian «bourgeois nationalism» and against the «Union of Liberation Ukraine», the repressive policies against the peasants, the close-out of the «back to the roots» policy. The movie, on the one hand, definitely addresses to the Ukrainian ideas, on the other hand it was made at the period of the repressions against the Ukrainian peasantry. In the movie «Koliivshchyna», despite the censorship, I. Kavaleridze manages to create a national inclusive narrative that depicts Ukrainian space as multi-ethnic and diverse, but at the same time nationally colorful.

Robust Watermarking Scheme for GIS Vector Maps

2018 ◽  
Vol 31 (1) ◽  
pp. 277 ◽  
Author(s):  
Methaq Talib Gaata
Keyword(s):  
Main Idea ◽  
Geospatial Data ◽  
Robust Watermarking ◽  
Digital Map ◽  
Statistical Measures ◽  
Data Authentication ◽  
Two Factors ◽  
Illegal Copying ◽  
Value Decomposition ◽  
Watermarking Scheme

  With the fast progress of information technology and the computer networks, it becomes very easy to reproduce and share the geospatial data due to its digital styles. Therefore, the usage of geospatial data suffers from various problems such as data authentication, ownership proffering, and illegal copying ,etc. These problems can represent the big challenge to future uses of the geospatial data. This paper introduces a new watermarking scheme to ensure the copyright protection of the digital vector map. The main idea of proposed scheme is based on transforming  the digital map to frequently domain using the Singular Value Decomposition (SVD) in order to determine suitable areas to insert the watermark data. The digital map is separated into the isolated parts.Watermark data are embedded within the nominated magnitudes in each part when satisfied the definite criteria. The efficiency of proposed watermarking scheme is assessed within statistical measures based on two factors which are fidelity and robustness. Experimental results demonstrate the proposed watermarking scheme representing ideal trade off for disagreement issue between distortion amount and robustness. Also, the proposed scheme shows  robust resistance for many kinds of attacks.

A Video Content Independent Mining Algorithm for Evolved Rule-based Detection of Scene Boundaries

2005 ◽  
Vol 10 (1) ◽  
pp. 81-99 ◽  
Author(s):  
Marios C Angelides ◽  
Tek Sheng Kevin Lo
Keyword(s):  
Video Content ◽  
Rule Based ◽  
Mining Algorithm
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