Meaning-Making as a Socially Distributed and Embodied Practice

Author(s):  
Jessica Lindblom
2021 ◽  
Vol 7 (s4) ◽  
Author(s):  
Paul Sambre

Abstract This contribution examines how an expert musician teaches high pitch as an embodied practice in a digital instruction video. Musical meaning-making in this perspective calls for a naturalized phenomenology which deals with the practice of music teaching, which involves a performing body. The notion of high musical pitch in terms of an abstract embodied image schema is challenged in favor of a multidimensional body schema, conceptualized at the interface between multimodal language, i.e. in speech and gesture, and the affordances imposed on musical production by the human body and the instrument artefact. As a result, the traditional metaphorical take on upward verticality, movement and causal force in image schemata becomes a conceptual background which may lead to errors on behalf of the potential student, and needs to be further enriched by natural local corporeal dimensions: immobility, non-vertical change in the lips, mouth and air flow. Such body schemata can be used in teaching more dynamic concepts about enactive knowledge in the body in interactive contexts of knowledge transmission.


Author(s):  
Lesley Gourlay

Social media and mobile technologies have introduced new means of networking, particularly in affluent post-industrial societies. However, the centrality of communication to these technologies is not always acknowledged. Drawing on the perspective of New Literacy Studies (e.g. Barton 2001), this chapter examines digital media from the point of view of meaning making, discussing the complex ways in which multimodal semiotic resources are used in creating and maintaining digital identities. It argues that the use of these resources engages the subject in hybridity across digital, analogue, and embodied practice. The notion of “posthuman literacies” is proposed, drawing on Haraway’s notion of the cyborg (1991) and Hayles’ examinations of the posthuman (1999, 2006), examining meaning making in a context where the boundaries between analogue and digital, “human” and “machine” are disrupted, blurred, and ideologically freighted. It concludes with a discussion of how this analysis might apply to the context of higher education.


2008 ◽  
Author(s):  
Ed De St. Aubin ◽  
Abbey Valvano ◽  
Terri Deroon-Cassini ◽  
Jim Hastings ◽  
Patricia Horn

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