Police shootings after electrical weapon seizure: homicide or suicide-by-cop

Author(s):  
Mark W. Kroll ◽  
Darrell L. Ross ◽  
Michael A. Brave ◽  
Howard E. Williams
Keyword(s):  
2020 ◽  
Author(s):  
W. Kip Viscusi ◽  
Scott Jeffrey
Keyword(s):  

2021 ◽  
Vol 74 ◽  
pp. 101648
Author(s):  
Anthony J O’Brien ◽  
Katey Thom ◽  
Sarah Gordon ◽  
Brian McKenna ◽  
Jacquie Kidd ◽  
...  

2015 ◽  
Vol 33 ◽  
pp. 50-55 ◽  
Author(s):  
Ezequiel Rodrigues ◽  
Paula Faria ◽  
Agostinho Santos ◽  
Sílvia Fraga
Keyword(s):  

2008 ◽  
Vol 71 (5) ◽  
pp. 801-811
Author(s):  
Phil Palmer ◽  
Jenny Steele
Keyword(s):  

Author(s):  
Jennifer Glaser

This chapter discusses the power of the medium of comics to shed light on discussions of race, racism, and the act of passing. Glaser moves from a close reading of Mat Johnson and Warren Pleece’s recent neo-passing narrative, the graphic novel Incognegro (2008), to a wider look at the history of visual media in representing racial violence during the twentieth and twenty-first centuries. This chapter makes the argument that comics provide an arena for thinking both about how we see and interpret race and how visual depictions of racial violence—from photographs of lynchings to recordings of police shootings of unarmed African American men—force us to grapple with complex ethical questions.


2019 ◽  
Vol 8 (4) ◽  
pp. 107
Author(s):  
Devon Thacker Thomas ◽  
Jenny Vermilya

The representation and framing of events by news sources plays a critical role in the way society comes to understand a given phenomenon. For example, the use of force by police officers against civilians is covered regularly by news media outlets. Far less widely examined, however, is the excessive use of force against companion animals or pets. Thus, to understand the ways in which police use of force against animals is framed in the media, we conducted qualitative content analyses of 189 print news articles published in diverse regions of the U.S. over the course of a six-year period (2011–2016). Drawing on symbolic interactionism, analysis reveals that the media’s representation of incidents of police shootings of dogs speaks not only to the social value dogs have in society, but also to the acceptability of friendships between humans and dogs. Specifically, we argue that some dog–human relationships are more socially acceptable than others and, therefore, shootings against some dogs are perceived as less acceptable than others. Ultimately, we find that news media representation and the ways in which incidents are framed reify existent social hierarchies. This research contributes to growing bodies of literature on police violence, the shift in perspectives on animals in society, and the power of the media to affect public perception of incidents.


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