The PhotoMirror appliance: affective awareness in the hallway

2005 ◽  
Vol 10 (2-3) ◽  
pp. 128-135 ◽  
Author(s):  
Panos Markopoulos ◽  
Bert Bongers ◽  
Erik van Alphen ◽  
Jasper Dekker ◽  
Wouter van Dijk ◽  
...  
Keyword(s):  
2017 ◽  
Vol 6 (1) ◽  
pp. 200-229 ◽  
Author(s):  
Bilal DUMAN ◽  
Ali YAKAR
Keyword(s):  

2020 ◽  
Vol 15 (1) ◽  
pp. 65-72
Author(s):  
Tolga Eski ◽  
Ayse Feray Ozbal ◽  
Dilek Yilmaz

The aim of this study is to determine awareness levels of university students attending School of Physical Education and Sports about winter sports and to examine the effects of the training program applied within the scope of the study on their cognitive, affective, psychomotor and overall awareness. The study used single-group pre-test and post-test experimental design, which is a quantitative research approach. The participants of the study were 21 students studying Kastamonu University School of Physical Education and Sports. The data collection tools used in the study were ‘Personal Information Form’, which includes questions to obtain data about their demographic information, and ‘Winter Sports Awareness Scale’. The data collected was analysed by using SPSS 20 software. According to the results of the analysis, the changes in cognitive awareness, psychomotor awareness and overall awareness levels according to pre-test and post-test scores were found to be significant while affective awareness levels were not significant. Keywords: Awareness, physical education, Skiing, sports, winter sports.


2020 ◽  
Vol 6 (1) ◽  
pp. 117-137
Author(s):  
FRÉDÉRIQUE DE VIGNEMONT

AbstractIn a 1962 article, ‘On Sensations of Position’, G. E. M. Anscombe claimed that we do not feel our legs crossed; we simply know that they are that way. What about the sense of bodily ownership? Do we directly know that this body is our own, or do we know it because we feel this body that way? One may claim, for instance, that we are we aware that this is our own body thanks to our bodily experiences that ascribe the property of myness to the body that they represent. Here I approach this issue from the perspective of the debate on the admissible content of perception, appealing to the method of phenomenal contrast. After rejecting the myness hypothesis, I criticize alternative accounts of the contrast in somatosensory, cognitive, and agentive terms. I conclude that the phenomenology of ownership consists in the affective awareness of the unique significance of the body for survival.


Author(s):  
Marta Figlerowicz

The introduction lays out this book’s methodology and main thesis. Spaces of Feeling takes modernist poems and novels as illustrations of an attitude toward affective awareness that has become lost from contemporary conversations about affect. By engaging with critics such as Lauren Berlant, Charles Altieri, Sianne Ngai, and Brian Massumi, as well as moral philosophers such as Martha Nussbaum, it also highlights reasons why this attitude should, once more, become important to us.


2021 ◽  
Author(s):  
◽  
Ah Young Jeong

<p>This qualitative research explores how I, as a student music therapist, contributed to patients’ quality of life (QoL) in a hospice and palliative care setting. The study principally focuses on the different music therapy and personal approaches that I used and which seemed to contribute to patients’ QoL. The research was carried out at a hospice in New Zealand and I had sessions with in-patients, day hospice patients and out-patients who were all at varying stages of illness.  In this research, secondary analysis of data is used to answer my research question. The data used in this study are the clinical notes and reflexive journals that I gathered while working with 67 patients in a total of 194 sessions. Because QoL is a broad complex concept, I have chosen to use a conceptual framework suggested by music therapy theorist Even Ruud (1997) to put a structure to answering my research question. In thematic analysis, the data were both deductively and inductively analysed.  The findings describe music therapy methods, activities, strategies and techniques as well as personal approaches I employed which seemed to promote a sense of affective awareness, agency, belonging and meaning, and coherence of life in patients receiving hospice and palliative care. This study indicated that Ruud’s (1997) framework has particular meaning in the context of hospice palliative care and that the framework could be extended for use in hospice and palliative care. The clinical vignette further provide an exploratory view of the use of music therapy techniques and the quality of relationships, and how both of these contributed to increasing a patient’s QoL.  In the discussion, the findings are further explained in the light of other studies. In particular, ‘being with’ patients underpinned all of the musical and personal approaches that I made in working with hospice patients and this is evaluated as an overarching point. Although Ruud’s (1997) idea of QoL was a good fit in my study, the study may suggests how his model could address ways in which affective awareness, agency, belonging and meaning and coherence of life can be supported with various music and personal approaches in the context of music therapy in hospice and palliative care settings.</p>


Author(s):  
Marta Figlerowicz

This chapter examines Ralph Ellison’s Invisible Man. Ellison’s novel takes its political edge from turning the tables on experiences of interpersonal affective disempowerment of the kind that Baldwin’s and Proust’s characters intensely fear. Its narrator begins by trying, much like the protagonists of Woolf’s and Fitzgerald’s fiction, to look to the people and objects around him for confirmations and clarifications of how he feels, and how historically and socially important his feelings are. Yet he eventually realizes that the social structures he opposes are disrupted much more effectively by destabilizing other people’s affective awareness, and showing them how much this awareness depends on his cooperation. The basement offers this narrator a model of such an absorptive but not readily responsive attitude toward others, whose critical importance the chapter highlights by engaging with the work of Lauren Berlant.


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