The Audiovisual Turn of Recent Korean Documentary Cinema: The Time-Image, Place, and Landscape

This article discusses several documentary films since the 2010s that portray the place and the landscape related to Korea's social reality or a personal or collective memory of its past, classifying their common trope as the “audiovisual turn.” The trope refers to the uses of the poetic and aesthetic techniques to highlight the visual and auditory qualities of the images that mediate the landscape or the place. This article argues that the films’ experiments with these techniques mark formal and epistemological breaks with the expository and participatory modes of the traditional Korean activist documentary, as they create an array of Deleuzian time-images in which a social place or natural landscape is reconfigured as the cinematic space liberated from a linear time and layered with the imbrication of the present and the past. The images, however, are read as updating the activist documentary's commitment to politics and history, as they renew the viewer's sensory and affective awareness of the place and the landscape and thereby render them ruins.

Multi-Method Approach in the Assessment of Alexithymia in Patients With Scleroderma: Use of Two Different Tools

Objective: Alexithymia is frequent in patients with some chronic dermatological conditions. The aim of the study was to measure the prevalence of alexithymia in patients with systemic sclerosis (SSc) using two different tools.Methods: Consecutive patients diagnosed with SSc were recruited at day hospital and hospitalization regimen. Alexithymia was measured using the self-administered questionnaire 20-item Toronto Alexithymia scale (TAS-20) and the semi-structured interview 24-item Toronto Structured Interview for Alexithymia (TSIA).Results: The study sample consisted of 67 female patients, aged from 29 to 82 years. According to TAS-20, 22.4% of patients were alexithymic and 17.9% were borderline alexithymic. Also, in our sample mean TAS-20 value was 48.9 and TSIA mean value was 20.3. Spearman’s correlation coefficient between TAS-20 total score and TSIA total score was 0.603. A high correlation was observed between TAS total score and the “Affective Awareness” (AA) scale of the TSIA. TSIA total score significantly correlated with the “Difficulty describing feeling to others” (DDF) scale of the TAS-20. The highest correlation between scales of the two instruments was that between TAS-20 DDF and TSIA AA (r = 0.675).Conclusion: The prevalence of alexithymia in SSc patients was higher than in the general population, and similar to that of psoriasis patients. The measurements obtained using the TAS-20 and the TSIA were highly correlated. However, they also showed some diversities in the scales, indicating that they may measure different domains.

How did Music Therapy Contribute to Patients’ Quality of Life in a Hospice and Palliative Care Setting?

<p>This qualitative research explores how I, as a student music therapist, contributed to patients’ quality of life (QoL) in a hospice and palliative care setting. The study principally focuses on the different music therapy and personal approaches that I used and which seemed to contribute to patients’ QoL. The research was carried out at a hospice in New Zealand and I had sessions with in-patients, day hospice patients and out-patients who were all at varying stages of illness. In this research, secondary analysis of data is used to answer my research question. The data used in this study are the clinical notes and reflexive journals that I gathered while working with 67 patients in a total of 194 sessions. Because QoL is a broad complex concept, I have chosen to use a conceptual framework suggested by music therapy theorist Even Ruud (1997) to put a structure to answering my research question. In thematic analysis, the data were both deductively and inductively analysed. The findings describe music therapy methods, activities, strategies and techniques as well as personal approaches I employed which seemed to promote a sense of affective awareness, agency, belonging and meaning, and coherence of life in patients receiving hospice and palliative care. This study indicated that Ruud’s (1997) framework has particular meaning in the context of hospice palliative care and that the framework could be extended for use in hospice and palliative care. The clinical vignette further provide an exploratory view of the use of music therapy techniques and the quality of relationships, and how both of these contributed to increasing a patient’s QoL. In the discussion, the findings are further explained in the light of other studies. In particular, ‘being with’ patients underpinned all of the musical and personal approaches that I made in working with hospice patients and this is evaluated as an overarching point. Although Ruud’s (1997) idea of QoL was a good fit in my study, the study may suggests how his model could address ways in which affective awareness, agency, belonging and meaning and coherence of life can be supported with various music and personal approaches in the context of music therapy in hospice and palliative care settings.</p>

How did Music Therapy Contribute to Patients’ Quality of Life in a Hospice and Palliative Care Setting?

<p>This qualitative research explores how I, as a student music therapist, contributed to patients’ quality of life (QoL) in a hospice and palliative care setting. The study principally focuses on the different music therapy and personal approaches that I used and which seemed to contribute to patients’ QoL. The research was carried out at a hospice in New Zealand and I had sessions with in-patients, day hospice patients and out-patients who were all at varying stages of illness. In this research, secondary analysis of data is used to answer my research question. The data used in this study are the clinical notes and reflexive journals that I gathered while working with 67 patients in a total of 194 sessions. Because QoL is a broad complex concept, I have chosen to use a conceptual framework suggested by music therapy theorist Even Ruud (1997) to put a structure to answering my research question. In thematic analysis, the data were both deductively and inductively analysed. The findings describe music therapy methods, activities, strategies and techniques as well as personal approaches I employed which seemed to promote a sense of affective awareness, agency, belonging and meaning, and coherence of life in patients receiving hospice and palliative care. This study indicated that Ruud’s (1997) framework has particular meaning in the context of hospice palliative care and that the framework could be extended for use in hospice and palliative care. The clinical vignette further provide an exploratory view of the use of music therapy techniques and the quality of relationships, and how both of these contributed to increasing a patient’s QoL. In the discussion, the findings are further explained in the light of other studies. In particular, ‘being with’ patients underpinned all of the musical and personal approaches that I made in working with hospice patients and this is evaluated as an overarching point. Although Ruud’s (1997) idea of QoL was a good fit in my study, the study may suggests how his model could address ways in which affective awareness, agency, belonging and meaning and coherence of life can be supported with various music and personal approaches in the context of music therapy in hospice and palliative care settings.</p>

An affective awareness

<p>One of the most captivating qualities of the New Zealand wilderness is its temporality; season’s, weather, night and day, are multiple interconnected systems in flux. These temporal systems are intricately linked and determine the feel of the environment. We perceive this natural temporal environment through levels of experience that build from affects. Architecture is designed to resist this temporality, with lights, shelter, warmth and more. The limited engagement between interior and exterior also removes environmental conditions that have positive impact. The fixity of architecture, in its resistance to the uncontrollable, to the temporal flux inherent in the environment, limits the potential for wilderness architecture to relate to its constantly changing context. This thesis argues that non-static architecture creates a stronger connection between people, architecture and the natural environment. The success of architecture to emphasise this connection is analysed through the lens of affect as a preconscious reaction, which counters the social and cultural expectations of space. The study of affect provided a framework of understanding to inform the active designing. A fluid semi-permanent shelter is designed, constructed of a woven structural system responsive to both weather conditions and the occupants. The activities that occur within these structures maximise the non-static potential for movement and create a constant interaction with the landscape. The interplay between uncontrollable flux and controllable movement in the structures provides a challenging context that heightens the inhabitant’s awareness of the relationship between people, architecture and natural environment.</p>

An affective awareness

<p>One of the most captivating qualities of the New Zealand wilderness is its temporality; season’s, weather, night and day, are multiple interconnected systems in flux. These temporal systems are intricately linked and determine the feel of the environment. We perceive this natural temporal environment through levels of experience that build from affects. Architecture is designed to resist this temporality, with lights, shelter, warmth and more. The limited engagement between interior and exterior also removes environmental conditions that have positive impact. The fixity of architecture, in its resistance to the uncontrollable, to the temporal flux inherent in the environment, limits the potential for wilderness architecture to relate to its constantly changing context. This thesis argues that non-static architecture creates a stronger connection between people, architecture and the natural environment. The success of architecture to emphasise this connection is analysed through the lens of affect as a preconscious reaction, which counters the social and cultural expectations of space. The study of affect provided a framework of understanding to inform the active designing. A fluid semi-permanent shelter is designed, constructed of a woven structural system responsive to both weather conditions and the occupants. The activities that occur within these structures maximise the non-static potential for movement and create a constant interaction with the landscape. The interplay between uncontrollable flux and controllable movement in the structures provides a challenging context that heightens the inhabitant’s awareness of the relationship between people, architecture and natural environment.</p>

Prevention and early intervention of depression in young people: an integrated narrative review of affective awareness and Ecological Momentary Assessment

Depression has a devastating impact on young people around the world. This impact is pervasive and long-long lasting, still causing havoc as young people transition into adulthood. Prevention and timely early intervention efforts are necessary to lessen the disease burden of depression in young people. There is some evidence for the effectiveness of existing prevention and early intervention programs when delivered early. However, there is no consensus on what the active ingredients of these programs are. Identifying these ingredients is important because focusing on those that have maximal benefit will help to minimise the costs and resourcing of (already intensive) therapeutic approaches. We explored whether, and in what circumstances, affective awareness (i.e., knowing how one feels) is a candidate for protecting against and decreasing vulnerability to depression in young people. We specifically looked at how Ecological Momentary Assessment methods (EMA) were used to measure and/or increase affective awareness. We integrated three streams of data, including narrative review findings, perspectives from young people and psychologists, and publicly available information online (e.g., discussion forums). Across data sources, we found converging evidence that affective awareness is important in the prevention and early intervention of depression although there were considerable gaps in knowledge. More work needs to be done with young people and their health care teams to build affective awareness in the right way, at the right time, with individual differences in mind. The identification of how EMA can be best incorporated into young people’s lives to facilitate these outcomes is also needed.

Increasing university students’ awareness about winter sports

The aim of this study is to determine awareness levels of university students attending School of Physical Education and Sports about winter sports and to examine the effects of the training program applied within the scope of the study on their cognitive, affective, psychomotor and overall awareness. The study used single-group pre-test and post-test experimental design, which is a quantitative research approach. The participants of the study were 21 students studying Kastamonu University School of Physical Education and Sports. The data collection tools used in the study were ‘Personal Information Form’, which includes questions to obtain data about their demographic information, and ‘Winter Sports Awareness Scale’. The data collected was analysed by using SPSS 20 software. According to the results of the analysis, the changes in cognitive awareness, psychomotor awareness and overall awareness levels according to pre-test and post-test scores were found to be significant while affective awareness levels were not significant. Keywords: Awareness, physical education, Skiing, sports, winter sports.

What Phenomenal Contrast for Bodily Ownership?

In a 1962 article, ‘On Sensations of Position’, G. E. M. Anscombe claimed that we do not feel our legs crossed; we simply know that they are that way. What about the sense of bodily ownership? Do we directly know that this body is our own, or do we know it because we feel this body that way? One may claim, for instance, that we are we aware that this is our own body thanks to our bodily experiences that ascribe the property of myness to the body that they represent. Here I approach this issue from the perspective of the debate on the admissible content of perception, appealing to the method of phenomenal contrast. After rejecting the myness hypothesis, I criticize alternative accounts of the contrast in somatosensory, cognitive, and agentive terms. I conclude that the phenomenology of ownership consists in the affective awareness of the unique significance of the body for survival.