Factors to assess teacher design knowledge competencies: data literacies practice, design practice, and distributed epistemic practice (3Ds)

Author(s):  
Mi Song Kim
Author(s):  
Mi Song Kim

AbstractRecent research in technology-enhanced learning environments has indicated the need to redefine the role of teachers as designers. This supports successful learners better able to adapt to twenty-first century education, in particular STEM education. However, such a repositioning of teaching as a design science challenges teachers to reconceptualize educational practice as an act of design, not in the artistic meaning of the word. Our recent research finding also indicated that teacher design knowledge (TDK) processes are often invisible to both the teacher educators and the teachers. To respond to these challenges, this paper will define TDK for STEM teachers by making TDK visible in the form of a TDK competency taxonomy. A systematic literature review was conducted to identify the characteristics of teaching practices in technology-enhanced learning environments. This TDK competency taxonomy consists of four main categories drawing on existing literature on teacher design work and teacher instructional design: data practice, design practice, knowledge creation practice, and professional teaching practice. The implications of these findings were discussed.


2020 ◽  
Vol 1 ◽  
pp. 51-60
Author(s):  
S. Kolarić ◽  
J. Beck ◽  
E. Stolterman

AbstractHierarchies of knowledge represent a popular formalism for conceptualizing beliefs, justifications, and truth statements. To capitalize on the opportunity for formulating effective maps of design knowledge, this article introduces the hierarchical context–design development–high-level (CDH) model that stratifies different bodies of design-specific knowledge into ranked levels. We compare it with existing hierarchical models of knowledge, and describe its unique uses and benefits for both design research and design practice.


Author(s):  
Roderick Walden ◽  
Stefan Lie

The adoption of new technology is key for any manufacturer wanting to stay relevant as the world transitions to Industry 4.0. The advance of additive manufacturing (AM) technologies—an important element of Industry 4.0—has become part of a globally accepted reality. However, conventional design practice and knowledge generation inside a manufacturing firm must evolve. Technology-driven innovation must embrace knowledge-directed design work that is aimed at forecasting and utilizing the potential of new technologies. The chapter includes two projects, both of which were manufactured using additive manufacturing laser sintering technology. Analysis of the projects positions them at either end of a wider spectrum of product design practice that more aptly captures the way design and industry must operate for technology-driven innovation and Industry 4.0. A place for conventional design for manufacture remains though the case studies indicate differences in the setting of values to inform practice, requiring new methods for creating and managing design knowledge in the future.


Design Issues ◽  
2017 ◽  
Vol 33 (2) ◽  
pp. 58-69 ◽  
Author(s):  
Per Åman ◽  
Hans Andersson ◽  
Mike Hobday

This paper examines design from a ‘knowledge integration’ research perspective, a field which enables us to explore the nature and scope of the knowledge involved in design. The integration of technically rational and human-centered knowledge is central to design (‘integration of design’). However, design is also a core knowledge generating process (‘integration by design’) which, although sometimes overlooked, elevates design from a functional task to a strategic activity of the firm. The paper explores the meaning and implications of the scope of design knowledge, highlighting the interplay between technically rational and human-centered aspects, including symbolism, meaning and aesthetics. By examining how the nature and scope of the design knowledge being integrated influences the design process we deepen our understanding of the complexities of design and design practice.


Author(s):  
Joanna BOEHNERT

This workshop will create a space for discussion on environmental politics and its impact on design for sustainable transitions. It will help participants identify different sustainability discourses; create a space for reflection on how these discourses influence design practice; and consider the environmental and social implications of different discourses. The workshop will do this work by encouraging knowledge sharing, reflection and interpretative mapping in a participatory space where individuals will create their own discourse maps. This work is informed by my research “Mapping Climate Communication” conducted at the Centre for Science and Technology Policy Research (CSTPR) in the Cooperative Institute for Environmental Sciences (CIRES), the University of Colorado, Boulder. With this research project I developed a discourse mapping method based on the discourse analysis method of political scientists and sustainability scholars. Using my own work as an example, I will facilitate a process that will enable participants to create new discourse maps reflecting their own ideas and agendas.


Author(s):  
ROTHKÖTTER Stefanie ◽  
Craig C. GARNER ◽  
Sándor VAJNA

In light of a growing research interest in the innovation potential that lies at the inter­section of design, technology, and science, this paper offers a literature review of design initiatives centered on scientific discovery and invention. The focus of this paper is on evidence of design capabilities in the academic research environment. The results are structured along the Four Orders of Design, with examples of design-in-science initiatives ranging from (1) the design of scientific figures and (2) laboratory devices using new technology to (3) interactions in design workshops for scientists and (4) inter­disciplinary design labs. While design capabilities have appeared in all four orders of design, there are barriers and cultural constraints that have to be taken into account for working at or researching these creative intersections. Modes of design integration and potentially necessary adaptations of design practice are therefore also highlighted.


Author(s):  
Niki WALLACE

It is widely agreed that in order to contribute to transitions towards sustainability, both practitioners and design itself must also transition. This paper presents findings from the first two years of transition in my Australian-based design practice. The paper explores what this transition has required of me personally, politically, and professionally, and draws on cases from my PhD. The PhD and paper are both part of an analytic auto-ethnography of my practice’s transition from ‘making greener things’ towards design for transitions. The projects discussed use ethnography, action research and reflective practices in their temporal approaches. This paper explores how slower methods such as transition design and autonomous design can extend the political reach of a design practice and discusses sacrifice and the financial stabilisation that comes from enveloping old practices within the new. The analysis presented here also reflects on my experiences practicing design for transitions and on data collected through participant engagement.


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