scholarly journals ON THE HIERARCHICAL LEVELS OF DESIGN KNOWLEDGE

2020 ◽  
Vol 1 ◽  
pp. 51-60
Author(s):  
S. Kolarić ◽  
J. Beck ◽  
E. Stolterman

AbstractHierarchies of knowledge represent a popular formalism for conceptualizing beliefs, justifications, and truth statements. To capitalize on the opportunity for formulating effective maps of design knowledge, this article introduces the hierarchical context–design development–high-level (CDH) model that stratifies different bodies of design-specific knowledge into ranked levels. We compare it with existing hierarchical models of knowledge, and describe its unique uses and benefits for both design research and design practice.

2005 ◽  
Vol 21 ◽  
pp. 39-46 ◽  
Author(s):  
Deirdre Barron ◽  
Simon Jackson ◽  
Lyndon Anderson

AbstractIn the relatively new discipline of design education we have the opportunity to frame the way that design education is formulated. The relative lack of theorists in the field of design education studies leaves unquestioned the relevance of conventional practices of design education that are premised on only tangentially relevant Art, Science and Information Technology models. There is a gap in design education development regarding how to mediate ecological concerns with techno-scientific imperatives. Environmental education researchers can influence this new field by challenging existing approaches to design education with particular attention to the ways design either contributes to or hinders the development of a sustainable society. In order to enter this discussion with environmental education researchers we identify three ecological issues faced by designers and design educators, here we pay particular attention to Industrial Design. The question for this paper is, can environmental education researchers offer advice to the design education area that may help us develop ecologically sustainable design-based programs. The newness of ecological concerns in the design research and design education areas means that we have a great deal to learn. If environmental education researchers are able to assist us with our reflections on designing curricula that in turn encourages a more ecologically aware design profession then this would be a worthwhile contribution to design practice in Australia, and indeed the world.


2020 ◽  
Vol 39 (1) ◽  
pp. 55-70
Author(s):  
Kim Hongyoun Hahn

This article is about the designer’s journey in design research where the designer has developed a body of work. The development of each project’s design process, method, technique, and practice-led research are addressed. The purpose of this article was to contribute to the design discipline by sharing an example of how a design researcher develops a body of work. This article first describes the designer’s design value and design process which has guided the designer’s creative work and practice. The 10 different creative works are presented in chronological order as the designer’s design development progressed. The designer’s design framework is presented along with the future direction of the designer’s design work.


Dimensions ◽  
2021 ◽  
Vol 1 (1) ◽  
pp. 25-36
Author(s):  
Sarah Wehmeyer

Editorial Summay In her contribution »Collage-Based Research and Design«, Sarah Wehmeyer addresses the distinct differentiation between design-based and design-related forms of investigation in architecture. Hereby, she fosters reflexive design and research processes and practices as sources of »design-specific knowledge«. In this regard, she highlights applied artistic and superordinate theoretical aspects as well as discusses practical skills and scientific capacities inherent to the medium of collage as an architecture-specific tool for design and research. This contribution can be read as a precise and distinct examination of the collage as an artifact, media of design, knowledge creation, and communication, and as an alternative - artistic-reflexive - methodological approach to research in architecture. [Katharina Voigt]


Author(s):  
Honghai LI ◽  
Jun CAI

The transformation of China's design innovation industry has highlighted the importance of design research. The design research process in practice can be regarded as the process of knowledge production. The design 3.0 mode based on knowledge production MODE2 has been shown in the Chinese design innovation industry. On this cognition, this paper establishes a map with two dimensions of how knowledge integration occurs in practice based design research, which are the design knowledge transfer and contextual transformation of design knowledge. We use this map to carry out the analysis of design research cases. Through the analysis, we define four typical practice based design research models from the viewpoint of knowledge integration. This method and the proposed model can provide a theoretical basis and a path for better management design research projects.


2011 ◽  
Vol 403-408 ◽  
pp. 2388-2391
Author(s):  
Zhi Liang Xia

Electronic information products based on ergonomics, on the basis of the research in the form in human research and design. From the electronic information products shape colour, modelling, material texture and interface aspects are studied, that "People-Oriented" design idea was fully manifested in person to use electronic devices, functional principle in operating mode, physiological, psychological, product semantics of human concern gives products, electronic equipment, more comfortable and pleasant that the external form of electronic information equipment development direction.


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