scholarly journals Mystical Experience and the Paraconsistent God

Author(s):  
Benedikt Paul Göcke
Keyword(s):  
2013 ◽  
Vol 42 (1) ◽  
pp. 18-22
Author(s):  
Stephen Bush

This essay, in response to Michael Kaler and Philip Tite, examines several theoretical issues about mystical experience in the Nag Hammadi texts. First is the problem of whether experiences can be an object of study at all, and I argue that they can, so long as we attend to the causes of the experiences. Attending to the causes of experiences, however, means that neo-perennialists must articulate and defend an account of the cause(s) of the cross-culturally universal experiences that they suppose occur. As for the attempt to apply contemporary psychologists' attachment theory to the experiential knowledge described in the Nag Hammadi texts, questions remain about the relation between attachment to the divine figure purportedly experienced and the experiencer's attachment to his or her religious community.


2015 ◽  
Vol 7 (2) ◽  
pp. 109-123
Author(s):  
Stephen Grimm

I argue that mystical experience essentially involves two aspects: (a) an element of direct encounter with God, and (b) an element of union with God. The framework I use to make sense of (a) is taken largely from William Alston’s magisterial book Perceiving God. While I believe Alston’s view is correct in many essentials, the main problem with the account is that it divorces the idea of encountering or perceiving God from the idea of being united with God. What I argue, on the contrary, is that because our experience of God is an experience of a relationship-seeking, personal being, it brings with it an important element of union that Alston overlooks.


Author(s):  
Максим Глебович Калинин

Продолжая публиковать оригинальный текст и русский перевод новонайденных фрагментов «Книги глав о ведении» Иосифа Хаззайи (VIII в.), одного из ярчайших представителей восточносирийской мистической традиции, предлагаем вниманию читателей главы 75-162 из фрагмента, представленного восточносирийской рукописью Paris. syr. 434. Эти главы включают в себя комментарий Иосифа Хаззайи на видение Иезекииля, другие экзегетические пассажи, изречения о смирении и любви, описания мистического опыта и пространное рассуждение о роли ангелов в жизни человечества. We proceed to publish the original text and Russian translation of the newly discovered fragments of «Book of the Chapters on Knowledge» of Joseph Ḥazzāyā (8th c.), one of the brightest representatives of the East Syriac mystical tradition. Now the readers are offered the original text and Russian translation of chapters 75-162 from the fragment of Joseph Ḥazzāyā’s work known from the East Syriac manuscript Paris. syr. 434. These chapters include the commentary of Joseph Ḥazzāyā on Ezekiel’s vision, another exegetical passages, sayings on humility and love, various descriptions of mystical experience, and a lengthy discourse on the role of angels in the life of human beings.


2020 ◽  
pp. 85-104
Author(s):  
Борис Тимофеев

Современная научная богословская мысль склонна к унификации терминов и явлений в сфере своих компетенций. Эта тенденция в современных исследованиях в некоторых случаях распространяется и на древние христианские памятники. Так, например, слово θεωρία многие учёные определяют как мистический метод духовного толкования Священного Писания. Это определение нередко применяется в качестве универсального технического определения при анализе экзегетических произведений древних авторов. При этом игнорируется узус самих экзегетов, которые употребляют это слово в иных значениях. В рамках данной статьи предпринимается попытка выявить и показать основные значения слова θεωρία в древней греческой экзегетической литературе. The article deals with the theology, composition and literary form of the narrations which constitute the prologue part of the book of Genesis (1, 1-11, 26). During the second half of the 19th and at the turn of the 20th cent., following the emergence of the Documentary hypothesis as well as the comparison of the Holy Scripture with the newly-discovered literary monuments of Ancient Near East, the greater part of the narrations that constitute the Prologue were labeled myths and ancient Hebrew folklore (J. Wellhausen, H. Gunkel, J. Frazer). In addition to the then detected Near Eastern parallels, this new attitude towards the narrations of the Prologue was fostered by its lack of a clearly expressed historical dedication and the symbolic form of their exposition. Defending the traditional view of the Prologue as sacred history and prophetic revelation, bishop Kassian (Bezobrazov) proposed to consider all the biblical narrations that contain theophanies as metahistorical. Archpriest Sergey Bulgakov, A. F. Losev and B. P. Vysheslavtsev, who analyzed the phenomenon of myth-making, called the Biblical narration of the origins of the world a myth, but in a sense different from that proposed by Gunkel and Frazer. They have founded a new and positive conception according to which a myth is not fi but rather a kind of reality based upon mystical experience. The author of the article analyzes each of the terms enumerated - «history», «myth», «metahistory» - in their use relating them to the Prologue; he also examines the possibility of their harmonizing with the traditional ecclesiastical view of this part of the book of Genesis.


2020 ◽  
pp. 17-46
Author(s):  
Михаил Анатольевич Скобелев

В статье рассматриваются богословие, композиция и литературная форма сюжетов, входящих в состав Пролога книги Бытия (1, 1-11, 26). Во второй половине XIX - начале XX вв. в результате появления Документальной гипотезы и сопоставления Священного Писания с литературными памятниками Древнего Ближнего Востока большая часть сюжетов, составляющих Пролог, была объявлена мифами и древнееврейским фольклором (Ю. Велльгаузен, Г. Гунекель, Дж. Фрезер). Кроме выявленных ближневосточных параллелей, новому отношению к повествованиям Пролога книги Бытия способствовали: отсутствие в нём ясно выраженной исторической задачи и символичность изложения. Защищая традиционный взгляд на Пролог как на священную историю и пророческое откровение, епископ Кассиан (Безобразов) предложил рассматривать все библейские сюжеты, содержащие теофанию, как метаисторию. Протоиерей Сергий Булгаков, А. Ф. Лосев, Б. П. Вышеславцев, занимавшиеся феноменом мифотворчества, назвали библейское повествование о начале мироздания мифом, но в ином смысле, чем это делали Г. Гункель и Дж. Фрезер. Они обосновали новый положительный взгляд, согласно которому миф не есть выдумка или фантазия, а реальность, основанная на мистическом опыте. В статье анализируется каждый из перечисленных терминов: «история», «миф», «метаистория» применительно к Прологу, а также рассматривается возможность их согласования с традиционным церковным взглядом на эту часть книги Бытия. The article deals with the theology, composition and literary form of the narrations which constitute the prologue part of the book of Genesis (1, 1-11, 26). During the second half of the 19th and at the turn of the 20th cent., following the emergence of the Documentary hypothesis as well as the comparison of the Holy Scripture with the newly-discovered literary monuments of Ancient Near East, the greater part of the narrations that constitute the Prologue were labeled myths and ancient Hebrew folklore (J. Wellhausen, H. Gunkel, J. Frazer). In addition to the then detected Near Eastern parallels, this new attitude towards the narrations of the Prologue was fostered by its lack of a clearly expressed historical dedication and the symbolic form of their exposition. Defending the traditional view of the Prologue as sacred history and prophetic revelation, bishop Kassian (Bezobrazov) proposed to consider all the biblical narrations that contain theophanies as metahistorical. Archpriest Sergey Bulgakov, A. F. Losev and B. P. Vysheslavtsev, who analyzed the phenomenon of myth-making, called the Biblical narration of the origins of the world a myth, but in a sense different from that proposed by Gunkel and Frazer. They have founded a new and positive conception according to which a myth is not fiction but rather a kind of reality based upon mystical experience. The author of the article analyzes each of the terms enumerated - «history», «myth», «metahistory» - in their use relating them to the Prologue; he also examines the possibility of their harmonizing with the traditional ecclesiastical view of this part of the book of Genesis.


Author(s):  
Ayon Maharaj

This chapter draws upon Sri Ramakrishna’s teachings and mystical testimony in order to develop a new conceptual framework for understanding the nature of mystical experience. In recent analytic philosophy of religion, two approaches to mystical experience have been especially influential: perennialism and constructivism. While perennialists maintain that there is a common core of all mystical experiences across various cultures, constructivists claim that a mystic’s cultural conditioning plays a major role in shaping his or her mystical experiences. After identifying the strengths and limitations of these two positions, Maharaj argues that Sri Ramakrishna champions a “manifestationist” approach to mystical experience that provides a powerful dialectical alternative to both perennialism and constructivism. According to Sri Ramakrishna, mystics in various traditions experience different real manifestations of one and the same impersonal-personal Infinite Reality. Sri Ramakrishna’s manifestationist paradigm shares the advantages of both perennialism and constructivism but avoids their respective weaknesses and limitations.


2016 ◽  
Author(s):  
Henk Os

Lorenzo Monaco's striking fifteenth-century portrayal of the stigmatisation of St. Francis was once owned by the art collector Otto Lanz. What prompted Lanz to buy Monaco's painting in the 1920s? Was it simply because he saw it as a beautiful, unique work of art? Or was there something more-could Lanz have been drawn in by the mystical experience that the painting depicts? In this essay, Henk van Os attempts to uncover the motivation for Otto Lanz's purchase, in the process raising provocative questions about our relationship to religious art in a more secular era.


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