The portrayal of violence and weapon carrying in televised music videos: A content analysis of network and music genre differences

1996 ◽  
Vol 18 (2) ◽  
pp. 125
Author(s):  
Robert l. DuRant ◽  
Michael Rich ◽  
S. Jean Emans ◽  
Elien S. Rome ◽  
Elizabeth Allred ◽  
...  
Sex Roles ◽  
2009 ◽  
Vol 62 (11-12) ◽  
pp. 787-797 ◽  
Author(s):  
Yuanyuan Zhang ◽  
Travis L. Dixon ◽  
Kate Conrad

2012 ◽  
Vol 24 (3) ◽  
pp. 432-448
Author(s):  
Tanja N. Morgan ◽  
Cheryl A. Hampton ◽  
Shanise Davenport ◽  
Ellen Young ◽  
Diane M. Badzinski ◽  
...  

2020 ◽  
Vol 51 (3) ◽  
pp. 228-250
Author(s):  
Tyree Oredein ◽  
Kiameesha Evans ◽  
M. Jane Lewis

While the prevalence and adverse effects of violence in hip-hop music and music videos have been studied extensively, hip-hop entertainment journalism, which reports on hip-hop news and events, has been largely unexplored. The purpose of this study was to examine violent trends in hip-hop journalism. We conducted a content analysis on a random sample of 970 news articles, 218 interview articles and the accompanying photographs from three hip-hop themed websites, and 56 radio interviews from hip-hop themed FM radio stations. Content was coded for type of violence, reality status, narrative sequence, and tone. The findings suggest that a significant portion of hip-hop journalism communications contain violence. More than half of all articles (52.3%; n = 663) contained violence. The prevalence of violence was higher for interview articles (73.4%, n = 218) than for news articles (45.9%, n = 445). The most common categories were violent metaphors, weapons, feuding (e.g., verbal aggression), and fighting. Almost 70% of radio interviews ( n = 37) contained at least one mention of violence and the most common types of violence were fighting/physical assault and feuding. Furthermore, the majority of violence for all articles and radio content were reported as real and were presented from the performer sequence. News articles depicted more consequences, whereas interview articles and radio interviews depicted more positive portrayals. Potential implications for youth exposure hip-hop journalism are discussed.


2020 ◽  
Vol 3 ◽  
pp. 205920432090236
Author(s):  
Brad Osborn ◽  
Emily Rossin ◽  
Kevin Weingarten

From 1990 to 1999 MTV promoted a series of 288 music videos called “Buzz Clips”, designed to highlight emerging artists and genres. Such promotion had a measurable impact on an artists’ earnings and record sales. To date, the kinds of musical and visual practices MTV promoted have not been quantitatively analyzed. Just what made some videos Buzzworthy, and others not? We applied two phases of content analysis to this corpus to determine the most common sonic and visual signifiers in Buzz Clips, then processed the results of that content analysis using polychoric correlations. Our findings show high degrees of shared variance between certain pairs of musical and visual elements observed in the sample music videos. We interpret a number of these relationships in terms of their relevance to a performer’s perceived ethnicity and gender, showing how certain audiovisual features regularly accompany white men (e.g., electric guitar) while others regularly accompany women and performers of color (e.g. drum machines).


2012 ◽  
Vol 24 (3) ◽  
pp. 432-448
Author(s):  
Tanja N. Morgan ◽  
Cheryl A. Hampton ◽  
Shanise Davenport ◽  
Ellen Young ◽  
Diane M. Badzinski ◽  
...  

2020 ◽  
Vol 37 (4) ◽  
pp. 353-363
Author(s):  
Fernando Rey Castillo-Villar ◽  
Judith Cavazos-Arroyo ◽  
Nicolas Kervyn

Purpose The purpose of this study is to focus on analyzing the role of music subcultures in the communication and promotion of conspicuous consumption practices. The object of study is the “altered movement” as the music style of the drug subculture in Mexico. Design/methodology/approach A qualitative content analysis of 78 lyrics and music videos of “altered movement” was carried out between August and December 2018. Findings The analysis of lyrics and music videos leads to the identification of four narratives (from poor to rich, power through violence, lavish lifestyle and power over women) and diverse symbolic markers (luxury brands mainly) that together, display messages aimed at promoting conspicuous consumption practices. Originality/value The current research expands the body of literature of music subcultures in the consumer research area by contesting the common conception of this phenomenon as a healthy source of self-identity formation and deepening into its role as a source of conspicuous consumption practices.


1985 ◽  
Vol 29 (3) ◽  
pp. 333-340 ◽  
Author(s):  
Richard L. Baxter ◽  
Cynthia De Riemer ◽  
Ann Landini ◽  
Larry Leslie ◽  
Michael W. Singletary

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