scholarly journals ‘It just didn't really happen’: The lived space of entrepreneurial urbanism in Ørestad, Copenhagen

Geoforum ◽  
2021 ◽  
Vol 123 ◽  
pp. 117-128
Author(s):  
Anton Ösgård ◽  
Bas Spierings
2009 ◽  
Vol 54 (1) ◽  
pp. 121-132
Author(s):  
Sabine Gebhardt Fink

In performativen künstlerischen Projekten der Ambient Art werden Raum und Körper neu erzeugt. Diese These verdeutliche ich mit Beispielen aus den Bereichen Musik, Theater und Kunst, die das transdisziplinäre Phänomen Ambient als komplexe mediale Struktur erklären. Des weiteren gehe ich vom Modell des gelebten Raums aus, um auszuführen, wie der Ort eines künstlerischen Projekts die Art und Weise der Verkörperungen seiner Teilnehmer definiert. Umgekehrt wird deutlich, daß die immersive ästhetische Erfahrung von Ambient erst Präsenz und Raum konstituiert. During performative artistic projects in Ambient Art, both space and structures of embodiment are constituted. I illustrate this thesis with examples of performative works in music, theatre and art, in order to analyze the transdisciplinary phenomenon of Ambient Art as a complex structure. My point of departure is a model of lived space in which the bodily enactment in the performative artwork produces place and, vice versa, the place of the artwork determines the active body as an immersive aesthetic experience.


2020 ◽  
Vol 10 ◽  
pp. 1-19
Author(s):  
Kevin Aho ◽  

This paper offers a phenomenological analysis of Heidegger’s account of “the uncanny” (das Unheimliche) as it relates to the coronavirus pandemic. It explores how the pandemic has disrupted Dasein’s sense of “homelike” (heimelig) familiarity and how this disruption has undermined our ability to be, that is, to understand or make sense of things. By examining our experience of temporality, lived-space, and intersubjectivity, the paper illuminates different ways in which the pandemic has left us confused and anxious about our self-interpretations and future projects. The paper concludes by showing how the uncanny is not simply something we feel in times of crisis; it is, for Heidegger, who we are. This means the secure feeling of familiarity that we embodied prior to the pandemic was an illusion all along, that we are not and never have been at-home in the world.


2018 ◽  
Vol 18 (1) ◽  
Author(s):  
Linn Hege Førsund ◽  
Ellen Karine Grov ◽  
Anne-Sofie Helvik ◽  
Lene Kristine Juvet ◽  
Kirsti Skovdahl ◽  
...  
Keyword(s):  

Author(s):  
Thomas Fuchs

In traditional psychoanalysis the unconscious was conceived as a separate intra-psychic reality, hidden ‘below consciousness’ and only accessible to a ‘depth psychology’ based on metapsychological premises and concepts. In contrast to this vertical conception, this chapter presents a phenomenological approach to the unconscious as a horizontal dimension of the lived body, lived space, and intercorporeality. This approach is based (a) on a phenomenology of body memory, defined as the totality of implicit dispositions of perception and behaviour mediated by the body and sedimented in the course of earlier experiences. It is also based on (b) a phenomenology of the life space as a spatial mode of existence which is centred in the lived body and in which unconscious conflicts are played out as field forces.


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