Pisan Migration Patterns along Twelfth Century Eastern Mediterranean Trade Routes

Author(s):  
Matthew E. Parker
2016 ◽  
Vol 20 (3) ◽  
pp. 300-310
Author(s):  
Graham Harvey

Being Indigenous seems, by definition, to be about belonging to a place. Sometimes it is even defined as belonging in specific places. Near synonyms like “native” and “aboriginal” can be used to locate people in relation to ancestral, pre-invasion / pre-colonial places. However, Indigenous peoples are no more enclosed by geography than other-than-indigenous peoples. Complex and extensive trade routes and migration patterns are important features of the pasts of many Indigenous nations. Tangible and intangible goods were gifted or exchanged to ferment and cement inter-national relations. In the present era, Indigenous peoples have a significant presence in global forums such as the United Nations (UN), in environmental discussions, in cultural festivals and in diasporic communities. This text uses Indigenous performances at the annual (Sámi organised) Riddu Riddu festival in arctic Norway and the biennial Origins Festival of First Nations hosted in London, U.K., to exemplify explicit and taken-for-granted knowledge of place-as-community. The entailment of animistic insistence, that places are multi-species communities requiring respectful and mutualistic interaction, points to the transformative potential of Indigenous spatiality.


2018 ◽  
Author(s):  
Emmanuel Potiris ◽  
Constantin Frangoulis ◽  
Alkiviadis Kalampokis ◽  
Manolis Ntoumas ◽  
Manos Pettas ◽  
...  

Abstract. The lack of knowledge of the mesopelagic layer inhabitants, especially of those performing strong vertical migration, is an acknowledged challenge as its incomplete representation leads to the exclusion of an active carbon and nutrient pathway from the surface to the deeper layers and reversely. The vertical migration of mesopelagic inhabitants (macro-planktonic and micro-nektonic) was observed by acoustical means in the epi- and mesopelagic layer of the open oligotrophic Cretan Sea (Eastern Mediterranean) for almost 2.5 years at the site of an operational fixed-point observatory located at 1500 m depth. The observed organisms were categorized in four groups according to their migration patterns. The variability of the migration patterns was inspected in relation to the physical and biological environmental conditions of the study area. The stratification of the water column does not act as a barrier for the vertical motion of the strongest migrants, moving up to 400 m every day. Instead, changes of light intensity (lunar cycle, daylight duration, cloudiness) and the presence of prey and predators seem to explain the observed daily, monthly and seasonal variability. The continuous presence of these organisms, yet capable of vertical motion and despite the profound seasonal circulation variability at the site of the observatory, implies their presence in the broader study area. The fundamental implications of the above for biogeochemical processing in oligotrophic seas due to the intimate link of the C and nutrient cycles, are discussed.


Author(s):  
David Abulafia

The importance of the Etruscans does not simply lie in the painted tombs whose lively designs captivated D. H. Lawrence, nor in the puzzle of where their distinctive language originated, nor in the heavy imprint they left on early Rome. Theirs was the first civilization to emerge in the western Mediterranean under the impetus of the cultures of the eastern Mediterranean. Etruscan culture is sometimes derided as derivative, and the Etruscans have been labelled ‘artless barbarians’ by one of the most distinguished experts on Greek art; anything they produced that meets Greek standards is classified as the work of Greek artists, and the rest is discarded as proof of their artistic incompetence. Most, though, would find common cause with Lawrence in praising the vitality and expressiveness of their art even when it breaks with classical notions of taste or perfection. But what matters here is precisely the depth of the Greek and oriental imprint on Etruria, the westward spread of a variety of east Mediterranean cultures, and the building of close commercial ties between central Italy, rarely visited by the Mycenaeans, and both the Aegean and the Levant. This was part of a wider movement that also embraced, in different ways, Sardinia and Mediterranean Spain. With the rise of the Etruscans – the building of the first cities in Italy, apart from the very earliest Greek colonies, the creation of Etruscan sea power, the formation of trading links between central Italy and the Levant – the cultural geography of the Mediterranean underwent a lasting transformation. Highly complex urban societies developed along the shores of the western Mediterranean; there, the products of Phoenicia and the Aegean were in constant demand, and new artistic styles came into existence, marrying native traditions with those of the East. Along the new trade routes linking Etruria to the east came not just Greek and Phoenician merchants but the gods and goddesses of the Greeks and the Phoenicians, and it was the former (along with a full panoply of myths about Olympus, tales of Troy and legends of the heroes) that decisively conquered the minds of the peoples of central Italy.


2011 ◽  
Vol 17 (4-5) ◽  
pp. 417-438
Author(s):  
Louis I. Hamilton

AbstractThe Mirabilia urbis romae offers us insight into the symbolic meaning of the streetscape of Rome from the perspective of a canon of St. Peter’s. It should be read alongside the contemporary Roman Ordo with which it was certainly associated in the twelfth century. When read in that context, the Mirabilia serves as a kind of direct and indirect commentary on the papal liturgy. The papal liturgies at Easter and Christmas moved through an environment that was “re-written” by the Mirabilia as a narrative of Christian Roman renewal and of triumph throughout the Mediterranean world. The Mirabilia celebrates both Roman renewal and hegemony in the eastern Mediterranean, giving heightened significance to the liturgical life of the twelfth-century papacy. The papal liturgy, at these most triumphant processional moments, celebrated that historic and, ultimately, eschatological triumph.


2012 ◽  
Vol 14 ◽  
pp. 20-43 ◽  
Author(s):  
Anne J. Duggan

‘Wonder not at our coming here, for unto you, Englishmen, God gave such a wondrous martyr, that he filleth nearly all the world with miracles.’ This admiring assertion, attributed to an archbishop and primate from the Nigros Monies – possibly Stephen, archbishop of Tarsus, which lies at the foot of. the Taurus Mountains in Armenia – provides a good introduction to the theme of this book, for it links Iceland, Canterbury and the eastern Mediterranean in a remarkable manner. The quotation comes from a lost life of St Thomas written in Latin by Robert of Cricklade, prior of St Frideswide in Oxford, who died in 1174; but it is known only from its transmission through one of the longest texts in Old Norse, the Thomas Saga Erkibyskups, compiled in Iceland through the thirteenth century from English Latin sources. This Anglo-Icelandic example, however, is only one part of an extraordinary phenomenon which saw the cult of the ‘wondrous martyr’ established, and not only at the official level, across the whole of the West, from Norway to Sicily and from Portugal to Poland, before the end of the twelfth century. The English martyr was probably depicted among the array of saints on the West front of Trondheim cathedral; his mosaic image stands next to that of St Silvester in the apse behind the high altar in Monreale; the headquarters of the Portuguese Templars at Tomar had a chapel with a reliquary containing fragments of his brains and blood; and French monks from Morimond brought the cult to Sulejów in the diocese of Gneisno in 1177.


Author(s):  
Л.А. Голофаст ◽  
С.В. Ольховский

В статье представлен комплекс стекла 56 вв.н.э., выявленный в ходе подводных раскопок фундамента причального сооружения в акватории Фанагории. Благодаря довольно длительному периоду формирования комплекса находок в нем отразились изменения в ассортименте бытовавшей стеклянной посуды: от весьма разнообразного в 5 в. до скудного набора 6 в., в котором безраздельно доминировали рюмки . Набор сосудов в полной мере отражает сложившуюся в рассматриваемое время ситуацию, характеризующуюся открытостью торговых маршрутов, которые связывали различные регионы Европы: одинаковые стеклянные изделия, производившиеся в одних и тех же центрах Восточного Средиземноморья, находят как в довольно удаленных друг от друга, так и от центров производства регионах. Благодаря активной торговле быстро распространялась мода на одни и те же сосуды и приемы их орнаментации, что служило стимулом для появления производства популярных сосудов в разных точках средиземноморско-причерноморского региона. Таким образом, представленная коллекция стекла, как и комплекс керамики этого времени, продемонстрировала включенность Фанагории рассматриваемого периода в обширный средиземноморско-причерноморский рынок. The article presents the glass assemblage of the 5th6th centuries found in the course of underwater excavations of the quay in the harbour of Phanagoria. The collection presents a great variety of forms and reflects changes in the assortment of glass vessels in the course of time. The 5th century is characterized by the extensive assortment of forms and various types of decoration (relief mold-blown, blue blobs and polished ornament). In the 6th century most kinds of ornamentation disappeared, the range of vessel types were reduced to 2-3 main forms with considerable predominance of stemmed goblets. All these changes occurred in terms of process common for the entire MediterraneanPontic region in the Late Antiquity. This period is characterized by the well-developed network of trade routes that connected sometimes very remote regions with production centers of the Eastern Mediterranean and Europe. The intensive trade promoted the spread of fashion for various forms of vessels and ornamentation that in its turn stimulated the appearance of new manufacturing centers that produced popular glass vessels in different points of the Mediterranean-Pontic region.


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