American Women Authors and Literary Property, 1822–1869

Author(s):  
Melissa J. Homestead
Keyword(s):  
MELUS ◽  
2003 ◽  
Vol 28 (3) ◽  
pp. 208
Author(s):  
Kathleen Zamboni McCormick ◽  
Edvige Giunta

Author(s):  
Dalal Sarnou

“It is important to stress that a variety of positions with respect to feminism, nation, religion and identity are to be found in Anglophone Arab women’s writings. This being the case, it is doubtful whether, in discussing this literary production, much mileage is to be extracted from over emphasis of the notion of its being a conduit of ‘Third World subaltern women.’” (Nash 35) Building on Geoffrey Nash’s statement and reflecting on Deleuze and Guattari’s conceptualization of minor literature and Gloria Anzaldua’s Borderland(s), we will discuss in this paper how the writings of Arab Anglophone women are specific minor and borderland narratives within minor literature(s) through a tentative (re)localization of Arab women’s English literature into distinct and various categories. By referring to various bestselling English works produced by Arab British and Arab American women authors, our aim is to establish a New taxonomy that may fit the specificity of these works.


Author(s):  
Sandra Llopart Babot

This paper presents a descriptive approach to the reception of African American women’s literature in Spain through the study of its translation history. In this context, the first part of the paper describes the endeavor of developing AfroBib, a bibliographical tool that compiles exhaustive data about translations of African American women authors published in Spain. The second part of the paper discusses the translation history of African American women’s literature in the target country based on the statistical analysis of the data provided by our main research tool. The results display clear evidence of the increase in the circulation of African American women’s works and illustrate a complex network of social and literary factors that have influenced choices and strategies governing the translation of African American women writers in the country. This study offers unprecedented data, thereby holding out the prospect of encouraging parallel research lines.


1973 ◽  
Vol 36 (1) ◽  
pp. 311-319 ◽  
Author(s):  
Louise M. Bachtold ◽  
Emmy E. Werner

Women authors who were listed in Who's Who in America, and women artists in Who's Who in American Women responded to the Sixteen Personality Factor Questionnaire. Both groups were found to be more aloof, intelligent, emotional, aggressive, adventurous, imaginative, radical, and self-sufficient, and less group-dependent and controlled than women in the general population. Although the women artists did not score beyond the average on sensitivity and self-control, the authors were more sensitive and less controlled than women in general.


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