Verbs of knowing: discursive practices in early modern vernacular medicine

Author(s):  
Turo Hiltunen ◽  
Jukka Tyrkkö
2000 ◽  
Vol 4 (3-4) ◽  
pp. 269-321 ◽  
Author(s):  
Pia F. Cuneo

AbstractThis article analyses artists' manuals and veterinary texts in order to understand some of the assumptions attending the production of art and the practice of science in early modern Europe. These sources, several of which have remained largely unstudied, share a similar focus on the horse: how artists can best render them and how horse-owners and stable-masters can best care for them. The article considers these sources within their artistic, scientific and hippological contexts, but pays special attention to how the discursive practices of art and science overlap. The artists' manuals promote mathematically oriented techniques and aesthetics, while the illustration to the veterinary texts are fundamentally informed by artistic and iconographic traditions. Art and science thus mutually elucidate each other while simultaneously highlighting the social and economic importance of the horse in early modern history.


2020 ◽  
Vol 46 (7) ◽  
pp. 785-809
Author(s):  
Jayne Svenungsson

During the last decades of the 20th century, Western philosophy saw a renewed interest in religion, often referred to as ‘the return of religion’. At about the same time, a growing number of anthropologists and historians began to draw attention to the cultural and ideological bias of the category of religion, revealing its roots in a particular phase of early modern European history. This article gives an overview of these significant theoretical developments and explores both the tensions and similarities between the different scholarly traditions. Drawing on both discourses, it argues that we need to rethink the way we use religion as a category for organizing social and political life. If religion can no longer be taken as a purely descriptive category but rather should be seen as part of specific discursive practices, then we need to critically ponder the implications of the ways in which we map certain customs, behaviours and motifs as ‘religious’ and others as ‘secular’.


Sederi ◽  
2018 ◽  
pp. 79-96
Author(s):  
Zümre Gizem Yılmaz

Although the elements have been exploited for human ends in early modern discursive practices, they have so saturated social and cultural life that writers of the period could not avoid mentioning elemental formations. Marlowe’s Tamburlaine, Part I and Part II (1587) and Doctor Faustus (1592) are significant representatives of early modern English drama that highlight the inter-relationships between the human body and the elements. This study examines elemental agency, to show how the agential capacity of the four classical elements unveils ecophobic treatment; and how the ecophobic strain in the human psyche is reflected in Christopher Marlowe’s Tamburlaine and Doctor Faustus.


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