New Urban Forms for a New Empire: The Third Century and the Genesis of the Late Antique City

Author(s):  
Hendrik W. Dey
2017 ◽  
Vol 67 (1) ◽  
pp. 247-262 ◽  
Author(s):  
James Corke-Webster

In 1967 Alan Cameron published a landmark article in this journal, ‘The fate of Pliny'sLettersin the late Empire’. Opposing the traditional thesis that the letters of Pliny the Younger were only rediscovered in the mid to late fifth century by Sidonius Apollinaris, Cameron proposed that closer attention be paid to the faint but clear traces of the letters in the third and fourth centuries. On the basis of well-observed intertextual correspondences, Cameron proposed that Pliny's letters were being read by the end of the fourth century at the latest. That article now seems the vanguard of a rise in scholarly interest in Pliny's late-antique reception. But Cameron also noted the explicit attention given to the letters by two earlier commentators—Tertullian of Carthage, in the late second to early third century, and Eusebius of Caesarea, in the early fourth. The use of Pliny in these two earliest commentators, in stark contrast to their later successors, has received almost no subsequent attention.


Philologus ◽  
2021 ◽  
Vol 165 (1) ◽  
pp. 58-67
Author(s):  
Enrico Cerroni

Abstract The reception of the work of Thucydides in late antique authors constitutes a huge chapter of allusions and reworkings, on methodological, structural, lexical levels and more. A fortiori, certain particularly famous passages by the historian are well suited for a study of their reception, above all where key terms or rare expressions are concentrated. The case of the adjective ἀλγεινός, a poeticism declined twice in the epitaphios of Pericles (2.39 and 2.43) offers interesting material of this kind in the work of Dexippus, the Athenian historian of the third century A.D., and in the romance author Heliodorus. Alongside a secure reference to 2.39 in Dexippus (F28 Martin = F34 Mecella), already identified by Stein, it is possible to identify a further reuse in another fragment, probably extracted from a demegoria (F26b Martin = F32b Mecella). In the light of these examples, it becomes more likely that we can see a reminiscence of Thucydides also in a passage of Heliodorus of Emesa (5.29), already proposed by van Krevelen but omitted from the repertory of citations present in the Aethiopica prepared by Feuillâtre.


2021 ◽  
pp. 91-113
Author(s):  
Elizabeth Marlowe

This chapter critically examines how scholars have interpreted Roman portraits of the third century ce. It focuses on two case studies. The first is a famous portrait of Maximinus Thrax from the Albani collection and now in the Capitoline Museum. Read through the lens of late antique literary sources, the portrait has been seen by art historians as portraying Maximinus’ ferocity, physical strength, and low class, barbarian origins. The second case study is a far less well-known pair of portraits excavated at the Roman villa of Lullingstone, south of London, which became the object of a highly unusual domestic cult in late antiquity. These case studies are used to argue that the heavy reliance on iconography and literary sources required to interpret portraits lacking archaeological context is less reliable and less informative than interpretations derived from a combination of iconography and archaeology.


Author(s):  
Jason Moralee

Chapter 2 surveys the evidence for the maintenance of the Capitoline Hill’s temples, statues, festivals, and administrative uses into the sixth century. While imperial rites celebrated at the Capitol faded in significance by the end of the third century, the hill was at the heart of the social and administrative worlds of late antique Rome. The chapter thus turns to the ways in which the hill was embedded in multiple late Roman neighborhoods and used for administrative purposes. Even as Rome’s urban environment was undergoing serious transformations in the use of public spaces, archaeology, epigraphy, and literary sources demonstrate that the Capitoline Hill was surrounded by neighborhoods displaying a high degree of sociability and commerce throughout this period.


1997 ◽  
Vol 16 (1) ◽  
pp. 79-105 ◽  
Author(s):  
W. Mark Gustafson

The origins of tattooing are very ancient, and the modern fascination with the practice serves to remind us that it has been an enduring fixture in human history. Its functions are many and often overlap, but the particular focus here is on the tattoo as an aspect of punishment. Comparative evidence, however, is welcomed whenever it proves useful. This article first marshals and examines the late antique literary evidence (which is predominantly Christian) extending from North Africa in the third century to Constantinople in the ninth. Then that evidence is put in its legal context. From at least the time of Augustus, the penal tattoo, which was generally placed on the face or forehead, had been associated with degradation. Such remained the case in late antiquity, and it also becomes clear that the tattoo accompanied a sentence of exile and hard labor, usually in mines or quarries. The deeper meaning of the tattoo and its placement on the forehead is considered in the light of modern understandings. There follows a discussion of the actual form taken by the tattoo, which normally displayed the name of the crime, the name of the emperor, or the name of the punishment. Based on the available data, the last option appears to have been the most common penal tattoo in this period. Finally, the article hypothesizes that the Christians effected a transformation of the tattoo and subverted its original intent, so that, rather than being a sign of punishment, it became a sign of glory in which one could take pride. Thus the penal function, in some settings at least, was overtaken by a primarily religious one.


Author(s):  
M. WHITTOW

The story of Nicopolis ad Istrum and its citizens exemplifies much that is common to the urban history of the whole Roman Empire. This chapter reviews the history of Nicopolis and its transition into the small fortified site of the fifth to seventh centuries and compares it with the evidence from the Near East and Asia Minor. It argues that Nicopolis may not have experienced a cataclysm as has been suggested, and that, as in the fifth and sixth century west, where landowning elites showed a striking ability to adapt and survive, there was an important element of continuity on the lower Danube, which in turn may account for the distinctive ‘Roman’ element in the early medieval Bulgar state. It also suggests that the term ‘transition to Late Antiquity’ should be applied to what happened at Nicopolis in the third century: what happened there in the fifth was the transition to the middle ages. This chapter also describes late antique urbanism in the Balkans by focusing on the Justiniana Prima site.


Author(s):  
Benet Salway

Late antique epigraphy differs in several respects from that of the High Empire, reflecting the changed political, economic, and cultural circumstances. This chapter focuses on the epigraphic habit of that fluctuating portion of the late antique world that remained Roman. Despite the emergence of inscriptions in additional languages, such as Syriac and Coptic, Latin and Greek retained their hegemony as the two main epigraphic languages of the Roman world. The establishment of an imperial court, with its attendant bureaucratic and military retinue, in major centres of the Greek East from the last decades of the third century coincided with a new flowering of Latin inscriptions in the region.


This volume sheds new light on the evolution of Greek epigram from the Hellenistic up to the early Byzantine era. It is concerned not with the work of individual authors but with the complexities of epigram as a genre; with the dynamics of poetic imitation and competition, as reflected in the work of epigrammatists who belong to the same or different anthologies and in the editorial activities of the poets who edited and created those anthologies; with the absorption and adaptation of earlier poetry in epigram; with the cross-fertilization between inscribed and literary epigram; with the dynamics of the relationship between epigram and its literary, sociopolitical, and cultural background from the third century BCE up until the sixth century CE; with its interaction with the visual arts and with Latin poetry; with the activities of late antique compilers who have generated the selections that survive nowadays. The chapters in this collection do not seek to offer a single comprehensive overview of epigram but individually and collectively demonstrate its remarkable richness and diversity. In the process they help to explain the fascination that epigram exercised, both in the ancient world and in subsequent ages, and contribute to the growing body of research on this significant and versatile poetic form.


Transfers ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Susan E. Bell ◽  
Kathy Davis

Translocation – Transformation is an ambitious contribution to the subject of mobility. Materially, it interlinks seemingly disparate objects into a surprisingly unified exhibition on mobile histories and heritages: twelve bronze zodiac heads, silk and bamboo creatures, worn life vests, pressed Pu-erh tea, thousands of broken antique teapot spouts, and an ancestral wooden temple from the Ming dynasty (1368–1644) used by a tea-trading family. Historically and politically, the exhibition engages Chinese stories from the third century BCE, empires in eighteenth-century Austria and China, the Second Opium War in the nineteenth century, the Chinese Cultural Revolution of the mid-twentieth century, and today’s global refugee crisis.


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