Colonial Art of Quito

1946 ◽  
Vol 2 (04) ◽  
pp. 454-460
Author(s):  
Benjamín Gento Sanz

The name of the Dominican friar, Padre José María Vargas, is well-known in the literary and artistic centres of Ecuador, and especially in its capital, the ancient city of “San Francisco de Quito”. The work which we here consider is not the first that has come from his facile pen, prolific in production and classic in style. In 1941 he published the interesting survey entitled: La Cultura del Quito Colonial wherein the author, with abundant information and calm investigation, places before the eyes of the reader the Old Quito of Colonial days, that Quito which, despite its secondary political importance during the Spanish regime, was a centre of intellectual and especially of artistic culture of the first order. Its culture was not dammed up within the confines of the city, but rather, like one of these quiet and peaceful little rivers of tranquil waters that fructify far-off lands, it overflowed into the cities of the viceroyalties of New Granada and Peru. For such was the city of San Francisco de Quito: an enormous workshop where the plastic arts were widely cultivated and where colonial artists, both the famous and the nameless, gave themselves up entirely to the pursuit of their art.

1946 ◽  
Vol 2 (4) ◽  
pp. 454-460
Author(s):  
Benjamín Gento Sanz

The name of the Dominican friar, Padre José María Vargas, is well-known in the literary and artistic centres of Ecuador, and especially in its capital, the ancient city of “San Francisco de Quito”. The work which we here consider is not the first that has come from his facile pen, prolific in production and classic in style. In 1941 he published the interesting survey entitled: La Cultura del Quito Colonial wherein the author, with abundant information and calm investigation, places before the eyes of the reader the Old Quito of Colonial days, that Quito which, despite its secondary political importance during the Spanish regime, was a centre of intellectual and especially of artistic culture of the first order. Its culture was not dammed up within the confines of the city, but rather, like one of these quiet and peaceful little rivers of tranquil waters that fructify far-off lands, it overflowed into the cities of the viceroyalties of New Granada and Peru. For such was the city of San Francisco de Quito: an enormous workshop where the plastic arts were widely cultivated and where colonial artists, both the famous and the nameless, gave themselves up entirely to the pursuit of their art.


In 1871, the city of Chicago was almost entirely destroyed by what became known as The Great Fire. Thirty-five years later, San Francisco lay in smoldering ruins after the catastrophic earthquake of 1906. Or consider the case of the Jerusalem, the greatest site of physical destruction and renewal in history, which, over three millennia, has suffered wars, earthquakes, fires, twenty sieges, eighteen reconstructions, and at least eleven transitions from one religious faith to another. Yet this ancient city has regenerated itself time and again, and still endures. Throughout history, cities have been sacked, burned, torched, bombed, flooded, besieged, and leveled. And yet they almost always rise from the ashes to rebuild. Viewing a wide array of urban disasters in global historical perspective, The Resilient City traces the aftermath of such cataclysms as: --the British invasion of Washington in 1814 --the devastation wrought on Berlin, Warsaw, and Tokyo during World War II --the late-20th century earthquakes that shattered Mexico City and the Chinese city of Tangshan --Los Angeles after the 1992 riots --the Oklahoma City bombing --the destruction of the World Trade Center Revealing how traumatized city-dwellers consistently develop narratives of resilience and how the pragmatic process of urban recovery is always fueled by highly symbolic actions, The Resilient City offers a deeply informative and unsentimental tribute to the dogged persistence of the city, and indeed of the human spirit.


2017 ◽  
Vol 11 (1) ◽  
pp. 126-143
Author(s):  
Ocean Howell

American urban historians have begun to understand that digital mapping provides a potentially powerful tool to describe political power. There are now important projects that map change in the American city along a number of dimensions, including zoning, suburbanization, commercial development, transportation infrastructure, and especially segregation. Most projects use their visual sources to illustrate the material consequences of the policies of powerful agencies and dominant planning ‘regimes.’ As useful as these projects are, they often inadvertently imbue their visualizations with an aura of inevitability, and thereby present political power as a kind of static substance–possess this and you can remake the city to serve your interests. A new project called ‘Imagined San Francisco’ is motivated by a desire to expand upon this approach, treating visual material not only to illustrate outcomes, but also to interrogate historical processes, and using maps, plans, drawings, and photographs not only to show what did happen, but also what might have happened. By enabling users to layer a series of historical urban plans–with a special emphasis on unrealized plans–‘Imagined San Francisco’ presents the city not only as a series of material changes, but also as a contingent process and a battleground for political power.


2009 ◽  
Vol 4 (1) ◽  
Author(s):  
Jonathan W. Loiacono ◽  
Chu-Fei H. Ho ◽  
Natalie V. Sierra ◽  
Domènec Jolis ◽  
Carolyn Chiu ◽  
...  

The City and County of San Francisco (“City”) embarked upon a 30-year master planning process in part prompted by public concerns related to the neighbourhood impacts of the Southeast Water Pollution Control Plant (SEP). The Sewer System Master Plan, as it is called, developed a long term Integrated Urban Watershed Management Plan for the City's treatment plants and collection system. This paper focuses on the planning framework and public input to the process, particularly as it relates to proposed changes to the SEP. The resulting improvements address issues of replacing aging infrastructure, eliminating odor emissions, and visually screening the treatment plants that are situated within an urban setting. The recommended project addresses the needed repair of the existing infrastructure; and proposes that the City move towards an integrated urban watershed approach, initially through localized rainwater harvesting and opportunistic water reclamation.


2016 ◽  
Vol 664 (1) ◽  
pp. 221-235
Author(s):  
Wendy S. Still

This article offers a practitioner’s perspective on California’s criminal justice Realignment. Drawing on my direct experience implementing Realignment as the chief probation officer in the city and county of San Francisco, I argue that the San Francisco case illustrates how decarceration can occur without compromising public safety, and I offer a set of lessons for practitioners and policy-makers about how to achieve decarceration despite local political, organizational, and cultural barriers. Specifically, I identify interagency collaboration, investment in community corrections and a commitment to alternatives to incarceration and community engagement with the families of both victims and offenders as key facilitators of decarceration at the local level. I urge observers not to dismiss these lessons as idiosyncratic to San Francisco’s unique locale. Rather, my experience has been that even San Francisco’s exceptionally hospitable local culture is not enough to successfully implement reform; structural arrangements that institutionalize the practical implementation of cultural commitments to reduce reliance on incarceration are required.


Author(s):  
El-bazoui Jaouad, Mohamed Chouitar, Abdelouaed Bouberria

The reality of historical cities of Morocco today .which is reflected in the fading and deterioration of its built framework and the loss of many of its social and economic functions has prompted many actors in the field of cultural and historical heritage to take a series of measures in order to rehabilitate them to cope with the pace of development, witnessed by its urban and social surrounding. In this context, the city of Taza is one of the ancient Moroccan cities that have a glorious history, an integrated urban fabric, and unique historical monuments. it is an essential building block of Morocco’s cultural heritage, which has played its part throughout history and withstood all the challenges it has faced. However; despite its importance the city has not received the attention it deserves for its historical value, its historical monuments are currently suffering from the continuous deterioration and fading, which necessitates the search for an effective strategy that evokes the criteria of governance as a gateway to the rehabilitation of its ancient heritage. To address this issue we will try to answer the following questions: To what extent is the territorial governance a mechanism for the rehabilitation and development of the ancient city of Taza? What are the most important rehabilitation projects of the ancient city of Taza?


2021 ◽  
Vol 263 (4) ◽  
pp. 2842-2850
Author(s):  
Paul Burge ◽  
Jim Cowan

The San Francisco Bay Area has an existing commuter rail system that brings commuters from southern regional communities into the downtown city center. One of the communities served by commuter rail service is the City of Palo Alto, CA, which includes four active grade crossings, each requiring train horn sounding for each train event. The City wished to evaluate various options to eliminate the noise generated from horn soundings by creating road/rail grade separations at each existing grade crossing and other possible noise and vibration control elements. The alternatives included crossing closures, rail bed trenching, viaducts, roadway underpasses, and tunnels. A noise and vibration study was undertaken to provide an analysis of which alternatives would provide better reductions in noise and vibration in the surrounding community. The study included an assessment of existing noise levels and predicted future noise and vibration levels for construction and operation of each proposed alternative using current established noise and vibration methodology. The results of this study included comparisons of the noise and vibration associated with each of the of the proposed alternatives that could be used in conjunction with other studies considering cost, traffic, safety, aesthetics and other factors to select an overall preferred alternative.


1980 ◽  
Vol 10 (3-4) ◽  
pp. 9-12
Author(s):  
Donald J. Cosentino

The question immediately suggests itself: what constitutes a major American city? Subjectively, but with a long side glance at Jane Jacobs, I would define such a metropolitan area by several attributes. One obviously is population density, though the actual number of people that make up the city is less important than the diversity within the population that allows for a great diversity in culture. Major American cities are composed of many cultural, racial, and economic constituencies coexisting in a single polity. Thus, even though Peoria and San Francisco are dense population centers, one is a major farm town, and the other is a major city. This multiplicity of ethnic constituencies is reflected in a city’s educational, economic, religious, political, and cultural institutions which are likewise fragmented, though interdependent. Such cities with enormous and highly diverse constituencies are likely to be more self-sufficient culturally, politically, and economically than other American towns. They supply their own news and publications, stage their own cultural events, concentrate more on their own political processes, and establish autonomous norms of behavior. In fact, what happens in these cities more often creates the news, the culture, the mores, and the politics for the rest of the land. A university operating in such a milieu is not just a light on the hill. It is a constituency within a mosaic of constituencies. It is linked to those other constituencies politically, socially, culturally, and economically, just by being where it is. It must frequently act on an ad hoc basis, responding to requests and solicitations that are sometimes immediate, and sometimes imperative. The parameters of its actions are clearly traceable in the mosaic of relationships which describe the city. It is not as free as the state university in the college town to define its own program, but by its existential commitment to its locale it draws whatever important qualities it will have for itself, for its community, and for the nation.


Sign in / Sign up

Export Citation Format

Share Document