scholarly journals Tropical Hospitality, British Masculinity, and Drink in Late Eighteenth-Century Jamaica

2021 ◽  
pp. 1-22
Author(s):  
Trevor Burnard
Keyword(s):  
Eighteenth Century ◽  
White Male ◽  
Sexual Exploitation ◽  
Excessive Drinking ◽  
Enslaved Women ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Drinking Culture ◽  
The Tropics ◽  
Free Women

Abstract White Jamaicans developed a drinking culture that drew on British precedents, but which mutated in the tropics into a form of sociability different from how sociability operated in mid-eighteenth Enlightenment Europe, where civility was a much-aspired-to norm. In this article, I use works by eighteenth-century social commentators on Jamaica – Edward Long and especially J. B. Moreton – to explore how white Jamaicans developed a form of sociability which in Long was praised as showing Jamaicans as a generous and hospitable people but which in Moreton was described, more accurately, as a distinctive and unattractive form of debauchery, oriented around excessive drinking and sexual exploitation of enslaved women and free women of colour. The overwhelming importance of slavery in Jamaica accentuated the trends towards a debauched version of hospitality that stressed white male pleasure over everything else as a central animating value in society.

scholarly journals Politicizing Aesthetics

2006 ◽  
Vol 12 ◽  
Author(s):  
Zoe Detsi-Diamanti
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Political Violence ◽  
Female Body ◽  
New World ◽  
White Male ◽  
Symbolic Representation ◽  
Indian Woman ◽  
Late Eighteenth Century ◽  
Late Eighteenth

The aim of this paper is to explore the changing aesthetic and ideological connotations of the representation of America as an Indian woman in the sixteenth-century engravings of the discovery and conquest of the New World and the late-eighteenth-century political cartoons of America's national conflict and eventual secession from mother England. In both cases, the male enterprise of colonization and nation-making is aesthetically expressed in the fetishistic and symbolic representation of the female body as the simultaneously alluring and devouring female, seductively naked before the white male European, and as the victim of political violence and the national struggle for independence.

Slavery and Ransom

2018 ◽  
Author(s):  
Will Smiley
Keyword(s):  
Eighteenth Century ◽  
Ottoman Empire ◽  
Young Men ◽  
Individual Characteristics ◽  
The State ◽  
Customary Law ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Law

This chapter explores captives’ fates after their capture, all along the Ottoman land and maritime frontiers, arguing that this was largely determined by individuals’ value for ransom or sale. First this was a matter of localized customary law; then it became a matter of inter-imperial rules, the “Law of Ransom.” The chapter discusses the nature of slavery in the Ottoman Empire, emphasizing the role of elite households, and the varying prices for captives based on their individual characteristics. It shows that the Ottoman state participated in ransoming, buying, exploiting, and sometimes selling both female and male captives. The state particularly needed young men to row on its galleys, but this changed in the late eighteenth century as the fleet moved from oars to sails. The chapter then turns to ransom, showing that a captive’s ability to be ransomed, and value, depended on a variety of individualized factors.

Historical Romance

2018 ◽  
Author(s):  
Ina Ferris
Keyword(s):  
Eighteenth Century ◽  
Literary History ◽  
Literary Form ◽  
Private Life ◽  
Distinct Form ◽  
Literary Field ◽  
History Writing ◽  
Historical Romance ◽  
Late Eighteenth Century ◽  
Late Eighteenth

This chapter looks at historical romance. Late eighteenth-century historiography began to expand its purview to unofficial spheres of social, cultural, and private life typically cultivated by informal genres such as memoirs, biographies, and novels. The ‘matter’ of history was being increasingly redefined, and this had two key effects that bear on the question of historical romance. First, the ‘reframing’ of the historical field generated a marked reciprocity among the different historical genres in the literary field, as they borrowed material and tactics from one another; second, it led to a splintering albeit not displacement of ‘general’ history, as new branches of history writing took shape, notably that of literary history as a distinct form of history. Hence romance now denoted not only the realm of ‘fancy’ but a superseded literary form of renewed interest in the rethinking of the national past.

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