Sir Walter Scott, the Angel of Hadley, and American Historical Fiction

1983 ◽  
Vol 17 (2) ◽  
pp. 211-227 ◽  
Author(s):  
George Dekker

From 1815 until about 1840 Sir Walter Scott was America's favorite novelist and much the most important model for her own budding fictionalists – Irving, Cooper, Paulding, Simms, Kennedy, Hawthorne, and others. Yet although fairly accurate estimates of Scott's American sales and circulation have been available for several decades, our understanding of his impact on American fiction has made only modest advances since the 1930s. While echoes of the Waverley novels can be discovered everywhere in American Romantic fiction, usually the louder they sound the more they signal merely the borrower's failure of inspiration or nerve. Scott's example was most fruitful where it was comparatively unobtrusive – partly because the best writers were best able thoroughly to adapt Scott's European scenes, characters, and conflicts to American experience, but also because at its best Scott's influence was of the self-effacing kind that helped Cooper, Hawthorne, and their contemporaries find their own true bent as American writers.On one occasion, however, Scott provoked a more revealing response by invading American home territory.

PMLA ◽  
1953 ◽  
Vol 68 (1) ◽  
pp. 189-210
Author(s):  
Paul Roberts

It is rather surprising that the subject of Scott's influence on the English vocabulary, a subject which has excited the interest of many students of language, has not heretofore been carefully examined. That such an influence existed became apparent soon after Scott achieved popularity. Francis Jeffrey, in his review of Marmion in the Edinburgh Review of April 1808, remarks: “His genius, seconded by the omnipotence of fashion, has brought chivalry again into temporary favor. Fine ladies and gentlemen now talk indeed of donjons, keeps, tabards, scutcheons, tressures, caps of maintenance, portcullises, wimples, and we know not what besides … ” This faintly petulant tone pervades the early remarks on Scott's contributions to the language. When the Waverley Novels appeared there seems to have been in the reviews considerable displeasure at the abundant intermixture of Lowland Scottish dialect, whence some words now very current have come to us. When The Monastery was published, a word-minded reviewer used one of Scott's innovations to solve to his own satisfaction the mystery of the Author of Waverley: “I believe that the author of ‘The Monastery’ and ‘Waverley’ has hitherto kept himself concealed, although these Works and several others … are attributed … to Sir Walter Scott, an opinion which is strengthened by the liberal employment in them of that feeble expression ‘he undid,‘ which so frequently disgraces the most beautiful passages in the Poems he avows.”


Antiquity ◽  
1955 ◽  
Vol 29 (115) ◽  
pp. 150-156 ◽  
Author(s):  
Stuart Piggott

Sir Walter Scott ’, Andrew Lang once remarked, ‘ entered literature through the ruined gateway of archaeology ’. The influence of Scott’s poetry, and of the Waverley Novels, upon the growing antiquarian and romantic taste of the early 19th century is a commonplace which needs no enlargement here, but it should have a particular interest to us as Fellows of a Society founded for the study of Scottish antiquities when young Walter was nine years old, and to which he was elected in 1796. That one of his novels should be called The Antiquary is no mere chance, and in Jonathan Oldbuck of Monkbarns, who plays the title-r6le, Scott produced a character whom he acknowledged as in part a humorous caricature of himself. As a crumbling pilaster, or mouldering gargoyle, of Lang's ruined gateway, I should like tonight to direct your attention to The Antiquary’s, and The Shirra’s, archaeological ancestors : what was the climate of antiquarian thought in which Scott had been brought up and how is it reflected in his work ? I do not promise anything new in this brief enquiry, but there are points of interest which may not have been brought together before.


John Macrone (1809-1837), Dickens's first publisher, was also Scott's first biographer. His unfinished life of Scott, filled with unique anecdotes and sidelights on the reception of the Waverley Novels, is here published for the first time, with an introduction which covers his career and personality in detail.


1866 ◽  
Vol 5 ◽  
pp. 567-572
Author(s):  
David Brewster

On the banks of the Elwand Water, which runs into the Tweed, about two miles above Melrose, there is a picturesque glen called the Fairy Dean, which has become a favourite place of resort, from its association with the incidents in “The Monastery” by Sir Walter Scott. It has acquired an interest of a different kind from certain mineral concretions which have received the name of Fairy Stones, from their being found in that part of the rivulet which runs through the Fairy Dean.When the Waverley Novels were not acknowledged by their author, facts or incidents to which they referred, were always welcome subjects of conversation at Abbotsford; and on one occasion when I happened to mention that singular stones were found in the Fairy Dean, Sir Walter Scott expressed a desire to see them, and to know how they were formed.


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