The Farewell Discourses and the History of Johannine Christianity.

1981 ◽  
Vol 27 (4) ◽  
pp. 525-543 ◽  
Author(s):  
John Painter
Keyword(s):  
Second Century ◽  
The Other ◽  
Fourth Gospel ◽  
History Of ◽  
Johannine Community ◽  
Internal Division

The question of ‘traces’ of history in the Fourth Gospel is not new. In 1968 Louis Martyn published hisHistory and Theology in the Fourth Gospel. His thesis, reduced to utter simplicity, was that the Gospel is a drama presented at two levels, one concerning Jesus and the other concerning the community of the evangelist in which the Jesus tradition had been shaped. Thus the Fourth Gospel is seen as a Jewish Christian composition shaped in the dialogue/conflict with the synagogue. More recently Raymond Brown has given us his own penetrating reconstruction of the history of the Johannine community. This is presented in four phases: from its beginning until the exclusion from the synagogue; the situation at the time the Gospel was written; internal division (Epistles); and the final disappearance of both groups in the second century, absorbed, either by the emerging great church or by Docetism, Gnosticism and Montanism.

Nomad Migration in Central Asia

2007 ◽  
Author(s):  
KAZIM ABDULLAEV
Keyword(s):  
Central Asia ◽  
Second Century ◽  
The Other ◽  
Cultural Identities ◽  
Migration Routes ◽  
Central Asian ◽  
History Of ◽  
And Migration

This chapter examines the ethnic and cultural identities and migration routes of nomadic tribes in Central Asia. It explains that the migration of Central Asian nomads, particularly into Transoxiana, can be divided into two categories. One is the long trans-regional route ascribable to the migration of the Yuezhi tribe from the valley of Gansu to the territory north of the Oxus River, and the other is the local migration attributed to the tribes such as the Dahae, Sakaraules, and Appasiakes. The chapter suggests that the events which determined nomad migration are connected with the history of the northern and western borders of Han China in the second century BC.

Britannia on Roman coins of the second century A.D.

1924 ◽  
Vol 14 (1-2) ◽  
pp. 142-157
Author(s):  
Jocelyn Toynbee
Keyword(s):  
Second Century ◽  
Ancient World ◽  
The Other ◽  
Accurate Representation ◽  
Roman Coins ◽  
Greek Revival ◽  
History Of Art ◽  
Greek Tradition ◽  
History Of ◽  
The One

The history of art in the Roman period is the history of the interplay of two opposite tendencies. On the one hand there is the Roman taste for realism and accurate representation, combining with the Italian love of naturalism; on the other, the fostering of the Greek tradition of idealism in art both by the Greek artists who worked at Rome and by the Greek enthusiasts among their Roman employers. After the culmination of Roman historical art under the Flavians and Trajan, the second century, as is well known, was marked by a great reaction in favour of things Hellenic, and it is with one small part of the Greek revival under Hadrian and the Antonines, when Greek art blossomed afresh for the last time during the history of the ancient world, that I propose to deal in this paper.

The Use and Abuse of P52: Papyrological Pitfalls in the Dating of the Fourth Gospel

2005 ◽  
Vol 98 (1) ◽  
pp. 23-48 ◽  
Author(s):  
Brent Nongbri
Keyword(s):  
Twentieth Century ◽  
New Testament ◽  
Gospel Of John ◽  
Second Century ◽  
The Other ◽  
Fourth Gospel ◽  
The New Testament ◽  
Justin Martyr ◽  
John's Gospel

The thesis of this paper is simple: we as critical readers of the New Testament often use John Rylands Greek Papyrus 3.457, also known as P52, ininappropriate ways, and we should stop doing so. A recent example will illustrate the problem. In what is on the whole a superb commentary on John's gospel, D. Moody Smith writes the following about the date of John:For a time, particularly in the early part of the twentieth century, the possibility that John was not written, or at least not published, until [the] mid-second century was a viable one. At that time Justin Martyr espoused a logos Christology, without citing the Fourth Gospel explicitly. Such an omission by Justin would seem strange if the Gospel of John had already been written and was in circulation. Then the discovery and publication in the1930s of two papyrus fragments made such a late dating difficult, if not impossible, to sustain. The first and most important is the fragment of John chapter 18 … [P52], dated by paleographers to the second quarter of the second century (125–150); the other is a fragment of a hithertounknown gospel called Egerton Papyrus 2 from the same period, which obviously reflects knowledge of the Gospel of John…. For the Gospel of Johnto have been written and circulated in Egypt, where these fragments were found, a date nolater than the first decade of the second century must be presumed.

An Early Greek Pandore

1949 ◽  
Vol 81 (3-4) ◽  
pp. 177-179
Author(s):  
Henry George Farmer
Keyword(s):  
Middle East ◽  
Fourth Century ◽  
Second Century ◽  
The Other ◽  
Wall Paintings ◽  
Other Hand ◽  
History Of ◽  
Similar Class

THE origin and history of the pandore and lute in the Near and Middle East is a perennial attraction to musicologists. Especially interesting is its emergence in Greece, where its Oriental origin is ackowledged. It has been surmised that the word πανδορα is derived from the Sumerian pandur or pantur (“little bow”), and it may be perfectly true that in primeval times the pandore would have evolved from a “musical bow”. Still, no such words have come down to us in Sumerian which actually indicate an instrument of music. On the other hand, a somewhat similar class of instrument is to be found to-day in the Ạrmenian pandir, the Georgian panturi, and the Ossetic fandur. Strange to say Nicomachus (a.d. second century) actually wrote ϕανδονρα The pandore itself is delineated in eastern art remains much earlier than in Greece. It occurs on a Nippur plaque (c. 1700), on Egyptian wall paintings (c. 1570), and in later Susian, Cappadocian, Hittite, and Assyrian Art remains. The earliest examples from Greece have been those of the fourth century b.c., as shown in the art remains from Mantineia and Tanagra, both possessing, seemingly, a narrow periform sound-chest and a long neck. A century later, the name πανδορα occurs in Euphorion, who spent most of his life in Syria.

The Quest for the Johannine School: The Apocalypse and the Fourth Gospel

1977 ◽  
Vol 23 (4) ◽  
pp. 402-427 ◽  
Author(s):  
Elisabeth Schussler Fiorenza
Keyword(s):  
New Testament ◽  
Fourth Gospel ◽  
Theological Interpretation ◽  
Literary Works ◽  
History Of ◽  
The Subject ◽  
Johannine Community

The subject presents one of those questions in New Testament criticism in which mental bent, apart from the bias of prejudgment, is chiefly influential in deter-mining the conclusions reached.This statement with which I. T. Beckwith introduced in 1919 his discussion of the authorship of the Apocalypse (Apoc) still proves to be true today. It can be equally applied to the question whether the Apoc should be assigned to the same school or circle that was responsible for the Fourth Gospel (4G) and the Johannine Epistles. The judgement moreover also pertains to the historical and theological interpretation of either the Apoc or the 4G. Mental bent and systematic presuppositions determine the various reconstructions of the history of the Johannine community as well as the theological interpretations of its literary works.

scholarly journals Some Remarks on the Alogi

1890 ◽  
Vol 2 ◽  
pp. 1-9
Author(s):  
George Park Fisher
Keyword(s):  
New Testament ◽  
Second Century ◽  
Fourth Gospel ◽  
The New Testament ◽  
History Of ◽  
The Subject

Of late the Alogi (so-called) have been the subject of renewed discussion in Germany. The topic is handled by Dr. A. Harnack in his able and elaborate article on “Monarchianism” in Herzogand Plitt's Encyclopædia (vol. x.), and in his “Dogmengeschichte” (second edition, 1888). It is considered at length in the first half of the first volume of Zahn's “History of the New Testament Canon” (1888). This last publication has called out a polemical review from Harnack, in which the Alogi forms one of the prominent themes. In Zahn's brief pamphlet in reply to Harnack, however, this particular topic is not taken up. The subject, as all are aware, is interesting as a branch of the history of Christology in the second century. It is especially important now for its connection with the debate respecting the authorship of the Fourth Gospel.

Christology and the History of the Johannine Community in the Prologue of the Fourth Gospel

1984 ◽  
Vol 30 (3) ◽  
pp. 460-474 ◽  
Author(s):  
John Painter
Keyword(s):  
Fourth Gospel ◽  
Precise Understanding ◽  
History Of ◽  
Johannine Community

So much has been written about the Prologue that it must seem unlikely that anything new could be said about it with some claim to credibility. It is not that all problems have been resolved, or that all that needs to be said has been said. But perhaps, on the basis of existing evidence, it seems that what can be said with some probability has been said. Yet many issues remain unresolved. Are the form and content of the Prologue the consequence of the evangelist's use of a source hymn? Or was the Prologue a specially written introduction for the Gospel? If the Prologue is based on a source hymn: What was the origin of the hymn? How did it come to the evangelist and why did he use it? What was in the hymn and what was added by the evangelist? Answers to these questions are fundamental to a precise understanding of the Prologue and could throw light on the history of the Johannine community.

Theodor W. Adorno

2018 ◽  
Author(s):  
Colby Dickinson
Keyword(s):  
The Other ◽  
History Of Thought ◽  
History Of ◽  
The One

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).

The World after the End of the World

2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi
Keyword(s):  
The Other ◽  
The World ◽  
History Of ◽  
The Absolute ◽  
End Of The World

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.

Med. Dr. Adalbert Wraný (1836–1902) – doctor of medicine, mineral collector and donor to the National Museum in Prague

2019 ◽  
Vol 188 (1) ◽  
pp. 95-146
Author(s):  
Martin Bohatý ◽  
Dalibor Velebil
Keyword(s):  
Natural Science ◽  
Natural Sciences ◽  
The Other ◽  
National Museum ◽  
Industrial Chemistry ◽  
Pediatric Pathology ◽  
Geological Institute ◽  
History Of ◽  
Precious Stones

Adalbert Wraný (*1836, †1902) was a doctor of medicine, with his primary specialization in pediatric pathology, and was also one of the founders of microscopic and chemical diagnostics. He was interested in natural sciences, chemistry, botany, paleontology and above all mineralogy. He wrote two books, one on the development of mineralogical research in Bohemia (1896), and the other on the history of industrial chemistry in Bohemia (1902). Wraný also assembled several natural science collections. During his lifetime, he gave to the National Museum large collections of rocks, a collection of cut precious stones and his library. He donated a collection of fossils to the Geological Institute of the Czech University (now Charles University). He was an inspector of the mineralogical collection of the National Museum. After his death, he bequeathed to the National Museum his collection of minerals and the rest of the gemstone collection. He donated paintings to the Prague City Museum, and other property to the Klar Institute of the Blind in Prague. The National Museum’s collection currently contains 4 325 samples of minerals, as well as 21 meteorites and several hundred cut precious stones from Wraný’s collection.

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