Insanity and the realities of history in early modern England

1981 ◽  
Vol 11 (1) ◽  
pp. 11-25 ◽  
Author(s):  
Michael MacDonald
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Religious Radicalism ◽  
Religious Enthusiasm ◽  
Magical Beliefs

SYNOPSISThis paper argues that the attack on religious enthusiasm, a campaign against popular religious radicalism, prompted the governing classes in late seventeenth- and eighteenth-century England to embrace secular explanations of the nature of insanity and to repudiate treatments which were based on religious and magical beliefs. An objection to the argument is considered, and some of its implications are discussed.

Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60.

2005 ◽  
Vol 14 (1) ◽  
pp. 81-100
Author(s):  
Christopher Parker ◽  
David Watson ◽  
Alan Armstrong ◽  
Ben Lowe ◽  
Carrie Hintz ◽  
...  
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Cultural History ◽  
French Revolution ◽  
Early Modern England ◽  
Modern Drama ◽  
Victorian Culture ◽  
Cambridge University ◽  
The Past ◽  
The First World War

‘Wee be black as Hell’: Ritual, Disguise and Rebellion

Rural History ◽  
1993 ◽  
Vol 4 (1) ◽  
pp. 41-53 ◽  
Author(s):  
Alun Howkins ◽  
Linda Merricks
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Cultural Studies ◽  
Early Modern ◽  
Cultural Anthropology ◽  
Pierre Bourdieu ◽  
Moral Economy ◽  
Early Modern England ◽  
Economic Order ◽  
Random Event

This essay began from a continuity, or perhaps a persistence. Working as historians and cultural critics in very different periods, early modern England and the nineteenth-century countryside, we have both been struck for some years by continuities of behaviour in situations of riot or disorder. At one level this was first pointed to in the work of E.P. Thompson and George Rude in relation to eighteenth-century riot. Both these writers argued that far from riot being a spontaneous, anarchic and random event it was nearly always structured and organised. Thompson in particular introduced, through the notion of ‘moral economy’, the idea that rioters shared ideas about ‘right’ which Were related to an earlier customary social and economic order. From a very different, but equally important perspective, we have both been profoundly influenced by the flowering of cultural studies associated with the work of Mikhail Bahktin, and cultural anthropology growing from the work of Victor Turner and Pierre Bourdieu. In these Writers we found arguments about boundaries and structures which were both erected and transgressed by rituals of various kinds. Finally, a very few historians working on riot and popular disorder have been struck by the same continuity, notably, Michael Beames in his study of Whiteboyism, and very recently, Andrew Charlesworth in the Pages of this journal. This brief essay will seek to illuminate our notion of continuity, using some of these ideas. It is offered not as a definitive piece, but rather as an interpretation of some of these materials.

scholarly journals THE SOCIAL, PERSONAL, AND SPIRITUAL DYNAMICS OF GHOST STORIES IN EARLY MODERN ENGLAND

2019 ◽  
Vol 63 (2) ◽  
pp. 339-359
Author(s):  
LAURA SANGHA
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Vantage Point ◽  
Cultural Resources ◽  
Ghost Stories ◽  
Individual Level ◽  
The Social ◽  
The World ◽  
And Gender

AbstractIn early modern England, spectral figures were regular visitors to the world of the living and a vibrant variety of beliefs and expectations clustered around these questionable shapes. Yet whilst historians have established the importance of ghosts as cultural resources that were used to articulate a range of contemporary concerns about worldly life, we know less about the social and personal dynamics that underpinned the telling, recording, and circulation of ghost stories at the time. This article therefore focuses on a unique set of manuscript sources relating to apparitions in late seventeenth- and early eighteenth-century England to uncover a different vantage point. Drawing on the life-writing and correspondence of the antiquarian who collected the narratives, it lays bare concerns about familial relations and gender that ghost stories were bound up with. Tracing the way that belief in ghosts functioned at an individual level also allows the recovery of the personal religious sensibilities and spiritual imperatives that sustained and nourished continuing belief in ghosts. This subjective angle demonstrates that ghost stories were closely intertwined with processes of grieving and remembering the dead, and they continued to be associated with theological understandings of the afterlife and the fate of the soul.

AN OPEN ELITE: THE PECULIARITIES OF CONNOISSEURSHIP IN EARLY MODERN ENGLAND

2004 ◽  
Vol 1 (2) ◽  
pp. 151-183 ◽  
Author(s):  
BRIAN COWAN
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Visual Arts ◽  
Royal Society ◽  
Royal Academy ◽  
Early Modern England ◽  
Modern Approach ◽  
The Arts ◽  
The Social

Seventeenth-century English virtuoso attitudes to the visual arts have often been contrasted with a putative eighteenth-century culture of connoisseurship, most notably in a still influential 1942 article by Walter Houghton. This essay revisits Houghton's thesis and argues that English virtuoso culture did indeed allow for an incipient notion of artistic connoisseurship but that it did so in a manner different from the French model. The first section details a virtuoso aesthetic in which a modern approach to the cultural heritage of antiquity was central. The instructive ethical and historical attributes of an art work were deemed more important than attribution to a master artist, although one can discern an incipient notion of a virtuoso canon of great artists. The second section examines the social and institutional position of the English virtuosi and argues that the lack of a Royal Academy of Arts in the French manner made virtuoso attitudes to the arts unusually receptive to outside influences such as the Royal Society and other private clubs and academies. It concludes by considering the ways in which some eighteenth-century concepts of taste and connoisseurship defined themselves in contrast to an earlier and wider-ranging virtuosity even if they failed to fully supplant it.

The Rural ‘Middling Sort’ in Early Modern England, circa 1640–1740: Some Economic, Political and Socio-Cultural Characteristics

Rural History ◽  
1999 ◽  
Vol 10 (1) ◽  
pp. 19-54 ◽  
Author(s):  
Joan Kent
Keyword(s):  
Eighteenth Century ◽  
Middle Class ◽  
Early Modern ◽  
Early Modern England ◽  
Cultural Characteristics ◽  
Tudor England ◽  
The Past ◽  
Recent Scholarship ◽  
English Society ◽  
The Subject

A middle class ‘did not begin to discover itself (except perhaps in London) until the last three decades of the [eighteenth] century’. So wrote E. P. Thompson in the 1970s in a now-famous analysis which divided English society into patricians and plebeians, and which, along with J. H. Hexter's ‘The Myth of the Middle Class in Tudor England’, largely eliminated ‘middle class’ from the vocabulary of early modern English historians. During the past decade, however, there has been renewed focus on the middle ranks in early modern England, now commonly labelled ‘the middling sort’, and such studies explicitly or implicitly call into question Thompson's polarized portrayal of English society. A number of earlier works analyzed the middling in the countryside, particularly in the period 1540 to 1640; but recent discussions focus largely on townsmen, and most are concerned with a later period, the second half of the seventeenth and the eighteenth centuries. Even in a volume such asThe Middling Sort of People: Culture, Society and Politics in England 1550–1800, a collection of essays presenting recent scholarship on the subject, the rural middling sort receive very little attention (a fact acknowledged by one of the editors). This essay will draw upon detailed evidence from several parishes to consider characteristics of the middling in the countryside during the later seventeenth and early eighteenth centuries.

‘Conscientious Attention to Publick and Family Worship of God’: Religious Practice in Eighteenth-Century English Households

2014 ◽  
Vol 50 ◽  
pp. 307-317
Author(s):  
W. M. Jacob
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Early Modern ◽  
Economic Activity ◽  
Religious Life ◽  
Religious Practice ◽  
Early Modern England ◽  
Family Worship ◽  
The Past ◽  
Devotional Life

Households were the basic units of society in England until well into the nineteenth century, providing the focus of much economic activity, as well as education and, as this essay will argue, religious and devotional life. Recent research has revealed the centrality of religious life in the home in early modern England, but the extensive research about eighteenth-century households over the past fifteen years has seldom made reference to the place and practice of religion in the domestic context. This essay, focusing on the corporate religious life of Anglican households rather than on the piety and devotions of individuals, suggests that religion remained at the heart of the home and family lives of Anglican laypeople throughout the period. It was not rediscovered by Evangelicals, nor was it a distinguishing feature of evangelical households, but was a continuing element throughout the period.

scholarly journals The Counter-Hegemonic Virtues of Popular Culture in Eighteenth-Century England

2015 ◽  
Vol 25 (1) ◽  
pp. 10-19
Author(s):  
Dragoș Ivana
Keyword(s):  
Eighteenth Century ◽  
Popular Culture ◽  
National Identity ◽  
Cultural Identity ◽  
Early Modern ◽  
Early Modern England ◽  
High Culture ◽  
Valid Method ◽  
Porous Boundaries

Abstract The purpose of this article is to re-examine popular culture in early-modern England by focusing on the oral/illiterate-written/literate and popular culture-high culture dyads. I aim to question why these interrelated socio-cultural categories have not been properly reconciled by the writers of the time. Moreover, my purpose is to focus on antiquarianism as a valid method whereby the delineation between the above-mentioned dichotomies turns into a subtle relationship in which both terms become complementary. I shall focus on two important antiquarian texts - Henry Bourne’s Antiquitates Vulgares (1725) and John Brand’s Observations on Popular Antiquities (1777) - by considering issues of religion and national identity, in an attempt to show that popular culture made known its counter-hegemonic virtues which, though permanently negotiated, were never rejected by the polite. Ultimately, the unstable relationship between the high and the low will be seen as suggestive of the porous boundaries between the two, indicating, at the same time, popular culture’s participatory role in rethinking cultural identity in Enlightenment England.

Typographies of Performance in Early Modern England

2020 ◽  
Author(s):  
Claire M. L. Bourne
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Fourteenth Century ◽  
Book Trade ◽  
Early Modern England ◽  
Early Modern English ◽  
Performance Effects ◽  
History Of

Typographies of Performance is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fourteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for “plays” to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, “If a play is a book, it is not a play.” Typographies of Performance shows that “play” and “book” were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.

Islamic Communities

2017 ◽  
Author(s):  
Bernadette Andrea
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Global Scale ◽  
Early Modern England ◽  
Elizabeth I ◽  
English Court ◽  
Islamic World ◽  
Queen Elizabeth I ◽  
History Of ◽  
Facilitating Conditions

This chapter examines four ‘time-spaces’ to situate the lives of individuals from the Islamic world in early modern England and their impact on its literary imagination: 1) the presence of Tartars, Chaldeans, and scattered ‘Others’ from the Islamic world in England from the 1550s to the 1570s; 2) the letters Queen Elizabeth I issued to various Muslim sovereigns from the 1580s to the 1590s; 3) Moroccan and Persian embassies at the English court through the 1680s; and 4) Muslim converts and captives in England through the 1690s. This history of the marginal presence of individuals from the Islamic world in England prior to the eighteenth century and their disproportionate resonance in the literature of the era thus becomes one of the facilitating conditions for the emerging anglocentric discourse of empire on a global scale.

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