Jane Hwang Degenhardt and Elizabeth Williamson, eds., Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Farnham and Burlington, VT: Ashgate, 2011. xiv + 282 pages. Lowell Gallagher, ed., Redrawing the Map of Early Modern English Catholicism. Toronto: Toronto University Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Clark Memorial Library, 2012. x + 342 pages.

2014 ◽  
Vol 21 (1) ◽  
pp. 140-146
Author(s):  
Peter Happé
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Early Modern English ◽  
William Clark

Typographies of Performance in Early Modern England

2020 ◽  
Author(s):  
Claire M. L. Bourne
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Fourteenth Century ◽  
Book Trade ◽  
Early Modern England ◽  
Early Modern English ◽  
Performance Effects ◽  
History Of

Typographies of Performance is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fourteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for “plays” to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, “If a play is a book, it is not a play.” Typographies of Performance shows that “play” and “book” were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.

scholarly journals England and the Catholic Reformation: The Peripheries Strike Back

2020 ◽  
Vol 7 (2) ◽  
pp. 271-285
Author(s):  
James E. Kelly
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Early Modern England ◽  
Position Paper ◽  
Protestant Reformation ◽  
Catholic Reformation ◽  
Academic Interest ◽  
Reading And Writing ◽  
Vital Part ◽  
Early Modern English

AbstractAlthough the Protestant Reformation has traditionally been the focus of research on early modern England, the last two decades have witnessed a rapid increase in scholarship on the experience of the country’s Catholics. Questions surrounding the implementation of the Catholic Reformation in England have been central since the topic’s inception as a subject of academic interest, and the field has more recently captured the attention of, amongst others, literary scholars, musicologists and those working on visual and material culture. This article is a position paper that argues early modern English Catholicism, though not doing away with all continuities from before the country’s definitive break with Rome, was fully engaged with the global Catholic Reformation, both being influenced by it, but also impacting its progression. Whether through reading and writing, or more physical expressions of mission and reform, English Catholicism was a vital part of the wider Catholic Reformation.

Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60.

2005 ◽  
Vol 14 (1) ◽  
pp. 81-100
Author(s):  
Christopher Parker ◽  
David Watson ◽  
Alan Armstrong ◽  
Ben Lowe ◽  
Carrie Hintz ◽  
...  
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Cultural History ◽  
French Revolution ◽  
Early Modern England ◽  
Modern Drama ◽  
Victorian Culture ◽  
Cambridge University ◽  
The Past ◽  
The First World War

From ‘quickly’ to ‘fairly’: on the history ofrather

2008 ◽  
Vol 12 (2) ◽  
pp. 345-359 ◽  
Author(s):  
MATTI RISSANEN
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Middle English ◽  
Old English ◽  
Type I ◽  
Early Modern English ◽  
Semantic Development ◽  
Syntactic Development

In this article I describe the semantic and syntactic development of the moderatorratherfrom Old to Present-day English using a variationist approach.Ratheroriginates in an Old English comparative adverb indicating speed, and hence time, but the loss of the indication of speed and movement can already be traced in the Old English period. In Middle English the ‘preferential’ senses ofrather(e.g. the type ‘I would rather do X than Y’) become more common than the temporal senses. This contrastive meaning constitutes the unmarked use ofratherin Early Modern English, but it gradually weakens in the course of the Modern English period. The moderator use becomes popular in the second half of the eighteenth century. The semantic development outlined above goes hand in hand with a syntactic development from an original adjunct into a subjunct and conjunct, and finally into a modifier of adjectives and adverbs.

Whose Saint Crispins Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England

2001 ◽  
Vol 54 (4-Part2) ◽  
pp. 1467-1494 ◽  
Author(s):  
Alison A. Chapman
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Literary Texts ◽  
Julius Caesar ◽  
Henry V ◽  
Politics Of Memory ◽  
Early Modern English ◽  
English Politics

This article demonstrates an early modern association between the trade of shoemaking and the act of altering the festal calendar. It traces this link through a series of sixteenth- and seventeenth-century English literary texts including Thomas Deloney's Gentle Craft, Thomas Dekker's Shoemaker's Holiday, and Shakespeare's Julius Caesar and — most notably — Henry V. The article argues that the depictions of cobblers making holidays resonated with the early modern English politics of ritual observance, and its concluding discussion of the Saint Crispin's Day speech in Henry V shows how the play imagines king and cobblers vying for control of England's commemorative practice.

scholarly journals Teaching Punctuation in Early Modern England

2010 ◽  
Vol 46 (1) ◽  
pp. 35-49
Author(s):  
Alicia Rodríguez-Álvarez
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Oral Delivery ◽  
Early Modern England ◽  
Sources Of Information ◽  
Reading And Writing ◽  
Early Modern English ◽  
Shed Light

Teaching Punctuation in Early Modern England Much has been written on the punctuation practice of late sixteenth- and seventeenth-century English writers in order to work out the ultimate function of marks of punctuation. The main point of discussion has almost ever been whether punctuation indicated syntactic relationships or represented speech pauses either to give emphasis in oral delivery or just to be able to breathe. The focus of this paper, however, is the theory rather than the practice, in particular, the set of rules and conventions used by schoolmasters to guide students in their use of stops. Thus, textbooks used at the time to teach reading and writing will constitute our main sources of information to achieve the following aims: (i) to offer a classification of the different marks of punctuation described, (ii) to establish the functions schoolbooks assigned to punctuation marks in general, and (iii) to assess the importance schoolmasters gave to pointing. The results of this study - which follows the works by Ong (1944) and Salmon (1962, 1988) - will contribute to shed light on the ever-lasting debate on the principles guiding Early Modern English punctuation usage.

The magistrate, the community and the maintenance of an orderly society in eighteenth-century England

2003 ◽  
Vol 76 (191) ◽  
pp. 54-77 ◽  
Author(s):  
Gwenda Morgan ◽  
Peter Rushton
Keyword(s):  
Eighteenth Century ◽  
Law Enforcement ◽  
Early Modern ◽  
Physical Assault ◽  
Poor Relief ◽  
Employment Relations ◽  
Central Figure ◽  
North East ◽  
Early Modern English ◽  
The Many

Abstract The lone magistrate was the central figure of early modern English law enforcement, yet few records of his activities survive. This study of one of the rare notebooks kept by a local J.P. in north-east England in the eighteenth century suggests that his primary purpose was to negotiate peace between disputants rather than to secure prosecution and conviction of those accused of crimes. Prosecutions in court were few. Reconciliation was mixed with enforcement in areas such as employment relations, poor relief and the maintenance of illegitimate children, but here, as in the many cases of physical assault, outcomes were frequently ‘agreed’.

scholarly journals Joseph Hall’s Mundus Alter et Idem and Cross-Dressing in Early Modern England

2012 ◽  
Vol 11 (1) ◽  
pp. 68-85 ◽  
Author(s):  
Csaba Maczelka
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
Rhetorical Strategies ◽  
Ongoing Debate ◽  
Contemporary Debate ◽  
Early Modern English ◽  
Four Books ◽  
Cross Dressing

Abstract This paper argues that early modern English utopias in general, and Joseph Hall’s Mundus alter et idem (1605/1606) in particular, engage in the contemporary debate on cross-dressing. After a look at the problem of early modern cross-dressing, the paper introduces Hall’s work, together with some of the opinions about it. Out of the four books of the work, only the second part (the description of Viraginia/Shee-landt) is discussed here in detail, since it abounds in instances of cross-dressing and related phenomena (for example, sexual licence and hermaphroditism). In my reading, Hall’s work readily joins the ongoing debate, but because of its masterful rhetorical strategies and its satirical perspective, the text poses a great challenge if one tries to accurately identify its position in that debate. Yet the text and some of Hall’s other works testify to a serious interest in cross-dressing and other gender-related issues.

Insanity and the realities of history in early modern England

1981 ◽  
Vol 11 (1) ◽  
pp. 11-25 ◽  
Author(s):  
Michael MacDonald
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Religious Radicalism ◽  
Religious Enthusiasm ◽  
Magical Beliefs

SYNOPSISThis paper argues that the attack on religious enthusiasm, a campaign against popular religious radicalism, prompted the governing classes in late seventeenth- and eighteenth-century England to embrace secular explanations of the nature of insanity and to repudiate treatments which were based on religious and magical beliefs. An objection to the argument is considered, and some of its implications are discussed.

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