The Realms of Identities
At the very end of Giuseppe di Lampedusa's The Leopard the priests come and remove the relics preserved and protected by the Prince of Salina's aged daughters, virtually the last survivors of the family. Nothing is left of the fabled world of the Sicilian aristocrats. Even the material and symbolic artifacts of their eminence—the religious relics they guarded and the palace over which they presided—have turned into rubble or taken on the musty air of decay. The world of the Prince of Salina, a world of inherited wealth and power stretching back to the Norman conquests of the eleventh century, of aristocratic balls, of shimmering palaces in Palermo and vast estates in the interior—that world has come to an end.
1956 ◽
Vol 12
(1)
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pp. 1-21
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2008 ◽
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1996 ◽
Vol 24
(4)
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pp. 503-517
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