The Burned-Over District Reconsidered: A Portent of Evolving Religious Pluralism in the United States

1984 ◽  
Vol 8 (3) ◽  
pp. 243-265 ◽  
Author(s):  
Linda K. Pritchard
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Religious Pluralism ◽  
The United States ◽  
Spiritual Life ◽  
Great Awakening ◽  
Second Great Awakening ◽  
Joseph Smith ◽  
Charles Finney

The hell’s-fire revivalism of western New York, christened the Burned-Over District by nineteenth-century contemporaries, was a colorful and important chapter in the Second Great Awakening. The main characters—Joseph Smith, the Fox sisters, Charles Finney, and the like—led a religious rejuvenation that presumably reorganized spiritual life in the Finger Lakes vicinity between 1820 and 1850.

Revivalism, Historians, and Lived Religion in the Eastern Canada-United States Borderlands

2008 ◽  
Vol 44 ◽  
pp. 251-261
Author(s):  
Hannah Lane
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
The United States ◽  
Great Awakening ◽  
Lived Religion ◽  
Second Great Awakening ◽  
Eastern Canada ◽  
Human Effort

Historians of evangelicalism in Canada and the United States have long debated the timing and nature of changes in revivalism in the northeast during the nineteenth century and the vocabulary that best describes these changes. Calvinist and Arminian theologies provided two approaches to this history: revivalism and ‘declension’ as widespread but cyclical, and wholly dependent on God; or revivalism as a dispersed but continual force, sustained also by human effort. The former framework has informed studies of Baptists and Congregationalists, and the latter, studies of Methodists, whose history did not fit common periodizations of the Second Great Awakening.

scholarly journals Collections, Compilations, and Convolutes of Medieval and Renaissance Manuscript Fragments in North America before ca. 1900

Fragmentology ◽  
10.24446/dlll ◽  
2020 ◽  
pp. 73-139
Author(s):  
Scott Gwara
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
North America ◽  
The United States ◽  
New York University ◽  
Historical Society ◽  
Cornell University ◽  
Private Collections ◽  
Public Exhibition

Using evidence drawn from S. de Ricci and W. J. Wilson’s Census of Medieval and Renaissance Manuscripts in the United States and Canada, American auction records, private library catalogues, public exhibition catalogues, and manuscript fragments surviving in American institutional libraries, this article documents nineteenth-century collections of medieval and Renaissance manuscript fragments in North America before ca. 1900. Surprisingly few fragments can be identified, and most of the private collections have disappeared. The manuscript constituents are found in multiple private libraries, two universities (New York University and Cornell University), and one Learned Society (Massachusetts Historical Society). The fragment collections reflect the collecting genres documented in England in the same period, including albums of discrete fragments, grangerized books, and individual miniatures or “cuttings” (sometimes framed). A distinction is drawn between undecorated text fragments and illuminated ones, explained by aesthetic and scholarly collecting motivations. An interest in text fragments, often from binding waste, can be documented from the 1880s.

The Changing Role of Foreign Money in the United States, 1782–1857

1977 ◽  
Vol 37 (4) ◽  
pp. 1009-1027 ◽  
Author(s):  
David A. Martin
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
The United States ◽  
National Currency ◽  
Legal Tender ◽  
Silver Standard ◽  
Changing Role ◽  
The U.S

Foreign money remained in widespread use in the United States until the middle of the nineteenth century. Several foreign coins were provided legal tender status in order to supplement the scanty American specie supply. A particular disadvantage was the perpetuation of non-decimal units of account, especially in New York. When the U.S. enacted a subsidiary silver standard in 1853, the expedient bases for the lawful status of foreign coin was removed. In 1857, the United States coinage was finally reformed to secure an exclusive national currency.

The Comic Grotesque

2020 ◽  
pp. 29-66
Author(s):  
Jean Lee Cole
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Social Order ◽  
The United States ◽  
Comic Strip ◽  
Melting Pot ◽  
Logical Basis ◽  
Ethnic Populations ◽  
The Social

A particularly grotesque form of the comic sensibility emerged in the closing years of the nineteenth century in the works of George Luks. Luks was called on to take over Richard Outcault’s phenomenally popular Yellow Kid comic strip at Joseph Pulitzer’s New York World in 1896; he soon made the Yellow Kid his own. As Outcault’s duplicate or twin, Luks capitalized on the grotesque potential of twinning, doubling, and replication to question the social order from below, laying bare—and then savagely mocking—fears of the rapidly growing immigrant and ethnic populations in the United States. In subsequent strips, including The Little Nippers and Mose’s Incubator, his representations of polyglot America become positively fantastical, even monstrous, reflecting the interchangeability and reproducibility of ethnic identity that formed the logical basis of the “melting pot.”

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